No God, No Master

As I've read this film was made in 2009 and coundn't found a distributor for a longer time, a five years. It's not surprising at all, because it shows the system how it was, and actually how it is today. Also, it shows the historical figures of USA, as were J. Edgar Hoover and Mitchell Palmer, and the real picture of the Democratic Party, mostly financially supported by Rockefeller. At the end we can read conclusion what happened and what are some intentions to be done, and to be honest, it makes sense. David Strathairn's portrayal of anarchy fighting detective, William J. Flynn, is good, but for that role it would be better that he got some weight.

This is not an action pack movie. It is somewhat of a documentary of a part of history. History is not pretty and laced with the making of a star studded movie. I haven't really seen much about the Italian heritage. It is interesting to see what the early immigrants had to go through. There were spots in the movie that were a bit slow and could have had improvement. But I am sure the movie was made to explain history. I live in Milwaukee where much of the film was made. It was fun watching it from a distant. I remember that summer. The actors were lucky we had such nice weather. Around here the seasons are pretty erratic. I talked to one of the stagehands and it was interesting. Glad I finally got a chance to see it. I have been looking for it ever since I viewed it being made. David Stratharin is a great actor. I feel he hasn't gotten the praise that he should get. I have seen him in many movies. Again he did a great job in this movie making it believable. I really like Sam Witwer and think he will be a good actor. Love him in "Human Beings."

The start of the movie is crisp and taut, and lays out a tragic crime and some capable characters to solve it. Unfortunately the film quickly loses its way, snarking into class warfare, and derailing completely into the fever swamps of apologetics for Anarchism. The latter comes complete with drippy lines from Bakunin (although nothing of his hatred of "blood sucking" Jews).

After all too much of this, the plot tension over the dramatic opening crime is squandered, replaced by obvious preachy vignettes designed to push the concept that the 'real' villains here are the thuggish cops and the rich. They have to put in yet another crime to recapture any sense of purpose after the class warfare lecture. Unfortunately, this little pick up is immediately metamorphosed into another political lecture, complete with printed jabs at J Edgar Hoover.

In summary: Unsatisfying and trite.

Obviously this movie is made by someone with a great love for the Italian community, or rather what was the Italian community during the years of emigration in early 20th century, who are now integrated citizens and part of the USA. Just like the Irish, who came before. And everybody else, who followed.

The USA is founded on emigration. On people coming to USA to seek their fortune and thus providing the labour, on which the modern age was build. That's a lot of eyes, but unfortunately the stories told from those days are mostly the same, and in the same historic perspective.

This movie narrows the focus to depict a fragment of the battle to define exactly what democracy is - and who gets to define it. Labour unions are at the forefront of this battle, recognising the oppression that makes a few people very rich and powerful enough to bend the government. For example the banker J.D. Rockefeller, who was able to call in national guards to terrorize and kill his striking miners, who were kept under slave-like conditions.

One can never see the whole of a story, without losing important details. But "No God, no master" manages very well, I believe, to show how both the powerful and the powerless are only just people, and how bridges of understanding can be build through simple acts of diligence and kindness.

Besides being presented with a less knows aspect of the story of how the nation was build, I loved the feeling of being "back then". Indie movies can't recreate and build fake streets, but rather than resorting to CGI like many Indie movies (and over-funded movies too - neither with quite satisfactory results) No God, No master makes do with camera angles, select streets and plain good storytelling in frames to create the illusion of streets from a 100 years ago.

My only critique was a tendency to take "tension music" right to the edge. I would say this was unnecessary as the plot was sufficient to keep me interested and leaning forward.

All in all a decent movie I have no problems recommending. 7/10 for just making a good movie.

If you want to see just how Marxist our film industry has become, by all means watch this, Wonderful performances, and a total distortion of the Sacco-Vanzetti case. But drama has never had to be valid, just effective.

IF you want to check on the Marxist Progressives attempts to rewrite history, this is one of the most interesting. Forget history. Go with propaganda

And this is effective. Some terrific work by David Straithearn and others. And the scenery chewing of Mitchell Palmer is great fun...

The humble people (AKA immigrants) just trying to get their rights against the capitalist imperialists, who can resist?

Don't miss it.

If you want to know where Barack Obama has come from, make sure you watch THIS.