Lucky

Lucky is a serial killer's tale through the eye of a cynic. It's a dark comedy that anyone can easily enjoy.

The good. Surprising scenario, nicely put together. When you think it's going to go left, it goes right. Imaginative ideas in the story. Excellent ending. This is not your Hollywood mush, it has realism mixed in the movie flair.

The bad. A few logical hitch, but easily ignored.

The ugly. Nothing.

The result. If you like films that are different, offbeat, this is for you. Everyone else should at least give it a try.

Lucky is the kind of film that proves indie movies can hold their own against the studios. This dark comedy is a movie-lovers movie. Well written, superb acting, great directing and a memorable soundtrack make this a fun, if quirky film.

The pace of the movie is good in that it takes it's time to tell the story without unnecessary scenes or long silences. It baffles me that some people find this movie dull of boring. It doesn't have car chases or CGI characters throwing crap at the audience. "Lucky" is not for kids, anyone who think it's dull should find the next 3D IMAX extravaganza to keep their attention.

Hanks is ideal in this role playing a mild mannered serial killer who still lives with his mom (Ann Margret – looking great) with a lifelong crush on Ari Graynor who doesn't give him a second glance until he wins the lottery.

If you like movies like "Heathers", "Fargo" or "Lars and the Real Girl", you'll enjoy "Lucky."

I'm stunned by the reviews this film received. It makes me wonder what audiences are looking for. Giant robot cars, maybe? Stereo-typical heroes and bad guys (with capes!)? This is an independent film and the reviews read like they were written by a church group. This film is innovative and clever and extraordinarily well written. Sublette and Cates' work here deserves better reviews than these. I feel bad that they have to be subjected to this type of unenlightened ridicule for such a wonderful film. I suspect that the film just didn't get a chance to find its audience (which is not the Bridesmaids/Hangover crowd). Lucky is a different type of romantic comedy that successfully takes brave risks and they all pay off. On to specifics:

The screenplay was an extraordinary piece of writing. I won't give anything away, because if you like quirky independent film, you should see this movie. But, some of the scenes were beautifully nuanced. In particular, the final scene, which was an extremely difficult scene to pull off. Sublette manages to make it work. The pacing, editing, and direction are all as good as it gets. And the way the screenplay subtly builds these characters so that we believe their relationship (as bizarre as it may be) is masterful.

The acting is superlative. Hanks and Ari Graynor are ideally cast as nebbish serial killer and quirky love interest, and their performances are exquisite. I was amazed at their work in this film. The emotionality of the scenes required refined acting chops and they delivered.

I'd kill to work with any one of these creative talents and think they should be lauded for this film.

I'll assume that you know this is a dark comedy about a serial killer. If you can swallow that premise, you're halfway there. If not, walk away while you still can.

Good, you're still here. Maybe you have a slightly sick sense of humor, or maybe you're simply able to differentiate fiction from reality. One way or another, I think you'll be entertained by this film.

Like any good dark comedy, it makes no attempt to moralize, rationalize or justify the characters' criminal actions. Think of the scene in "Pulp Fiction" when they accidentally blow a guy's head off and sit there bickering with bits of brains in their hair. Think of the scene in "The Prophecy" where Christopher Walken, playing the angel of death, snatches a poor dying cancer patient from her blissful demise and forces her to become his servant simply because he can't drive a car. If you cracked a smile at these or any other shockingly morbid bits of dark comedy, then read on.

Though not as hyper violent as "Pulp Fiction" or as action packed as "The Prophecy", this film "Lucky" keeps the same sort of biting, surreal, amoral humor. There haven't been too many romcoms that center around murder and psychosis, and for that I give this bonus points for originality.

It earns extra points for Ari Graynor's EXCELLENT performance as the detestable gold-digger whose wacky descent into madness makes us suddenly start to root for her. Again, this is in keeping with the theme that even detestable characters can become our heroes. Ari's performance is one of the best examples of how to sway the audiences sympathy even though, in real life, such a character wouldn't be worth the trouble of spitting on her.

Similarly, Colin Hanks, with his boyishly innocent face and perpetual deer-in-the-headlights expression, makes you cheer for him even though he butchers people with no remorse. Throw in the lovely Ann-Margaret as the creepy mother, and you have a film with flawless casting. Oh, and how could I forget Jeffrey Tambor? Note to self: never, ever forget Jeffrey Tambor.

My only criticism of this film is that the ending comes upon you quite fast and may seem slightly implausible the way it's hastily explained in the final scene. But maybe that's the point. Like an unexpected punchline to a joke, it's probably designed to whack you senseless. But I would've loved to have seen more of Ari losing her mind, having ghostly hallucinations and transforming from clever manipulator to total flake. That's really what made me love this movie.

I also seem to recall that the music was pretty cool. I had never heard of the band Transcargo before, but I really liked their song "Kissing the Day" (listen to it on Myspace). I also liked "Whatever Gets You By" by The Features. These and other songs are quirky, happy-ish tunes that are brilliantly juxtaposed against the macabre story.

If you like dark comedies that make light of murder, don't hesitate to check this out. So many dark comedies rely on unspoken satire for laughs, but this one dives boldly into comedy territory. I haven't seen too many of those madcap, slapstick style dark comedies. Similar films include the Roberto Benigni film "Il Mostro" about a nerdy schlep (Benigni) who is being investigated for multiple gruesome murders, the Chinese film "A Woman, A Gun and a Noodle Shop" which is a comedy remake of the Coen Brothers' thriller "Blood Simple", and an obscure gem called "Mambo Cafe" about a family that tries to stage a murder at their restaurant to improve business.

I like Colin Hanks. A lot of people just say that he's a complete knock-off of his father but that comment always completely misses the point. His father was darn likable even when being prickly or sarcastic he's still just effortlessly likable. Colin has a similar likability, one that certainly veers more to the prickly or complainy side--but still he's a guy you can either like or at least watch in most things that he appears in and not have a problem with. The casting of him in this movie should've been so perfect--unfortunately the movie itself is way too slow to set its premise up, even slower to get its other main character up to speed with what the audience already knows which kind of kills the suspense that's suppose to be building up. I should single out the other lead in the film--the nicely daffy Ari Gaynor plays her and if the movie works at all i would say its completely because of her ability to show you why she would do the things she does in the movie even if you're sitting there questioning why she would or should, you completely buy her character's motivation and reasoning.

If you're reading this you probably already know the set-up and that's about all there is to know for this movie quite honestly. I was hoping for something a little more funny...or maybe even a little bit darker---the plot was really promising after all but its as if once the idea is established, the writer/director couldn't think of where else to take it other then the usual cat and mouse games that normally occur in these kinds of movies. (will the wife eventually snap? will the husband eventually snap? is the husband even the real killer? is the detective played by a seemingly bored Jeffery Tambor getting ever closer to the 2 of them? and what's the deal with Ann Margaret as Hanks'mother?) All of what happens in the movie happens really slowly until maybe the last ten minutes at which point if you're still watching, you're just trying to figure out how the director is going to wrap it up. The wrap up actually is pretty good--there's even an actual honest to goodness laugh from the delivery of one of the one liners here. (One of the few one liners that completely lands too) Its unfortunate that the director couldn't find this perfect balance in tone between discomfort and humor before the end of the movie but what can you do? movie's already finished at that point. I didn't dislike the film really--but there were scenes where i was more bored then interested in the storyline and that's not a good thing for any kind of movie. Essentialy the film could've done so much more with its plot line that its unbelievable that it doesn't.