Attack the Block

The first film from Joe Cornish, one half of cult broadcasting duo Adam and Joe, is a vital horror-comedy that pitches a teen gang against a breed of hairy aliens with glow-in-the-dark teeth. It begins with a mugging, as nurse Jodie Whittaker has her phone, wallet and ring taken at knifepoint by five hoodies. No sooner has she fled the scene than an alien falls from the sky into a parked car. The kids kick it to death. Then its mates turn up.

This is an incredibly assured debut, with unpredictable plotting, stylised dialogue and characters you really care about, once their frailties are laid bare. Cornish has acknowledged his debt to '80s "creature features", but the film this most recalls is John Carpenter's action classic Assault on Precinct 13 - albeit set in London, and with added aliens - as a gaggle of disparate, untrusting souls band together to combat a greater threat, and an unlikely, initially dislikeable hero emerges.

While Whittaker is excellent and the supporting players are uniformly fine, the standout performance unquestionably comes from John Boyega as gang leader Moses, with his sullen expression, Adidas-three-stripe-style facial scar and burgeoning understanding of his growing responsibilities. He's a fantastic character and Boyega nails his myriad complexities: his insecurity and feeling of persecution alongside his bravery, resourcefulness and sense of honour.

Cornish also has a natural gift for choreographing action, leading to a series of frenetic, energetic, perfectly-paced set pieces. Indeed, that vitality and invention runs through the whole film, from its "big alien gorilla wolf monster" baddies to the Union Jack reveal: an iconic shot, informed by Roger Moore-era Bond, at the heart of a stunning finale.

Perhaps the subplot about middle class drug dealer Luke Treadaway was a bit of a misstep - although funny in itself, it slows proceedings - but everything else about this punchy, idiosyncratic slice of genre fun is absolutely dead-on. It's also a thrilling counterpoint to establishment fare like The King's Speech, without a royal carriage or quietly-emoting monarch in sight. And it has the best final five minutes of any film in recent memory.

First, this is the sort of flick the UK writers do so well and frankly don't do enough of.

Reminds me of the old saying, when Life gives you Lemons, make Lemonade.

London has blessed the UK film industry with one of the most diverse and interesting ecosystems on the planet. What, I have lost count, 14 distinct accents and counting? In return the industry has taken this raw material and produced a wide range of thrillers, most of which rely heavily for their impact on the violence element or the gang element.

So, who woke up one morning and said, hey, let's make the gang the good guys for a change ... instead of causing trouble they get to defend the country against aliens. And brimming with gang values, they will go it alone, they will not even ask for help.

Great premise, brilliant and engaging execution. It could have just been "merely" entertaining, but great writing, cast, acting and direction help it make the leap to cult classic.

The low IMDb rating is not merely wrong, it is seriously wrong. This is a fun film that can be watched more than once.

Made with less than one tenth of SUPER 8 budget, this movie gets twice more entertainment while delivering social messages instead of shallow fake nostalgia. A gang of teenagers (mostly black but from other ethnic groups too) rob a woman/nurse on her way home. A sudden explosion and something falling from the sky, allow the woman to escape. When the gang's leader checks what happened is attacked by an extraterrestrial creature. The group kills the thing and take the body with them hoping to make a few squids out of the strange creature. From there, things get really ugly; when more bigger beasts fall from the sky, police and some gangsters show up; everybody pursuing the gang. The action does not stop. No unnecessary romances, or tear breaking scenes; just a few commentaries about life in those marginal neighborhoods. The acting of the teenage members is excellent. Every one of them has a brief time to deploy their character but all of them have enough charisma to succeed. In brief, do not expect Hollywood overproduced and unrealistic special effects here only real fun.

All aspiring film-makers should watch this. And those producing films for SyFy or Asylum should also take note.

First and foremost, we need characters. Characters that have each their own voice and emotions, all growing from their personal past. This makes the viewer care about what happens to them, root for them, and believe in them. It also takes a bit of the storytelling burden off the cinematography, as these characters can support the story in their part.

Secondly, a compelling story should be written. Compelling does not necessarily equal complex. A story should have events pan out in an order that presents at least some kind of logic and thought behind it. Twists and turns are okay, but they don't have to be gimmicks. This doesn't mean resorting to worn clichés, but have these engaging characters something to do. Something, that has some weight to it, so that the viewer stays focused for the length of the movie.

And third, add a bit of vision. A little quirk here and there brings the humanity of the characters, the story, and those making the film apparent, and creates the valuable bond between the finished movie and its' audience.

As we can see, none of these elements require much of a budget. So having a small budget should not be a constraint per se, but rather a source of ingenuity. Monty Python and the Holy Grail is one excellent example, Attack the Block is another.

It is clear that they did not have the money for a plethora of awesome locations, top-notch CGI, or brand-name anything. But what they managed to do with what they had was fun and entertaining and well worth a re- watch: The lack of shooting locations was masked with a brilliant and logical reason for limited room; lack of awe-inspiring special effects was masked with more traditional skills, ie. use of light and sound, and going story first (everyone knows how annoying is the modern over-focus on CGI over human connection, even when the effects are great); and I have no reason to believe they were looking for cheap actors, but people with desire to go out and do their best and have some fun while at it.

This film is fresh and entertaining, and as stated in the beginning, a great lesson in how to make something great out of nothing much.

B-Movies were once all the rage, but those days seem to have long gone. This is an update on those old much loved films, which takes a simple but outlandish idea, and fuses it with the modern London world.

We have here a set of young estate living lads who end up caught up with an alien invasion! The strange black furry creatures are attacking their tower block, and our unlikely urban heroes are as much looking out for their own lives as that of the others too!

The humour is good, the effects are fine and likable without being corny, the acting is great and you really begin to love the motley crew in this. They're never patronised, they talk in their own lingo and act like many others of their age do!

I really enjoyed it. I think this deserves more exposure, it's a fun film and will keep everyone entertained. Give it a go.