Week-end royal

I don't get all the negativity directed at this film. I thought it was charming and witty. History is rarely so much fun.

The story is simple enough. On the eve of World War II King George VI and his wife journey to the US to see President Roosevelt at his family's Hyde Park retreat hoping to secure American support against Nazi Germany. The FDR we see here isn't the Great Depression/war leader he's a weary man battling polio and trying to find solace in relationships with a distant cousin among others.

Bill Murray gives an amazing performance humanizing the 32nd president an avid stamp collector who during this period when another European war appeared inevitable was more likely to find himself seeking peaceful coexistence between his dominating mother and estranged wife, Eleanor. Laura Linney is Margaret Suckley an unassuming, humble cousin who becomes a regular visitor to the retreat at the time of the royal visit. Samuel West and Olivia Colman are a convincing King and Queen making the first visit in history to the US by a British monarch. I found "Hyde Park On the Hudson" a delightful little film and the 95 minutes flew by leaving me wishing for more.

In 1939, Margaret "Daisy" Suckley, fifth cousin to current US President Franklin D. Roosevelt, is summoned to visit FDR at his country estate in Hyde Park, NY. He initiates a sexual relationship with her--we're told he thrives on the adoring eyes of young women--which surprisingly does not complicate his state of affairs, the fact he's married, or that his mother is a constant factor in his life. Bill Murray plays Roosevelt with wry humor and an unpretentious lift of the chin; crippled at this point by polio, yet unselfconscious about using crutches or by being carried around by an assistant, this Commander in Chief is a steady, low-keyed man so lacking in drama he's almost easy to miss in a crowd. Written by Richard Nelson, ostensibly based upon Suckley's diaries (discovered posthumously), "Hyde Park on Hudson" is austere and tasteful, if pointless. The Roosevelts' lack of a grand showing when King George VI and Queen Elizabeth visit is faintly amusing (the Royals are initially perplexed or put-off by the mild reception, but come to love FDR for his unadorned hospitality). Lara Linney as Daisy has to grapple with her feelings for a man whose time (and intimacy) must be shared, and occasionally she's too much of a sad anchor on the narrative; still, Linney's underplaying is in tune with director Roger Michell's handling, and she manages to carve out a genuine character without a lot to work with. The film has lovely passages, but is so thin it has to use Daisy's sense of betrayal for narrative tension (which is useless since nothing much is done to satisfy her--or us). Samuel West is wonderful as the stammering King (who livens up an otherwise disastrous formal dinner) and Olivia Williams is a fine Eleanor. **1/2 from ****

In 1939, King George VI (Samuel West) and Queen Elizabeth (Olivia Colman) made the trek across the ocean to visit American President Franklin D. Roosevelt (Bill Murray) at "Hyde Park on Hudson". It was the first trip of its kind and tensions were high. First Lady Eleanor and Mother Roosevelt expected perfection, and the Queen (the eventual Queen Mother) also expected perfection. Roosevelt was in no shape to deliver perfection.

Mostly confined to a wheelchair and married to a woman he did not love, Roosevelt reportedly had affairs. The film focuses on one such affair that started just before the King and Queen of England were to arrive. Margaret "Daisy" Suckley (Laura Linney) is FDR's distant cousin and she is excited for this new turn in her life. She essentially moves into the Hyde Park residence, is convinced of Roosevelt's need for her, and won't accept a lesser role in his life. She's a tough pill to swallow and it's unfortunate that she's the main character of the film.

The best characters of the film are easily Franklin Roosevelt and Bertie (the King). Murray transforms Roosevelt into such a humanized version of the esteemed President that he's always relatable, always likable and always entertaining despite the pedestal that he's on and despite the pedestal that he probably shouldn't be on. West gives a pitch-perfect, award-deserving portrayal of the humble would-be King providing an understanding confidante for the President. Together they provide the film with an undeniable comedic chemistry and also an honest dynamic that gives it a much needed stability as it tries to find its way as a comedic, dramatic biopic.

The other women in the film, notably: First Lady Eleanor Roosevelt (Olivia Williams), Mrs. Roosevelt and Queen Elizabeth, were portrayed with a likely honest, indifferent, and distant air. That approach allows the film to make no judgements about these three strong, independent and forceful women who have all forged their way into history. We only see them through their equally strong husbands (and son) and we can form our own opinions.

True to its name, "Hyde Park on Hudson" has beautiful cinematography. While it's shot in England rather than New York, it is a suitable substitution, recognizing the source of the inspiration for the name, the architecture and the landscaping of the Presidential family estate in upstate New York.

Hyde Park on Hudson is no mixed bag, as some may have you think. Bill Murray turns in a perfectly mannered, whimsical performance as FDR and is very ably supported by an award-worthy cast that includes Laura Linney and Olivia Williams. It's funny, yes, but it's not a laugh riot, nor is it meant to be. It's a postcard look at a lost time, the first visit of an English monarch to a sitting U.S. president, dappled with a touch of uncertain, unlikely, and illicit romance.

It's a few years before The Big One, WWII, but there's a storm a-brewing in Europe. Everyone knows it, but relations between the U.S. and England have been strained, something about revolting and then fighting in the War of 1812. Ancient history to some but not all, it would seem. At any rate, King George VI and Queen Consort Elizabeth (Samuel West and Olivia Coleman, respectively) travel to America to visit Roosevelt with the intention of securing his support for the upcoming war. But rather than host them in stuffy Washington, DC, FDR (contrary to the real visit) invites his royal guests to his home away from home, Springwood, a stately manor in upstate New York. It happens to be on the Hudson River, or near it, in case the title has tripped you up.

Now, FDR was quite an unusual president. He was the last to serve more than two terms, as the Constitution was amended later. Also, he had polio, which he had contracted as a child. The funny thing is this - people went to great lengths to pretend nothing was wrong with Roosevelt's legs whatsoever. The Emperor had no clothes. Even the press were complicit, gamely waiting for the president to be lowered into the back of a convertible before taking their pictures and asking their questions. Can you imagine that today? The slightest limp by a leader seems to imply a lack of leadership in the minds of some.

And so it was at the time, only not. The nation turned its eyes to Roosevelt as a resolute, optimistic leader, a man who could help them finally rid themselves of that awful Depression, and so they gladly ignore whatever shortcomings he may have. The king of England, meanwhile, is in a similar situation. He is the same George depicted in The King's Speech - you know, the one about the king who stuttered? FDR, who is much older, is not as self conscious about his malady as he used to be, whereas poor George is practically frozen by his own. Now, recall that the king and queen are visiting to gain the support of America; FDR already knows this. He could easily just issue a statement to the effect that the USA would help England in any way it could, but he chooses to host royalty instead. He wishes to meet the man beneath the crown, and he wishes to size him up.

Enter into the fray a quite-distant cousin of FDR, a Daisy Stuckley (Linney), who narrates the story. Daisy is introduced to the president, and somehow they find a connection. Daisy, like the arriving king, is also unsure of herself, a bit of an ugly duckling among the glamor of the president's residence. They find in each other a kindred spirit. Franklin is more or less estranged from his saintly wife Eleanor at this point (they live in separate houses in New York!), and although he cannot walk, he does enjoy him some female company.

But what is this story really about, anyway? It depends on your own perspective. Some will see this as a docudrama reflecting the meeting of two leaders (and their wives); some will see it as a comedy, an intelligent, subtle comedy with a barely smirking Bill Murray. Others still will find romance in almost every scene, no matter who the players, no matter where the setting.

Murray deserves an Oscar nomination here, and perhaps the Academy will make up for their Lost in Translation snub. Linney does as well; her Daisy never undergoes a sudden transformation into a woman with a real backbone. She seems sad much of the time, working in the White House with tightened lips. Her life appears joyless; that is, until she has some alone time with Franklin, whence a window to a sunnier day slowly opens.

Hyde Park on Hudson is a gorgeous movie with a splendid, bemused, and convincing performance by Bill Murray as our 32nd president and endearing, exhilarating role for Laura Linney. Each should be richly rewarded come award time.

"Hyde Park on Hudson" might forever be known as that other film in 2012 featuring a U.S. president — if anyone remembers it at all. Both films are entirely different portrayals, namely in the scope of both the stories they tell and the span of time in which they take place, but only one of them is giddy over being a period piece, and it's not "Lincoln."

Taking in place in 1939 prior the U.S. committing to what would become World War II, "Hudson" is a film mostly content with being pretty, excited by putting actors in period clothes who pretend to be world leaders. None of these performances are bad, (quite the opposite in fact) but the little piece of history they're reenacting lacks any bit of import.

Bill Murray as Franklin Roosevelt isn't even the center of the film. Instead it's our narrator, Daisy (Laura Linney), FDR's distant cousin, whose diary and memoirs Richard Nelson used to craft the screenplay. She relays a story of romance, but one that's modest and presumed, occurring up to and during the arrival of King George VI and Queen Elizabeth from England to Hyde Park on Hudson, home of FDR's mother and his home away from Washington.

The film invests a lot in presenting FDR in such a casual manner, but this notion of candid access is hardly thrilling, either because the man has been dead for almost 70 years, or because it barely shows him in the context of being president — just a man who people treat with great respect and admiration who is surrounded by a lot of people all the time. Any American who studied the president in school knows about his polio and how he was able to keep the country oblivious to it with cooperation from the press, so that's hardly a hook either.

Murray is certainly an unusual but inspired choice. Playing a light-hearted and relaxed FDR makes sense for him, though if tested it would be wrong to doubt his capability to command attention in the role. The film doesn't seem too interested in digging into his psyche, just peeling back the curtain enough to show a man who longed for the affections of women and whose outlook and world view was different from other people in positions of power during his time.

Linney is such a wasted talent as the meek and naive Daisy. Although she narrates throughout, she disappears in stretches, even after the script establishes very clearly that this is her story. She doesn't factor into the conflict until late, and that's if you can consider it conflict. Normally, choosing not to embellish the details of an alleged affair in melodramatic Hollywood fashion would be worthy of much commendation, but the details of their relationship are so vague and the process by which Daisy comes to have feelings for FDR and vice-versa so ambiguous that you feel nothing toward either of them.

The arrival of King George VI (Samuel West) and Queen Elizabeth (Olivia Colman) in Hyde Park provides the film a pair of interesting characters and ultimately something to happen in what would otherwise be a purposeless portrait of a president and his sometimes-lover cousin. George has just assumed power after his brother abdicated the throne and they come to America desperate to forge a partnership between England and the U.S.

Therein could be the conflict at the heart of "Hudson," but the film maintains its light and often jocular tone instead, despite a footnote suggesting the events depicted were crucial to the special relationship between the countries. In essence, much stock is put into the symbol of King George biting into a hot dog.

"Hyde Park on Hudson" is a pleasant film, but it presumes to be interesting on the basis that it depicts famous political figures and exposes a beloved president's unflattering personal life. Maybe that's an exaggerated assumption of the film's intent, but it doesn't tell a story of any kind as far as plot structure goes. It's a great advertisement for a film audiences would prefer to see about who FDR really was, but in and of itself, it fails to offer any acute insight.

~Steven C

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