John Luther is a brilliant homicide detective with a knack for getting inside the minds of murderers. Unfortunately, his unconventional methods and personal demons put him at odds with his t... Read allJohn Luther is a brilliant homicide detective with a knack for getting inside the minds of murderers. Unfortunately, his unconventional methods and personal demons put him at odds with his team.John Luther is a brilliant homicide detective with a knack for getting inside the minds of murderers. Unfortunately, his unconventional methods and personal demons put him at odds with his team.
- Nominated for 11 Primetime Emmys
- 16 wins & 71 nominations total
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Bias, it's a terrible thing I know but I have to admit I AM biased,biased against police drama's, for me they signify the apathy and mediocrity at the heart of British and American television.
However, occasionally along comes a series that sits so far above the grey landscape of indifference that it blinds by the light of it's creativity, one such show is the British drama 'Luther'. The show's direction takes the viewer helter skelter into the very heart and soul of John Luther, a dedicated senior police officer in a constant struggle to retain his moral compass because he dares to use questionable methods to ensure justice for victims of the most brutal crimes within a labyrinthine bureaucracy of a legal system whose very existence seems intent in ensuring the path towards a successful arrest and conviction is as difficult as possible.
Idris Elba is excellent at portraying this wrought, fallible but noble detective John Luther, which reflects once again how far Elba's acting range can reach post The Wire. The audio track is charged, insightful and electric, employing talents such as Emiliana Torrini and her track 'Gun'.
One of the more interesting back stories is the role of Alice Morgan, a young multiple murderess (played brilliantly by Ruth Wilson) who gives Luther chilling insight into the minds of his suspects while challenging him on sexual, intellectual and moral levels, intent on drawing him further inwards to the heart of her passion, John can see this, it both frightens and attracts him leaving the audience on a constant cliff-edge awaiting his fate. 'Luther' reminds me of 'the number 23' and how obsession can destroy and destroy utterly taking everything and everyone with it.
A triple A show among E-average competition.
However, occasionally along comes a series that sits so far above the grey landscape of indifference that it blinds by the light of it's creativity, one such show is the British drama 'Luther'. The show's direction takes the viewer helter skelter into the very heart and soul of John Luther, a dedicated senior police officer in a constant struggle to retain his moral compass because he dares to use questionable methods to ensure justice for victims of the most brutal crimes within a labyrinthine bureaucracy of a legal system whose very existence seems intent in ensuring the path towards a successful arrest and conviction is as difficult as possible.
Idris Elba is excellent at portraying this wrought, fallible but noble detective John Luther, which reflects once again how far Elba's acting range can reach post The Wire. The audio track is charged, insightful and electric, employing talents such as Emiliana Torrini and her track 'Gun'.
One of the more interesting back stories is the role of Alice Morgan, a young multiple murderess (played brilliantly by Ruth Wilson) who gives Luther chilling insight into the minds of his suspects while challenging him on sexual, intellectual and moral levels, intent on drawing him further inwards to the heart of her passion, John can see this, it both frightens and attracts him leaving the audience on a constant cliff-edge awaiting his fate. 'Luther' reminds me of 'the number 23' and how obsession can destroy and destroy utterly taking everything and everyone with it.
A triple A show among E-average competition.
Each season, there is a cop or a team dedicated to bring Luther down. They waste so much time, money and effort on this. It is like they are tripping on their own show. I get it, it add more tension... will they get him? But I really much rather have more focus on the real murderer. Luther get the job done, he catched bad guys. But no, they MUST stop him because he doesnt follow the rules. They really got and hard on on the fact they will eventually dig enough dirt on Luther.... but why?? It stain the real investigation and force an other intrigue. It really drag the show down. I love Edris Elba. Each second with him on screen is a blast. But stop with those jealous colleagues !
Luther is an excellent show that absolutely lives up to all the hype! Idris Elba is fantastic as Luther and the rest of the cast is also impressive! This last season wasn't as good as the previous ones but it was still worth watching. God knows there are a thousand detective shows to choose from out there but Luther really is one of the better ones available!
Class! What an excellent series.
I've always liked Idris Elba - maybe it's because of The Wire or maybe because his screen presence is so compelling. When our TVs schedules are filled with so much dross to have this little gem of a series appear is so refreshing.
Luther (Idris Elba) is a Detective Inspector in a Special Crimes Unit who has just returned to work after having recently recovered from a mental breakdown due to pressures of a marriage break up and over commitment to his job. His relationships with his ex-wife, his new colleague DS Ripley and a psychopathic but brilliant young lady are central to the development of the series. Each episode leaves one wanting to know how the plot will develop. There are of course the crimes to be solved and Luther's unorthodox but canny methods.
I will not divulge any more but the climatic ending to episode 6 makes one want to know 'what now?' I strongly recommend Luther who anyone who appreciates 'quality' television drama.
I've always liked Idris Elba - maybe it's because of The Wire or maybe because his screen presence is so compelling. When our TVs schedules are filled with so much dross to have this little gem of a series appear is so refreshing.
Luther (Idris Elba) is a Detective Inspector in a Special Crimes Unit who has just returned to work after having recently recovered from a mental breakdown due to pressures of a marriage break up and over commitment to his job. His relationships with his ex-wife, his new colleague DS Ripley and a psychopathic but brilliant young lady are central to the development of the series. Each episode leaves one wanting to know how the plot will develop. There are of course the crimes to be solved and Luther's unorthodox but canny methods.
I will not divulge any more but the climatic ending to episode 6 makes one want to know 'what now?' I strongly recommend Luther who anyone who appreciates 'quality' television drama.
What's remarkable about "Luther" is how series creator Neil Cross takes a rag-tag bag of clichés--brilliant but damaged rogue cop, long-suffering boss, genius killer, etc.--and makes it all seem so fresh. Of course, having the fantastic Idris Elba helps immeasurably. He doesn't just act the part of Luther; he is Luther, fully inhabiting the role and moving like a force of nature through every scene. This is one of those rare times where you see an actor's innate intelligence and physicality used perfectly. (Watching Luther decompensate, as he does at various times over the story arc, is really something to see.) Elba is matched every step of the way by Ruth Wilson, playing a sort of female Hannibal Lector--brilliant, amoral, remorseless, scary, and, I daresay, sexy. She and Elba make quite a pair, and their interplay is priceless.
Finally, it's worth noting that this series, while ostensibly a cop show, has its own look and feel. It plays more like a beautifully filmed, weird morality play. (Cross makes the point that Luther believes in only two things, life and love, though the viewer will quickly see that, despite his damaged psyche and emotional baggage, he also ultimately believes in himself.) Some may think that it's just insane, far-fetched, and way over the top. (which it sometimes is if you look closely and cynically). But I think that it exudes a unique vibe. Take a look at the impressionistic opening credits with Massive Attack on the soundtrack, and you'll know right up front that this is something special.
Finally, it's worth noting that this series, while ostensibly a cop show, has its own look and feel. It plays more like a beautifully filmed, weird morality play. (Cross makes the point that Luther believes in only two things, life and love, though the viewer will quickly see that, despite his damaged psyche and emotional baggage, he also ultimately believes in himself.) Some may think that it's just insane, far-fetched, and way over the top. (which it sometimes is if you look closely and cynically). But I think that it exudes a unique vibe. Take a look at the impressionistic opening credits with Massive Attack on the soundtrack, and you'll know right up front that this is something special.
Did you know
- TriviaThe first three series end with the same line of dialogue: "Now what?"
- Quotes
Alice Morgan: Some little girls grow up wanting ponies. I always wanted to be a widow.
- Alternate versionsFor international distribution, changes were made to many episodes to shorten running time.
- ConnectionsFeatured in Breakfast: Episode dated 30 April 2010 (2010)
- SoundtracksParadise Circus
(Main title)
Written by Robert Del Naja, Grant Marshall, Hope Sandoval, Dan Brown (as Daniel Jonathan Brown) and Stew Jackson (as Stewart Neville Jackson)
Performed by Massive Attack
Details
- Runtime1 hour
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
- 16:9 HD
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