All Is Bright

I really liked this film - like many of Paul Giamatti and Paul Rudd's movies. They seem to go for interesting characters and quiet, realistic stories rather than sentimental or violent American claptrap.

It's a movie well worth watching more than once - there are nuances and side remarks I missed out the first time. Don't watch if you are into smartarse one-liners, car chases or beautiful young rich airheads covered in heavy make-up. More reminiscent of British/European films before they started targeting the US market. The characters are neither supergood nor evil - just human and flawed like all of us.

Nice one.

I must say for a comedy starring Paul Rudd and Paul Giamatti, then "All Is Bright" was somewhat of a disappointment if you look at the movie from a comedy aspect. Why? Well, because there was almost no comedy here. This was more a drama with some elements of pseudo-comedy thrown into it.

The story is about Dennis (played by Paul Giamatti) who is released from prison, only to find his wife Therese (played by Amy Landecker) having told their daughter that he is dead. And to make matters worse, she is to marry his former partner in crime Rene (played by Paul Rudd). Down on his luck and low on cash, Dennis have to bite the sour apple and go with Rene to New York City to sell Christmas trees.

Now, as much as the story is without comedy that will make you laugh, then the movie is equally stacked with an interesting story that was really well acted by the lead actors, and they really carried the movie quite nicely.

The characters in the movie were well carved out, with lots of depth, personality and characteristics, as odd as they may be. But with the talent of Rudd and Giamatti, then the audience are introduced to two very different characters, that are each individually very likable for better or worse. And together on the screen, their chemistry is just magnificent.

"All Is Bright" is well worth a watch if you enjoy a movie that is something out of the ordinary.

In Quebec, thief Dennis (Paul Giamatti) gets out on probation after 4 years in prison. He returns home to unreceptive wife Therese who wishes to marry Rene (Paul Rudd) when he finally divorces his wife. He has no prospects and no place to live. He wants to buy his daughter a piano but has no money. He pushes Dennis to take him to NYC to sell Christmas trees. Olga (Sally Hawkins) buys a tree and Dennis delivers it. He makes more money stealing.

Rudd and Giamatti are good comedic actors when the material is there for them. This is a rambling unfunny story. The duo don't develop good chemistry. Sally Hawkins has a weird Russian accent. With such talented actors, this is a failure of the writing.

All is Bright (2013) doesn't really appear to stand out as a great movie in any sense. It has a simple storyline, that is more obscure, but, still has a lot of randomness and boring conclusions.

The acting, especially the main characters (Rudd and Giamatti) were decent. They play ex-thieves who go to New York to sell Christmas trees. The supporting cast (Hawkins and Landecker) were good, and their characters play symbolic roles, and this can be seen in the different ways they behave toward Dennis (Giamatti).

The audio was rather apt, with a variety of piano solo's to indicate the mood, with overlaying images to reinforce said mood. The overall imagery was a bit lacking, but did it's part in trying to arouse sympathy for the main characters.

So far, these were the enjoyable parts of the film. The downside for me was... the plot, the weak connections drawn, the lack of explanation for certain tasks throughout the film, and the simple conclusion at the end. The symbolism of the various characters and of the objects (piano, ringtone) show an attempt at trying to build a deeper film, but sadly did not achieve what I was hoping it would. I wouldn't say the film is disappointing, but it doesn't have anything to make it stand out, very similar to Prince Avalanche (starring Rudd). 6/10, as it could've been something much better, had there been a deeper storyline developed, as well as adequate attention paid to detail.

Phil Morrison blazed onto the scene with Junebug (2005) and managed to introduce the cinematic world to the blissful abilities with Oscar- nominated actress Amy Adams. With a near eight year stretch, he has finally taken his directorial chair yet again to bring the whimsical and fascinating Almost Christmas with Paul Giamatti and Paul Rudd.

The film opens up with Dennis (Giamatti), a recently released ex-convict that learns that his now ex-wife has told their daughter that he died in prison. To make matters worse, his partner-in-crime Rene is now dating her with intentions of marriage. With no job, home, or any real place to go, Rene's guilt partners with Dennis' opportunities and the two French Canadians embark on a trip to New York City to sell Christmas trees just before the holidays. During the daily antics and struggle to sell, eat, and sleep out of a wooden trailer, a dentist's wife (Sally Hawkins) presents a possible opportunity for them to learn more than just the meaning of the holidays.

Paul Giamatti continues to elevate himself to one of the greatest working actors today. As Dennis, he's utterly believable and encounters a new side of himself as an actor that is both funny and completely genuine. Giamatti's dedication to the craft allows him to continue to do what he normally achieves with all of his off-beat characters that are dreadful on the inside with a kind core that the audience can easily access.

As Rene, Paul Rudd continues his attempt at off-beat comedies on the independent circuit and presents himself as a very capable and gifted actor. His performance, which naturally brings many of the film's biggest laughs, is one of the Rudd's most surprising portrayals to date. Rudd shows vulnerability, skill, and a promise of a very endearing and powerful performance somewhere in his future. While the role is not a full-out home-run for the actor, he is more than average and presents some of the film's beautiful highlights.

Written by Melissa James Gibson, Almost Christmas is an incredibly original concept with a slight twist on a genre you may feel like you've seen before. The actions and story temperature are unhurried and at times cold, but ultimately is what makes the film succeed. There are some off-beat choices in character behaviors and an unrelated qualm about how someone should act in firm situations, but for a first-time screenwriter, it's a great plateau for her to step off. Gibson has only been credited as a writer on the show, "The Americans." She constructs authentic characterizations and gives them all an identity for the actor's to latch onto.

Golden Globe Winner Sally Hawkins is amazingly charming and wondrous in her role. With her delightful and appealing accent partnered with her cutely delivered monologue about "Fortune of Wheel," it's another strong turn from the gifted actress that has yet to take off in the big Hollywood manner as of yet. Hawkins is absolutely hilarious.

Phil Morrison's direction and choices aren't as bold or as inventive as his styles in Junebug. The story doesn't lend itself to those traits that made him a quiet sensation in the mid-2000s. He lends himself to a more defined genre of filmmaking that doesn't go for the big moments or audience reactions. It's a undemanding yet solid directorial work. The film's narrative is paced at a leisured speed, which may take some out of the story. It does take a minute to lift off but when it gets going, Almost Christmas has you hooked. It's a fine film event for movie-goers and a possible contender for year-end citations by independent groups.

Oscar CHANCES: Lead Actor for Paul Giamatti, Supporting Actress for Sally Hawkins, Original Screenplay for Melissa James Gibson

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