Meskada, or Quiet Kill as it was renamed for distribution (a rose by any other name) is a slow burning, blistering small town murder thriller that ratchets up the tension and sneaks up on you as the calamitous events unfolding reach a fever pitch of sickening human mistakes, inevitable depravity and broken, dead end people doing their best with the intellects they've been given, and the not always great life choices they make with them. Nick Stahl nicely underplays the lead investigator of a home invasion that left a little boy murdered, which takes him a few towns over to the other side of the state, namely Meskada County. Jonathan Tucker and Kellan Lutz play the burglars, torn between fear and guilt. Tucker, fantastic as always, relishes in his backwoods deadbeat role, equal parts dumbbell sleaze and ferocious caged animal kamikaze terror. Lutz, who really can't act his way out of his own nut sack, wisely keeps his head down and doesn't shake up the otherwise talented roster too badly. Rachel Nichols plays Stahl's partner with the right gusto. James Mccaffrey, known for voicing Max Payne, is awesome as a bar owner and outspoken town representative whose righteous anger clashes with Stahl's dogged need to uncover the truth at whatever large scale collateral damage. The best performance of the film comes from a brooding, volatile Norman Reedus, playing a jaded, bitter man who is just looking for an event to use as an outlet for a self inflicted downward spiral of depression and anger. Reedus is a ridiculously talented guy and he really gets the chance to shine here, using his narrow eyed, scruffy emotional edge to great advantage. The town is also going through an economic crisis that is only exacerbated by this murder investigation, creating all the more tension for the film to work with. It's sad that nobody checks out these fantastic indie gems that slip under the radar, and this one is especially worth checking out. It's a fiery yet restrained small town murder yarn that plays almost like a Russian tragedy, where even though you know from the gate that it isn't going anywhere nice, it's going to be beautiful to experience. Downbeat films may not make us feel good, but they often change us or let us see a different side of human nature that is very beneficial. This one is a perfect example of that. Dark, dreary and stressful, but with vital signs still kicking at an essential, unavoidable set of flaws in humans that needs to be explored.
