Meskada

the nuances are key of this movie. nuances of feelings, search, truth, love. a small town and its secret. a murder. a mother. a detective. few families. and a business who must save the town. memories of lost time and dimensions of guilty. a film about roots of gestures, skin of expectation and need of sense. ingredients - fear, errors, sins. axis - two young men and their need of escape. a good film in a strange kind. Nick Stahl in an interesting role and a cast without glorious names. a meditation about rules and solutions. and an end as Dostoievsky drop. mercy and wise. image behind ordinary reality. answer for self questions and image of good/bad far from each classical formula.

Meskada – CATCH IT (B-) Meskada is a complex story of young boy's murder during a burglary in a peaceful town Hilliard. The town' police investigator thinks that men coming out for work from nearby town Casewell may be involved in the burglary and accidental death of a child. His investigation about the murder leaves him trapped between people of two towns. On one side it shows the story of the police investigator and on the other side it shows the story of two young men involved in the burglary. Meskada managed to bag impressive ensemble considering the indie criteria. As the story is complex, the movie did stumbles at the end. Instead of giving a proper ending it leaves an innocent man taking all the blame. The situation was irrational and very harsh considering the scenario. I won't spoil the ending here but the movie is defiantly worth giving time. Jonathan Tucker, Kellan Lutz, Rachel Nichols, Nick Stahl, Grace Gummer and Norman Reedus did a nice job and given the material provided came on screen very natural.

Quite frankly, I did not expect much of this film, particularly after I saw a score of 5.0 on IMDb.

Throughout the film you keep asking yourself "where is this going to" and each time, as the film goes on, you get more of a surprise and the tension increases a notch.

Throughout the film I kept thinking "Winter's Bone". This film reminds me a lot of "Winter's Bone", and they were both made in 2010, but at the same time this film is quite different, but still about small town and small community secrets all the same.

The acting is top class, and the direction flawless. No film stars on show but they're not needed - this is top class entertainment from little known actors (not for long) and it is top direction too.

Watch it - you won't regret it.

Although at times, the movie got a little slow, I really enjoyed it. I really liked the story line. All in all, a movie that I will watch again, and try to find for sale to add to my collection. Doesn't hurt that my all time favorite actor is in it. (Norman Reedus)

Meskada, or Quiet Kill as it was renamed for distribution (a rose by any other name) is a slow burning, blistering small town murder thriller that ratchets up the tension and sneaks up on you as the calamitous events unfolding reach a fever pitch of sickening human mistakes, inevitable depravity and broken, dead end people doing their best with the intellects they've been given, and the not always great life choices they make with them. Nick Stahl nicely underplays the lead investigator of a home invasion that left a little boy murdered, which takes him a few towns over to the other side of the state, namely Meskada County. Jonathan Tucker and Kellan Lutz play the burglars, torn between fear and guilt. Tucker, fantastic as always, relishes in his backwoods deadbeat role, equal parts dumbbell sleaze and ferocious caged animal kamikaze terror. Lutz, who really can't act his way out of his own nut sack, wisely keeps his head down and doesn't shake up the otherwise talented roster too badly. Rachel Nichols plays Stahl's partner with the right gusto. James Mccaffrey, known for voicing Max Payne, is awesome as a bar owner and outspoken town representative whose righteous anger clashes with Stahl's dogged need to uncover the truth at whatever large scale collateral damage. The best performance of the film comes from a brooding, volatile Norman Reedus, playing a jaded, bitter man who is just looking for an event to use as an outlet for a self inflicted downward spiral of depression and anger. Reedus is a ridiculously talented guy and he really gets the chance to shine here, using his narrow eyed, scruffy emotional edge to great advantage. The town is also going through an economic crisis that is only exacerbated by this murder investigation, creating all the more tension for the film to work with. It's sad that nobody checks out these fantastic indie gems that slip under the radar, and this one is especially worth checking out. It's a fiery yet restrained small town murder yarn that plays almost like a Russian tragedy, where even though you know from the gate that it isn't going anywhere nice, it's going to be beautiful to experience. Downbeat films may not make us feel good, but they often change us or let us see a different side of human nature that is very beneficial. This one is a perfect example of that. Dark, dreary and stressful, but with vital signs still kicking at an essential, unavoidable set of flaws in humans that needs to be explored.