The Gallows Pole
- TV Series
- 2023
Follows Hartley as he assembles a gang of weavers and land-workers for a criminal enterprise that will capsize the economy and become the biggest fraud in British history.Follows Hartley as he assembles a gang of weavers and land-workers for a criminal enterprise that will capsize the economy and become the biggest fraud in British history.Follows Hartley as he assembles a gang of weavers and land-workers for a criminal enterprise that will capsize the economy and become the biggest fraud in British history.
- Awards
- 2 wins & 1 nomination total
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Featured reviews
Well - this seems to have split people! Lots of 1/10's, lots of 10/10's!
1/10 or 10/10? I'd suggest neither mark-giver is really worthy of any attention?
It's an informative, well-delivered and infectious depiction of the real story of the Cragg Valley Coiners - a community of cottage weavers who, deprived of their trade during the early years of the industrial revolution, turned to a much simpler, though criminal, way of making money.
The nature of the crime is clearly played out as the local squire gets aboard - coin-cutting. Now, we may know similar modern parallels, but this was simply edging the gold from guineas to make more guineas. Incidentally, the Cragg Valley Coin Cutters cause a major problem to the British economy at the time.
Wooden acting? Give me a break. Shane Meadows is a master at allowing improvisation. I love it. It's intended, btw.
1/10 or 10/10? I'd suggest neither mark-giver is really worthy of any attention?
It's an informative, well-delivered and infectious depiction of the real story of the Cragg Valley Coiners - a community of cottage weavers who, deprived of their trade during the early years of the industrial revolution, turned to a much simpler, though criminal, way of making money.
The nature of the crime is clearly played out as the local squire gets aboard - coin-cutting. Now, we may know similar modern parallels, but this was simply edging the gold from guineas to make more guineas. Incidentally, the Cragg Valley Coin Cutters cause a major problem to the British economy at the time.
Wooden acting? Give me a break. Shane Meadows is a master at allowing improvisation. I love it. It's intended, btw.
I love Shane Meadows and mostly everything that he has done. If there is one tip i can give you, it'll be give it time. It gets better as the episodes go on.
There are rumours that Shane loves ad libbing and improvisation and you can see it in parts, but it's typical Meadows dialogue and always has that feeling of it could kick off at any second but if you give it time, it'll grow on you.
All we need is Woody, milky and Lol to turn up and it'll be the icing on the cake.
Gritty, grubby and sometimes a bit too sweary, it's definitely one that you have to give time. Maybe one day we will see the return of This is England, but until we do, this'll do.
There are rumours that Shane loves ad libbing and improvisation and you can see it in parts, but it's typical Meadows dialogue and always has that feeling of it could kick off at any second but if you give it time, it'll grow on you.
All we need is Woody, milky and Lol to turn up and it'll be the icing on the cake.
Gritty, grubby and sometimes a bit too sweary, it's definitely one that you have to give time. Maybe one day we will see the return of This is England, but until we do, this'll do.
I've rarely seen an opening episode with so little action and so much rambling pointless dialogue. I'm a huge fan of Shane Meadows and have been since the 90's but the Gallows Pole is I'm afraid a big old-fashioned fail.
Tonally there were some very odd choices, the dialogue was completely modern and it was the sweariest script I've seen on the BBC in many a year with constant effing and blinding that added nothing and will turn lots of people off.
The cast was very hit and miss with no stand outs for me, protagonist David was a shouty, sweary enigma. The weakest element was definitely the script, in this case adapted by the writer of the original novel himself. The dialogue was really verbose with tons of over-written exposition.
Bizarre credits sequence and strangely shot in widescreen which added nothing. At times it resembled a weak 1760's version of Brassic. I gave it to the end of the episode, but I'm out now.
Tonally there were some very odd choices, the dialogue was completely modern and it was the sweariest script I've seen on the BBC in many a year with constant effing and blinding that added nothing and will turn lots of people off.
The cast was very hit and miss with no stand outs for me, protagonist David was a shouty, sweary enigma. The weakest element was definitely the script, in this case adapted by the writer of the original novel himself. The dialogue was really verbose with tons of over-written exposition.
Bizarre credits sequence and strangely shot in widescreen which added nothing. At times it resembled a weak 1760's version of Brassic. I gave it to the end of the episode, but I'm out now.
It might seem strange to some that in the rancid poverty and disease of the 18th Century, people didn't act, talk or swear in the same manner as Laurence Oliver in the Hays Code of the 1940's, but it seems logical that the mostly uneducated, underprivileged classes, now even worse off thanks to The Industrial Revolution might conceivably be quite annoyed, most of the time.
Downton already exists as a TV show, which is fine, but is written from exactly the other end of the same principle. Also best not to dignify the argument that there were " people who wouldn't have been there" as we cannot all hear dog whistles. Best to just check the facts there.
Having said that, it's a little bit too Steven Knight for me, it's certainly a placeholder episode and naturally slower for it. It's good to see the old TIE crew finally back, and the pace will definitely pick up come episode two.
The cinematography, especially at the beginning, should win awards.
Downton already exists as a TV show, which is fine, but is written from exactly the other end of the same principle. Also best not to dignify the argument that there were " people who wouldn't have been there" as we cannot all hear dog whistles. Best to just check the facts there.
Having said that, it's a little bit too Steven Knight for me, it's certainly a placeholder episode and naturally slower for it. It's good to see the old TIE crew finally back, and the pace will definitely pick up come episode two.
The cinematography, especially at the beginning, should win awards.
I'm local to Cragg Vale so really wanted to enjoy this. Yes it's watchable but ending poor and nothing about what happened after for viewers who don't know. Sadly there's much better historical dramas out there, love to see this remade in the future but done right. The characters came across quite wooden I wanted to like it more but fell short.
Also going all Peaky Blinders and playing modern music didn't do it for me! The stag scenes were just ludicrous almost comical just doesn't sit well for an historical drama.
There so much more that could have been made of this, let's hope someone picks up the reigns maybe make a film of it.
Also going all Peaky Blinders and playing modern music didn't do it for me! The stag scenes were just ludicrous almost comical just doesn't sit well for an historical drama.
There so much more that could have been made of this, let's hope someone picks up the reigns maybe make a film of it.
Did you know
- TriviaSome press releases in advance of release gave the title as "The Gallows Pole: This Valley Will Rise" but the phrase "This Valley Will Rise" was not used in the on-screen titles, listings sites, or the BBC iPlayer catchup site.
- SoundtracksWhat Happens When You Turn the Devil Down
(uncredited)
Performed by The Mystery Lights
[title sequence theme]
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- The Gallows Pole: This Valley Will Rise
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