This Is England '90

I have given this 10 stars, not just for this series, but for the whole saga, starting with the film This is England. Shane Meadows is without doubt one of the most gifted writers and directors around today; his style quite unique and his ability to get totally deep and realistic performances out of his young cast quite mesmeric. Particular mention goes to Vicky McClure as Lol who gives powerhouse performances throughout the whole saga, and Stephen Graham as the deeply troubled, intermittently terrifying (but reformed?) Combo. All cast deserve great credit indeed.

Without a doubt, one of the very best things I have ever seen on British TV.

I'll keep it short, all of the This is England dramas are a masterpiece in writing by Shane Meadows. Some of the viewing is uncomfortable to watch but watch you have to as you are glued to the screen.

The actors and actresses are quite simply superb, and why british drama is there in my opinion as the best in the world.

Watch them all now, you won't be able to shake it out of your mind.

Well done to all 10/10 for everything.

I must live under a rock having never heard about this show and only coming across it due to discovering The Virtues and checking out Shane Meadows. I am currently watching this and am watching episode 3 where they all sit and have the talk around the table,This could be the Greatest emotional piece of film I have ever experienced.If anyone hasn't seen this then do your self a favour and check it out.Shane Meadows is a Genius and the cast are brilliant 10/10

Lockdown prompted to watch the whole film and series again. Truly one of the best things on TV. So many outstanding performances and both hilarious and heartbreaking storylines.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

The group enter the next decade, with some of their heavy personal baggage from before settled, and some of it still lingering in the air. Lorraine (Vicky McClure) has a devastating revelation to offload to younger sibling Kelly (Chanel Cresswell), and the impending release of Combo (Stephen Graham) from prison, after serving time on her behalf, sets the wheels in motion for a terrifying confrontation with Milky (Andrew Shim), a ghost from his past, which will have devastating consequences.

Some things can linger in the air long enough to just be permanently consigned to the rumour bin, and some do eventually come round. Four years after the antics of the TIE gang were last seen in Christmas 2011, we catch up with them at the start of the new decade, and it is with a mixed feeling of eagerness, but also a sense of aloofness that maybe it's dragged on a little too long, and the characters and their motivations are maybe becoming a bit too laboured now, and that this really ought to be the last part. While this is sort of true, the high quality of the production, and the brilliant delivery of it all manage to overshadow this.

It all manages the rather odd task of being predictable and not predictable at the same time. While it doesn't require that much brain power to work out what is likely to happen, somehow how it's going to happen and in what manner keeps your attention and doesn't let go. The powerful, unflinching writing and superior performances make this a top quality treat. As the most high profile performer in the cast, and playing the character whose return ignites the fireworks in the script, Stephen Graham commands centre attention, playing a reformed character eager to put the terrible mistakes of his past behind him and make amends with those he's wronged, but whose past is on a collision course to snatch it all away from him in the most devastating way.

It really ought to wrap it up here, though as ever it finishes with unresolved issues, and the number one rule is never say never. Hopefully, Shane Meadows will make the right judgement and not allow this fine series to become tainted. ****