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IMDbPro

L'empire des ombres

Original title: Vanishing on 7th Street
  • 2010
  • Tous publics
  • 1h 32m
IMDb RATING
4.9/10
28K
YOUR RATING
Hayden Christensen in L'empire des ombres (2010)
When a massive power blackout causes a city's population to vanish, a handful of survivors band together inside a tavern in an effort to survive as darkness approaches.
Play trailer2:33
3 Videos
36 Photos
HorrorMysteryThriller

The population of Detroit has almost completely disappeared, but a few remain. As daylight disappears they realize that the Dark is coming for them.The population of Detroit has almost completely disappeared, but a few remain. As daylight disappears they realize that the Dark is coming for them.The population of Detroit has almost completely disappeared, but a few remain. As daylight disappears they realize that the Dark is coming for them.

  • Director
    • Brad Anderson
  • Writer
    • Anthony Jaswinski
  • Stars
    • Hayden Christensen
    • Thandiwe Newton
    • John Leguizamo
  • See production info at IMDbPro
  • IMDb RATING
    4.9/10
    28K
    YOUR RATING
    • Director
      • Brad Anderson
    • Writer
      • Anthony Jaswinski
    • Stars
      • Hayden Christensen
      • Thandiwe Newton
      • John Leguizamo
    • 208User reviews
    • 141Critic reviews
    • 50Metascore
  • See production info at IMDbPro
  • Videos3

    Vanishing on 7th Street: Trailer #2
    Trailer 2:33
    Vanishing on 7th Street: Trailer #2
    Vanishing on 7th Street
    Trailer 2:26
    Vanishing on 7th Street
    Vanishing on 7th Street
    Trailer 2:26
    Vanishing on 7th Street
    Vanishing on 7th Street
    Clip 0:46
    Vanishing on 7th Street

    Photos36

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    Top cast28

    Edit
    Hayden Christensen
    Hayden Christensen
    • Luke
    Thandiwe Newton
    Thandiwe Newton
    • Rosemary
    • (as Thandie Newton)
    John Leguizamo
    John Leguizamo
    • Paul
    Jacob Latimore
    Jacob Latimore
    • James
    Taylor Groothuis
    Taylor Groothuis
    • Briana
    Jordan Trovillion
    Jordan Trovillion
    • Concession Girl
    • (as Jordon Trovillion)
    Arthur Cartwright
    • Security Guard
    Neal Huff
    Neal Huff
    • Chicago Reporter
    Hugh Maguire
    Hugh Maguire
    • Patient
    Erin Nicole
    • Paige
    • (as Erin Nicole Brolley)
    Stephen Clark
    • Male TV Anchor
    Carolyn Clifford-Taylor
    • Female TV Anchor
    • (as Carolyn Clifford-Taylor)
    Larry Fessenden
    Larry Fessenden
    • Bike Messenger
    Nicholas Yu
    • Chinese Reporter
    • (as Nick Yu)
    Arnold Agee
    • Kid
    • (uncredited)
    Christina Benjamin
    • Movie Theater Patron
    • (uncredited)
    Courtney Benjamin
    • Movie Theater Patron
    • (uncredited)
    Benjamin Brennan
    • Movie Theater Patron
    • (uncredited)
    • Director
      • Brad Anderson
    • Writer
      • Anthony Jaswinski
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews208

    4.928K
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    10

    Featured reviews

    6the_wolf_imdb

    Interesting but feels unfinished

    This movie is really mysterious and starts with great promise - people disappearing in the darkness - well, this is frightening. It is not too logical - some things do happen but somehow contradicts the story logic (ie. small girl with solar powered flashlight somehow survives even if there is mentioned that the Sun rises only for a few hours, hardly to recharge the flashlight).

    All right. I'm willing to accept even less logical movies like Japanese horror movies which often do not respect time or actual causality. However these movies usually do try to explain what his happening and why it is happening (with several theories how to resolve the situation, often wrong).

    But there is hardly any explanation here, only "signs" which may be interpreted in many ways. The ending is sudden, hardly explains anything and left me unsatisfied. Is the happening local or global? Is it transitory or final? Is it demonic or end of the world caused by God? The movie focuses on (not too successful) attempts to survive but provides way too few answers. The feeling is depressing, which is good, but I really lack the climax. The ending was somehow abrupt and unsatisfactory. I like it, but it is only "good", not "great".
    7moviewizguy

    Fear lives in the dark

    An unexplained blackout plunges the city of Detroit into total darkness, and by the time the sun rises, only a few people remain-surrounded by heaps of empty clothing, abandoned cars and lengthening shadows. A small handful of strangers that have survived the night each find their way to a rundown bar, whose gasoline-powered generator and stockpile of food and drink make it the last refuge in a deserted city. With daylight beginning to disappear completely and whispering shadows surrounding the survivors, they soon discover that the enemy is the darkness itself, and only the few remaining light sources can keep them safe. As time begins to run out for them, darkness closes in and they must face the ultimate terror. -- (C) Magnolia

    I hate to use something from RUBBER, a film I loathed, but it fits so well here: VANISHING uses the plot of "no reason," a plot that raises many questions but doesn't answer them by the time the credits roll. It is this very reason why the film is disliked by many. Yet, films like THE HAPPENING, KNOWING, and THE FORGOTTEN get bashed because of the explanations of their plots. Go figure. Yes, as human beings, we often want to make sense of events that occur, especially in films, yet we need to realize things in life just happen. VANISHING may be low on explanation, but it's high on suspense due to the use of a common fear: the dark.

    Let's take a moment to talk about why so many people fear the darkness: It's not the darkness itself that people are afraid of, but rather, the fear of the unknown. Just what is lurking in the darkness? VANISHING uses this fear and capitalizes on it which generates many of the films' unnerving moments. In fact, its resistance on explaining everything is what makes the film scary. And no, the film doesn't use any "pop out" scares. It's better than that. The film builds up its scares with a chilling atmosphere. That, ladies and gentlemen, is called suspense, and don't be surprised. Director Brad Anderson is in the chair. With films like TRANSIBBERIAN and THE MACHINEST already under his belt, Anderson knows how to make films that are thrilling.

    The cast is good as well, but that's probably because I have a soft side for them. Haters of Hayden Christensen will find themselves unconvinced, but I thought he pulled off a good performance. Although their characters don't ask for much, John Leguizamo and the beautiful Thandie Newton do a great job providing sympathy to their roles. Jacob Latimore, the kid actor, plays quite an annoying character at first, which shouldn't be a surprise, but I got to eventually warm up to him in the middle point of the film.

    Overall, VANISHING impressed me. While there may be some inconsistency in its high-concept premise, it really makes up for it on the scares. The actors are good as well and the production values are great for a small film like this. Give this film a chance.
    4Indifferent_Observer

    Not a bad movie

    Well this movie has a good cast and even a decent concept, but its missing something that would make it much,much better. A decent ending and 'some' explanation. While i'm sure the the writers wanted to leave an air of mystery at the end, there was just too little build up in between. The actors did a decent job with what they had, I mean it wasn't there fault. The problem was we really have no idea about anything going on in the movie all the way through. Even when we start start seeing it first hand there is still no explanation. Still, as it the movie itself was OK(I guess) and is deserving of its 6 rating. I'm just disappointed as it felt unfinished and rushed and I know it could've been so much better.

    I definitely wouldn't advise paying for this movie, but if you come across it on cable and you have nothing to do, check it out.
    2draftdubya

    One thing that makes this movie impossible

    Why nut burn stuff for light. They had a entire city full of wooden objects to burn for light. Even if this was set in a rural area, they could've collected wood to burn at night.
    6naff-sound

    underrated

    The movie is creepy and dark and functions well without shock moments and the spilling of blood. There is some solid acting and the characters are not totally unbelievable, though they appear a little like the usual all-American suspects. I definitely don't agree with the frequent criticism that the movie lacks an explanation. The lack of an explanation is the actual concept of the movie. If the movie provided one, it would be as much fun as looking at a filled-in sudoku. The viewer is given food for thought by the different explanatory approaches done by the movie characters. I liked the reference to the "lost colony"-case, a historical oddity concerning the unresolved vanishing of a group of early settlers in America. I agree that the ending can be understood in a way that makes it seem cheesy - I interpreted it differently and so for me it was satisfying. I don't want to give anything away so let me just say as much: In my opinion no one survives at the end, but that certainly is disputable. My rating is a solid 6, although I was tempted to give more just to lift the overall rating since imo it is undeserved.

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    Related interests

    Mia Farrow in Rosemary's Baby (1968)
    Horror
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystery
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The cast members would jog in place in between takes in order to maintain a proper level of intensity that was required for their characters.
    • Goofs
      The jukebox plays CDs but suffers from vinyl-style slowing down of the music when the power drops.
    • Quotes

      Rosemary: Why does this one work and all the others don't?

      Luke: [smiling] It's a Chevy.

    • Connections
      Featured in Ebert Presents: At the Movies: Episode #1.6 (2011)
    • Soundtracks
      Hello Little Boy
      Written and Performed by Mildred Anderson

      Licensed by Arrangement with Prestige Music (BMI)

      Courtesy of Prestige Records / Concord Music Group, Inc.

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    FAQ18

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    Details

    Edit
    • Release date
      • February 5, 2011 (Japan)
    • Country of origin
      • United States
    • Official sites
      • Official Facebook
      • Official site
    • Language
      • English
    • Also known as
      • Desaparición en la calle 7
    • Filming locations
      • Detroit, Michigan, USA
    • Production companies
      • Herrick Entertainment
      • Mandalay Vision
      • Plum Pictures
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $10,000,000 (estimated)
    • Gross US & Canada
      • $22,729
    • Opening weekend US & Canada
      • $2,898
      • Feb 20, 2011
    • Gross worldwide
      • $1,671,196
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 32m(92 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 2.35 : 1

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