Ordure!

Remember when Ewan McGregor played in a little movie called Trainspotting? The film was made after a book by Scottish writer Irvine Welsh and it was an intense and often funny window into the complete wasting of human life due to heroin. It made McGregor famous.

Now, James McAvoy has no need to be made famous, he already is, and he showed he is a great actor in several movies; he is on a roll. But in this film, also made from an Irvine Welsh book, he really outdid himself, playing a deranged police inspector torn apart by addiction, grief and madness.

The film itself is difficult to explain and, perhaps, it would be more clear to me if I would have read the book first. Some of the characters I have no idea who they were and why he was interacting with them in the first place. Also the ending is pretty much the antithesis of the one in Trainspotting. Here, there is no hope.

The direction was good, I guess, as well as the general production values. A bunch of known, but usually secondary actors fill the cast, with often interesting results, but let's face it, the film is mostly a one man show and McAvoy was up for the job. I just wish the story would have been less confusing.

Conclusion: it would be a shame not to watch this film, even if you end up not liking it for some reason. You need to be familiar with Scottish accents or use a subtitle to get what people are saying. Other than that, great work, James!

Funny and dramatic at the same time. The main character of the film causes double feelings. On the one hand, he is disgusting and pathetic, but on the other hand, he is lonely and seriously ill. Guilt eats away from the inside of the protagonist. This can be seen from the last phrase: "The rules are the same everywhere." Everyone pays for their actions...

Probably my favourite film of 2013 so far. Gripping all the way through, with all the aspects you need from a feature length film. Yes, it has the obvious overtone of 'filth', but it's not at all in its nature... it's humorous and very touching at times. I think the casting is brilliant and I have a new found respect for James McAvoy, who in previous films I have found to be almost nondescript. He shines here, brighter than most Oscar winning performers I've seen. Ray Donovan's Eddie Marson is also fantastic in his role, so well cast - he's funny and warm in such a subtle way. This is not one of those situations when someone can rightly say 'the book is better' - I think the job has been done so well of adapting it into film format that the book is not better at all, just a different experience. It is honestly a film I want to see again. I think an instant classic, not filthy at all, but pure class.

If you like "Trainspotting", you'll love this one. "Filth" is also an adaptation of Irvine Welsh's novel and, although the stories do not have much in common, the movies share a specific atmosphere that will pin you to the screen. Its name fits perfectly, because the film is uncompromisingly dirty. James McAvoy plays a corrupt police detective who would stop at nothing to get his promotion. But behind the mask of a self-confident macho chauvinist, there are hidden secrets that the movie gradually unfolds, up to the totally wicked twist at the end. Although McAvoy's character is almost utterly bad guy, his rude and ruthless charm will mesmerize you and make you be on his side all the time, even when his behavior is inexcusably brutal. In addition to his undoubted acting talent, Mcavoy dedicated himself to the credibility of his performance, so he drank lots of whiskey in order to make his role of heavy alcoholic and drug addict more convincing. His transformations throughout the film, and the powerful expressions of psychological states and emotions of his character definitely deserve an Oscar. Although the film is full of insane moments, surreal scenes and filthy humor, "Filth" is primarily a powerful and shocking drama about a man who is falling apart inside, but whose life thought him that he must not show it. The film brings this phenomenon to surreal extremes, but essentially it is something with which many of us can identify, and I think that's precisely what makes McAvoy's character rather antihero than a villain, and what makes us sympathize with him.

8/10

I would just like to mention the remarkable performance of Jim Broadbent, whose surrealistic scenes make this film even more bizarre, and if you pay attention, you may notice tributes to Stanley Kubrick's cult films "A Clockwork Orange" and "Odyssey".

Inside the mind of a sex & drug addict policeman. His addictions are so deeply rooted in his personhood that they have entirely taken over his life and are the driving force in everything he does or does not do. Addiction means there's never enough and in his case drugs or sex.

This could have easily been a docudrama, instead it is a crime/comedy with a bit of drama. McAvoy is simply superb as the central mad hero and we undergo with a him a binging trip in corruption and debauchery where everyone in his life become objects he comes to use for his own gratification.

Despite the comic element being the one that has the most gravity, we get to see the torment that haunts addicted people and he too is a tormented man and his actions are a smokescreen of his anguish with his refusal to get hep only adding to his misery.

Quirky, fast paced and fun this is one heck of a mind trip.