Polaris

The boldness and originality of vision blew me away. This is movie-magic... a fantastical ride that propels the imagination. For me the film's emphasis on empathy (yes, even with the bloodshed) intuition, and connection with Nature, make it standout. I think the filmmaker created an original female centred story world and put characters and story themes on screen that feel wildly relevant and unique. I get the "Mad Max" reference, but it also reminds me of a French film, "The Bear" (1980s) and the Japanese anime "Princess Mononoke". Can't wait to see what this team does next... I'm hoping for a sequel and/or a prequel...

First scene, we meet Sumi and Mama Polar Bear. The narrator fills in the details of Sumi's young life thus far. She was raised by the bear on the frozen lands of the arctic/Canadian? Area. I was most impressed that evidently either Mama is magical or Sumi was able to kill some furred animal and make not only pants, shirt, coat, and mittens, but also mukluks! She also has magic hair. If we assume she is 14 or 15ish and was raised from babyhood by the bear, and unless she also forged a knife or scissors and cut her own hair, it should be dragging on the ground. I grew my hair from pixie to mid back in less than 3 years and I have the hair of a 65 year old! I saw this movie won awards and wondered how. The girl did, she is quite talented. I'm 29 minutes into an 89 minute movie. I need a stiff drink.

The movie itself deserves a big ole raspberry. Very little dialogue, which is not a bad thing. But those few lines uttered all sounded like they were just the same words, over and over, no matter the situation. I guess in 2144 (how they came up with that particular year is a mystery) one word has a lot of different meanings; kind of like how the Inuits have a bunch of different words for snow.

Sound track: whale recordings for trees, Star Wars scooter things sounds for modified snow mobiles.

Made it to the end. It made no sense. Gory, stark and arty. No backstory on Sumi and how she ended up alone in Canada with a Polar Bear for a mom, no clue where ice girl in her futuristic outfit came from. Are there no more men? Nary a one in this movie.

Skip this flick unless it's absolutely the only thing aired. My biggest regret is not the waste of time, but not getting hammered first. If I did ganja that might have helped, too.

Set in a distant postapocalyptic future, Polaris (2022) follows a young girl named Sumi who moves away from her life with a polar bear that raised her. The frozen land that surrounds her is occupied by violent gangs in repurposed rusted steel armour, reminescent of the survivors in Mad Max and Waterworld.

As a fan of both of these works, I went into this movie wanting to like it given the comparisons it has received in the press, in addition to it being a Canadian production. However, this movie felt like the filmmakers had all of these interesting ideas they wanted to put on the screen, except for a compelling story with interesting characters that the audience can feel invested in. What I experienced in this film was a hollow story with some mildly interesting gore in between.

The characters in the film speak an unrecognizable language (and Sumi who makes animal noises). The audience is invited to pay attention to the non-verbal performances of the actors, which is a refreshing and bold move by the filmmakers that fit perfectly with the atmosphere of the film... until there is a complete, tone-shattering voiceover in plain English somewhere in the middle of the movie and once more at the end.

The relationships that the protagonist Sumi builds with different characters seemed rushed and forced. I didn't feel that there was any character development over the course of the film. Also, there were elements of environmentalism that I hoped the film could have explored more deeply, instead of simply through superficial reactions by the protagonist. The production design is what you would expect from a low-budget film and does not detract too much from the immersiveness.

The movie does shine in some aspects. The cinematogrpahy is excellent in showing both the desolate and hopeful sides of the Yukon landscape. Muriel Dutil gives a powerful and emotional performance as Dee, an old woman Sumi meets in her journey and the only interesting character in the film.

À predominantly nonverbal arrangement of Arctic scenes is the only redeeming quality of the film. This film has been weighed, it has been measured, and it most certainly has been found extremely wanting. It lends itself to a mad Max themes slowed down to a crawl, while disincorporating a viable dialogue. No insult to Mad Max, which is somewhat of a cult classic, but does have somewhat of a low budget. Minute, by minute you wait for a pivotal moment. That satisfaction will never be realized. Even the ending, which culminates in a seeming crescendo, leaves one rolling their eyes, leaves one wanting, leaves one most definitely nonplussed.

This is a really well made movie with beautiful scenery and skilled direction. However, if you like movies to do all the thinking for you, it's probably not for you.

The story blends sci-fi, folklore spirituality and metaphor which will challenge a lot of people, but reminds me of the old 70's style mind benders like Zardoz and THX 1138. A lot of Mad Max vibes as well.

The story is set in a post-apocalyptic world where survivors have regressed socially, but are still surrounded with remnants of past advanced civilisation. The heroine has spiritual powers connected to nature and follows a path to her destiny which brings her into contact with good and bad survivors.

Approach it as a tribal folk tale and you will probably enjoy it. But if you expect a modern paint-by-numbers Hollywood movie, you will be disappointed.