Oy!

Sun and moon doesn't come at one time.

They both are opposite.

Pain of love memories of love time of love beach house of love songs of love

love forever 💖

Eric Segal's "Love Story" if I dare say is an immemorial classic, even a couple of decades down the line the chances are pretty slim for the essence to be diluted. The director deserves due credit to imbibe the essence of localise it to suit the taste. Of course, it goes without saying that Siddharth must have contributed heavily to the proceedings.

Siddharth: As usual he gives pours his heart and soul into the character.

Shamili: The cute li'il "Anjali" definitely has blossomed into a beautiful flower. Undoubtedly she has given her best to get into the skin of the girl-next-door and strikes chord with the audience at an instant.

The screenplay keep the audience enthused with the narrative flow even though there would be a feeling that the sub-plots are more of a stocking filler ie. Suneel's insurance track, Ali's & Master's real- estate track, Pradeep Rawat's track and the happening on the ship. The melodrama towards the end was a bit Over-the-top and trimming was warranted. The songs have a fresh appeal and one of the strongest points of the movie. The director Anand Ranga has managed to hold reigns in all departments quite well.

"Ankhiyon Ke Jharakon Se" & "Khwahish" are the two names that were directly inspired by Love Story. Of course as a reference one can add "Anand" and "Geetanjali"(or "Yaad Rakhegi Duniya") to the list.

In the opening credit the director puts a disclaimer that like millions he is too inspired by "Love Story", so the Eric Segal fans don't need a deja vŭ to guess the proceedings. And for the audience for whom the name doesn't ring a bell, "Oyi" might be a good taster session.

Movie states ' live life happily and be the one who makes other happy '.

Oy!" is a cinematic gem that brings the magic of South Indian cinema to life through a heartwarming tale of love, music, and self-discovery. Released in 2009, this film effortlessly captures the essence of the region, delivering a memorable viewing experience that resonates with both cultural richness and universal emotions.

The film boasts a charismatic cast whose performances breathe life into characters that are both relatable and endearing. The lead actors share a magnetic on-screen chemistry, making their romantic journey a joy to watch. The director's skillful storytelling ensures that the emotional beats of the narrative are not only engaging but also resonate on a personal level, transcending cultural boundaries.

One of the standout features of "Oy!" is its exceptional musicality. The film's soundtrack, filled with soulful melodies and energetic beats, not only complements the storyline but also serves as a character in its own right. The song-and-dance sequences are choreographed with precision, adding an extra layer of visual and emotional appeal. The film's commitment to integrating music seamlessly into the narrative enhances its overall impact.

Visually, "Oy!" is a treat for cinephiles. The vibrant colors, picturesque landscapes, and authentic depiction of South Indian culture create a visual spectacle that immerses the audience in the film's world. The cinematography beautifully captures the essence of the region, from bustling cityscapes to serene rural landscapes, adding depth to the storytelling.

While the plot follows some familiar romantic tropes, "Oy!" injects freshness into the genre through its nuanced characters and unexpected twists. The film successfully navigates the complexities of love, friendship, and self-discovery, delivering a satisfying emotional arc that keeps viewers invested from start to finish.

In conclusion, "Oy!" is a testament to the timeless appeal of South Indian cinema. Its winning combination of heartfelt storytelling, stellar performances, and a celebration of music and culture makes it a must-watch for both fans of Indian cinema and those seeking a universally resonant love story. "Oy!" stands as a testament to the power of storytelling that transcends borders, leaving audiences with a warm, fuzzy feeling and a tune in their hearts.

Siddharth is excellent as Uday. His costumes and goggles are very nice. He made sure that he wore goggles for 80% of his screen appearance (including songs). His dances in songs are energetic. Shamili is pretty good with acting, though her looks are strictly average. They should have managed the dark circles around eyes with good make-up. It may be a sheer coincidence for Shamili to again act as a patient in her debut film as a heroine.

This film is inspired by Erich Segal's novel 'Love Story' which was made into a classic 'Love Story'. Johnny by Pawan Kalyan is also inspired by the same movie.

The first half of the movie is dedicated for introducing the characteristics of the two main leads and the way they fall in love. The illness of heroine is revealed to hero much before the interval. The entire second half is dedicated to the boy fulfilling the wishes of the girl.

Analysis: First half of the movie is decent. Second half is lengthy and is dragging at times. The climax is predictable and is not heart-touching. The plus points of the movie are Siddharth, music and cinematography. One should have guts to make such a film in Telugu where heroine dies at the end.