La tête en friche

A man (not so young) and a woman (very old) on a bench (the standard model), a few pigeons and few books, such are the basic ingredients of "La Tête en Friche". Not much in terms of dramatic backbone, but more than it takes for Jean Becker to make one of these heart-warming movies of which he has had the secret since "Les enfants du marais" (1995).

Little-known novelist Marie-Sabine Roger has provided the director, well assisted by the veteran scriptwriter Jean-Loup Dabadie, with typical Jean Becker material : the place of the action set somewhere in the French provinces (in this case, a village in the South-West of France), ordinary people as heroes (in "La tête en friche", a local Forrest Gump-like jack of all trades, a delicious 94-year-old lady who lives in an old people's home and a bunch colorful village people) as well as a lot of heart.

It is hard indeed to remain insensitive to the two leading characters, to the birth and development of a deep friendship between them, all the more as they are embodied to perfection by two wonderful actors, bulky Gérard Depardieu (a John Blunt who, against all odds, discovers the virtues of reading) and frail Gisèle Casadesus (as his unexpected Pygmalion). The two performers form an odd but touching couple that very few audience members can resist.

Funny and touching, light but not superficial, "La tête en friche" affords the luxury of examining, without depressing the viewer, such serious subjects as illiteracy, the status of the elderly in our society, the nearness of death, the aftermath of a difficult childhood...

The only thing that could be blamed on the authors is their giving Germain (Depardieu) a young mate. It is not Sophie Guillemin's fault at all : she is marvelous in the role. Fresh, natural, even solar. She is perfect but... twice as young as her partner. Not very believable, I am afraid.

But this is only a minor shortcoming. As a whole, "La Tête en friche" is an intelligent, sensitive and enjoyable film. One more achievement for Jean Becker.

A sweet trifle of a film, taken to a deeper and richer level by two outstanding performances.

Gerard Depardieu, in what must be his 6,000th film still feels fresh and alive as the overweight, under educated and well meaning laborer who can hardly read, and who strikes up a chance friendship with the 94 year old Margueritte, played with amazing delicacy and life force by the wonderful Gisele Casadesus, who was an astounding 95 herself when this was made. Oh that we all should live so long with such grace.

Marguritte begins reading to the quasi-literate Germain, who finds his interest in reading sparked, and with it an expanded sense of self. He even finds himself falling in love (in a chaste almost childlike way) with the still beautiful Margueritte.

Simplistic, sure, sentimental, undoubtedly. But much like Jessica Tandy and Morgan Freeman in 'Driving Miss Daisy' these two actors give performances that make you want to forgive anything that might otherwise feel trite or too on the nose (e.g. the very literal flashbacks to Germain's childhood).

Not quite a great film, but a charming, sweet, life-affirming and very human one.

This is a thoroughly enjoyable movie. The story of a middle-aged man who can barely read, and doesn't enjoy it, and as a result has only odd jobs that pay little. He lives in an old trailer home in his mother's back yard, because that is all he can afford.

Then one day he meets a frail, elderly woman, who charms him by her very differences: she is a retired scientist, a highly educated and cultured woman, who has a passion for literature, which she loves to read out loud. He allows her to read to him, and becomes hooked by some great literature. It opens whole new worlds to him, and changes his life for the better. It also gives him the desire to really know how to read, and he sets about learning to do so, despite all the shame that involves for an adult man.

I liked this movie so much that I read the book on which it was based afterward. The novel, with the same title, is if anything even better than the movie. The end of the movie seems a little rushed, whereas the end of the book makes complete sense and is, I found, more satisfying.

Still, this is one very fine movie, with two great performances, by Depardieu and Gaby Casadeseus. It makes you feel good, without the mush that typifies what in the U.S. are called "feel good" movies. It would be interesting to see a good American director adapt it for American audiences.

Greetings again from the darkness. It's nice to see a sweet, lovely little movie get made and distributed. The only characters are people we immediately recognize and feel like we know ... or wish we did. Based on a novel by Marie-Sabine Roger, it's directed by Jean Becker who clearly loves the characters, dialogue and message.

Gerard Depardieu stars as Germain, a giant hulking mass of man who is both likable and a bit of a target for barbs by his buddies at the café where they all hang out. Germain is the kind of guy who tends a garden of home grown veggies, and finishes his handyman work when the job is done ... even if it means he gets cheated out of a few dollars.

One day Germain meets Margueritte. Seems they both like to feed the pigeons from the same park bench. The two of them fall in love. OK, it's not quite that simple. Margueritte (Gisele Casadesus) is 95 years old and lives at a retirement center nearby. Her world consists mostly of reading books and counting pigeons. That is, until she meets Germain. Her wise, but failing eyes, recognize a wounded man. A man with a giant and kind heart. And mostly a man who is a wonderful listener. See, Margueritte READS aloud to Germain, who was mistreated as a child by his mother and teacher, and never developed any self-esteem or refined social skills. Margueritte helps him overcome through the words she reads ... and the stories he visualizes.

This simple story shows what an impact we can have on others by listening, or through a simple act of kindness. Margueritte's efforts open up the world for Germain, while his willingness to listen and care give her hope for another day. There are side stories involving Germain's mother (Claire Maurier), whom he still cares for, Germain's younger girlfriend Annette (Sophie Guillemin), and the circle of friends at the café/pub. These are all French people and full of life and emotion and judgment and caring.

Despite the shaky ending, this movie made me smile and had me hoping to spend an afternoon on the park bench with Margueritte and Germain ... reading The Plague by Albert Camus. Now that's a movie first!

Germain (Gerard Depardieu) is not illiterate. He knows how to read and write, but he really prefers not to. For one, he is not very good at reading, he goes slowly and he uses his finger to follow the lines across the page. However, his comprehension is pretty good, especially when someone reads aloud to him. He imagines the scene in his mind and if the reader is describing rats in the street he can see those rats squirming around in enough detail that it makes him uncomfortable. Not being a big fan of reading and not being known as any sort of intellectual at his local bar is just fine by Germain. He is a town handyman, a very capable gardener, appreciates his girlfriend, and is not depressed about his station in life.

His station isn't very high either. He lives in a trailer behind his mother's house and makes ends meet by being good with his hands, be it woodworking or gardening. One advantage to not having a steady 9-5 job is lunch in the park. Germain enjoys making a sandwich and leisurely eating it on his favorite park bench where he can monitor the pigeons. He goes there enough to know that in fact there are 19 usual pigeons hanging around and he even has names for all of them. It is here in the park where he meets 95 year old Margueritte (Gisele Casadesus). The park gives her a chance to escape the old folks home for a bit and read out in the sunlight.

Margueritte and Germain strike up a pleasant friendship where she reads aloud and he appreciates the stories. This is the first time in his life someone has ever taken the time to talk with him one on one about stories, how they make you feel, and what the author may have been thinking about. Germain has bad memories from his childhood, both from an unfriendly school and an uninterested mother. Margueritte sees through his thick exterior and recognizes a kind of kindred spirit, one who really appreciates a good story and crisp sentences. In another life and with decent surroundings, Margueritte surmises Germain could have been an author himself.

All of these new ideas, books, and learning makes his life a bit more uncomfortable. His friends at the bar notice his vocabulary is raising a notch or two and his girlfriend Annette (Sophie Guillemin) is starting to wonder where all of this self improvement is coming from. Give My Afternoons with Margueritte a strong point in the good script column that is sidesteps what could have been a misunderstanding with a real scene of openness, frustration, and acceptance.

Gerard Depardieu gives a very strong performance here as a guy everyone likes, except his mother, and who enjoys his life in his small town. This comes off a very good performance he had last year with Inspector Bellamy. Gisele Casadesus has shown up three times in the movies in the past few months. She has bit parts in Sarah's Key and The Hedgehog and for a lady of such an advanced age, she really has a grasp on Margueritte and how she would feel towards a man approaching middle age whose earlier experiences stunted what could have been a wonderful relationship between him and the world of books. She may be the only 95 year old in France capable of still turning out a good performance which is why she is getting every single role in France which calls for one.

My Afternoons with Margueritte is a very pleasant way to spend your own afternoon. Watching Germain and Margueritte plod through a Camus novel is refreshing and it is truly enjoyable to sit back and watch a script unfold which chooses to step away from cliché and focus on character and style.