An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African American maids' point of view on the white families for which they work, and th... Read allAn aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
- Won 1 Oscar
- 79 wins & 121 nominations total
- Stuart Whitworth
- (as Chris Lowell)
- Yule Mae Davis
- (as Aunjanue Ellis)
- Director
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Summary
Featured reviews
Taylor, whose last movie was the little seen Pretty Ugly People, grabbed a familiar actress to join him in making The Help, Allison Janney. Other than Janney the only other familiar actresses in the movie are Cicely Tyson and Sissy Spacek. The rather unknown cast has a fresh feeling on the story and there are no preconceived notions based on a past actor or actresses work. That being said Emma Stone (Easy A), and Viola Davis had a true coming out party in The Help. Both women played fantastic parts, which really made the cast mesh nicely together. Bryce Dallas Howard, Octavia Spencer and Jessica Chastain were all spectacular in supporting roles alongside Stone and Davis.
When a movie doesn't have the explosions, crazy action or crude humor that we've become accustomed to seeing in newer movies there has got to be a great story attached in order to maintain your interest; The Help had that great story. There aren't many movies that have you laughing, crying, or getting angry and end up still being fantastic and that is where this one had me. With my common rule of no movie should be over 2 hours unless it is special; this one is very special. I would be surprised if there aren't a number of nominations coming.
Children: If they can handle a lot of dialog it is age appropriate for 10+ Award Worthy: YES! Nominations for: Best Actress, Best Supporting Actress, Screenplay, Picture, Director Entertaining: Yes Summer Movie Grade: A+ Is it Worth the Price of a Movie ticket: Yes Would I watch It Again: Yes
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Okay, so here's the truth: I'm a middle-aged, white male... I didn't read the book and I assumed, based on the fact that this is a virtually an all-female cast, that this was some sort of chick flick. Boy, was I wrong!
This is an incredible film that not only pays justice to the bestseller on which it's based (according to those who have read the book AND seen the film), but is phenomenally cast, with exceptional performances by Viola Davis, Emma Stone, Octavia Spencer, Bryce Dallas Howard and Allison Janney. Veteran actresses Sissy Spacek and Cicely Tyson also deliver incredible performances. While Tyson's character is central to the storyline, her role comprises what seems to be a few, precious minutes of the 2:20 running time, she delivers, in my opinion, one of the most powerful and moving moments in the film...one in which she doesn't even utter a line (trust me, you'll know when you see it.)
The Help also delivers some very funny moments and will make you laugh. I'll go so far as to say that this film and a few of its cast members will draw some Oscar nominations. I certainly think this takes Stone into a whole new level.
The racial imbalances of 1963 are well illustrated in "The Help," and will, no doubt, underscore how far America has come, as well as how little progress we've made in the last 50 years. Either way, this is a powerful movie that needs to be seen on the big screen as soon as you can get a ticket.
I could discuss the plot, but LOTS of other reviewers have discussed this. So instead, let's talk about what I liked and didn't like. I liked the acting. The problem, however, is that giving any of these actresses awards is tough as it's such an ensemble cast. I can truly understand why the Screen Actor's Guild chose to award ALL the cast a joint award. The direction was very nice and the movie was well filmed. The script was also very nice--and quite inspiring. My quibbles are VERY small---very, very small. I felt that a few characters were a bit one-dimensional (particularly the lead villainess). Also, the ending of the film seemed to drag out a bit and wrapping it up a bit sooner. It wasn't a bad ending--but tightening would have heightened the overall emotional impact.
So my advice for you is to see this film. While I still think "Hugo" is the best nominated film this year, I can see the merit in "The Help" winning and "The Artist" sure seems to have a lot of momentum. So, do yourself a favor and see all three--all three are terrific.
Director Tate Taylor keeps the race relations taut but not strident, as if we were living through the emerging civil rights movement slowly but inevitably aimed at equality, not "separate but equal." Skeeter (Emma Stone) graduates, returns to Jackson, Miss., and decides to write about the black help, whose "perspective' needs to be told. As more maids join in the writing of the manuscript, the more possible it is to counter the assassination of Medgar Evers and eventually that of Martin Luther King.
While we have grown used to the base scatological humor of the Hangovers, Change-UP, and other rom-coms, the fundament motif in The Help is as low-key as will ever be depicted in film. Not only is the idea of the bad guys "eating s—t" effective, it is funny and poignant.
A note about the performances—Bryce Dallas Howard as the conservative, prejudiced Hilly, is remarkably successful, making her a full-fledged actress and not just a famous director's daughter. Jessica Chastain as the ditzy but big-hearted Celia Foote cements her place as a great modern actress following her memorable role as the compliant wife in Tree of Life. Emma Stone no longer need rely on rom-coms, for she stars in The Help with a performance nuanced and underplayed, just the way I like it, albeit a bit too hip for the times.
Although the film tends toward the simplistic, e.g., there are no bad blacks and most whites are obtuse, Viola Davis as maid Aibileen Clark successfully carries the film displaying the ambivalent nature of slavery ready to burst out of its chains.
Now having proclaimed my neutrality above, I will tell you this: this is one powerful movie that will sure touch and move you in one way or another whatever your political lining. The casting, directing and acting are top-of-the-shelf superb A+++. When my wife first told me about it, I said OK whatever. Man was I wrong! I cried and laughed at the same throughout the movie, and I'm a dude and where I come from men are not supposed to show their soft side. All I can say is go see the movie and it will be worth it.
Did you know
- TriviaKathryn Stockett's book, on which this film is based, was rejected 60 times before it was eventually published.
- GoofsSkeeter uses liquid paper. In 1963, people used hard, round "typewriter erasers" and brushes to correct typing errors. Liquid paper was still being sold out of its inventor's house.
- Quotes
Minny Jackson: Eat my shit.
Hilly Holbrook: What'd you say?
Minny Jackson: I said eat... my... shit.
Hilly Holbrook: Have you lost your mind?
Minny Jackson: No, ma'am, but you is about to. 'Cause you just did.
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #19.196 (2011)
- SoundtracksJackson
Written by Jerry Leiber and Billy Edd Wheeler
Performed by Johnny Cash and June Carter Cash
Courtesy of Columbia Nashville
By arrangement with Sony Music Licensing
Details
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Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $169,708,112
- Opening weekend US & Canada
- $26,044,590
- Aug 14, 2011
- Gross worldwide
- $221,802,186
- Runtime
- 2h 26m(146 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1