Mémoires de jeunesse

Based on the memoir by Vera Brittain (Alicia Vikander 'A Royal Affair' – who is superb) this is one woman's story of her war. We go back to 1914 before that awful war had begun and find a young and feisty woman (referred to at the time as a 'blue stocking') who has ambitions of studying at Oxford and is willing to shun the conventions of finding a husband din order to realise her dream.

She has a brother Edward (played touchingly by Taron Egerton) and he introduces her to his friend Roland. After a shaky start they realise they share a passion for poetry, the romantic sort and a friendship blossoms as indeed do their feelings. Then the war comes and everyone's intended plans for the future are put on hold to do their duty.

What follows is truly heartbreaking, I was moved to tears at one point and that is very rare. The cinematography is superb, the direction excellent and all of the actors are completely convincing and bring their respective roles to full realised life. One of the poems starts with the words 'life and hope and love and you', and that could be a pretty good description of what this film is about. The whole thing is just excellent and is a film that I can not only thoroughly recommend but would urge people to see.

I first read "Testament of Youth" during university and was captivated by the emotionally moving real-life story of love and loss during war. The memoir spurred me on to read more about Vera Brittain, particularly during the World War I period that is the setting of "Testament of Youth." Having read her diary "Chronicle of Youth" and "Letters from a Lost Generation" long before watching this film, I had formed a strong attachment to Vera Brittain almost as if she was a personal friend. Reading her words, it is very easy for anyone, particularly a young, studious person to relate to her and the blossoming romance she describes between herself and her first love, Roland Leighton.

As such, I had extremely high expectations for this film, and was skeptical that Alicia Vikander and Kit Harington would be "my" Vera and Roland--I had such a fixed idea of them in my head. Fortunately Alicia and Kit's performances met my expectations. They had wonderful chemistry and the relationship as portrayed captured the essence of Vera and Roland: the intelligent, witty banter, sweet/innocent flirtatiousness, passion and angst. This relationship is at the heart of the memoir and is the driving force for much of what occurs during and after its commencement, so it was very important for this relationship to be portrayed accurately and to be emotionally moving for the audience, which it certainly was for me.

Supporting characters played by Taron Egerton (Edward) and Colin Morgan (Victor) were also wonderfully portrayed, which was a relief as the relationships with her brother and friend are extremely important in the memoir as well, and just as emotionally moving as the romance between Vera and Roland. As far as the other aspects of the film are concerned, the stirring scenes at the hospital where Vera volunteers as a nurse are gripping and faithfully portray the tumultuous wartime experiences that Vera describes in her memoir.

The highlight for me was the poetry of Roland which is interwoven during key moments in the film. This is a lovely element to the story that I found very touching and it provides a beautiful, emotional backdrop for key scenes.

I really hope this film spurs those who haven't read the memoir/have never heard of Vera Brittain to go on and read "Testament of Youth." The book certainly lingered in my mind for quite some time after I had first read it, and the film likewise recaptured those feelings for me.

I remember being given this book as a set text for an English A-Level examination over 30 years ago and am aware that there was a prestigious BBC production of it also several years back but this is the first dramatisation I've seen of Vera Brittain's novel documenting her own experiences in that golden age of post-Edwardian pre WW1 England when for coming-of-age birthdays you got given a piano from your father. That's if you were a girl of course, her more musically gifted brother conversely gets what she would have wanted, a scholarship at Oxford although on the other hand he is also at the the prime age to be called up for what he and most everyone else (but not their knowing father) believes will be a short, heroic and clean war which of course it turned out not to be (apart from the heroic part).

Young Vera is headstrong, not only about wanting to make her own way in a man's world (female emancipation was still years away), but later about making her own contribution to the war effort by enrolling as a nurse while her lover, brother and other male friends are fighting in the trenches. Told wholly from her point of view, it's an entertaining if not enthralling watch, beautifully shot and well acted if somehow just lacking some extra pathos to really capture the hellish undertow of the War to end all Wars.

Alicia Vikander is appealing as the vaguely tomboyish, intellectual Vera. In those days, it would appear, the golden youth had to be chaperoned everywhere by a usually imposing maiden aunt figure and make their feelings about each other known by writing and sending poems as the film strives to contrast the idyllic pre-war days of carefree swimming and carousing with the bleakness and destruction of war itself. For me, I didn't feel the contrast quite sharply enough and my abiding memories of the film are of the big family house and the dreaming spires of Oxford rather than the hell of the makeshift military hospitals and muddy and bloody trenches on the front line.

The best shot for me was when I perhaps detected a tribute to all-time great movie "Gone With The Wind" as Vera goes Scarlett-like amongst the wounded and dying, searching for her wounded brother where the camera ascends into a sweeping dolly shot showing the full extent of the number of the casualties, just like Vincent Fleming's rightly famous take all those years ago.

The supporting actors are picked from the familiar directory of experienced British character actors, notably Miranda Richardson and Emily Watson, while the young actors in the leads, all of them unfamiliar to me, perform with aplomb.

There is a great true-life story to be told here and this film does so respectfully and responsibly, if just a little too carefully at times.

Having read some of the negative remarks regarding the film makers' decision to not show extensive scenes from the mucky trenches, I must respectfully disagree. From War Horse to the Wipers Times, there have been quite a few films over the last few years that covered the horrifying reality of life in the trenches of Europe.

I found this to be a well-acted and balanced presentation. It has left me with a lingering sadness and I feel that it has accomplished the purpose of showing the viewers the aching emptiness and futility of war. No one in this story escaped the impact of the World War I years. Although most of the focus is on Vera, we do see the anguish of the others who surround her throughout those years.

Previously unfamiliar with the back-story of this writer, I was very satisfied with the film portrayal of her life.

'Testament Of Youth' is a BBC film.

The film opens with a maffick, but with one young woman being rather subdued, even dazed. Then in a clever scene, there is a Col. Blimp- style swimming scene.

We are introduced to Vera Brittain, living in provincial comfort in Buxton Derbyshire, and struggling against social convention. She and her young male friends, all on the threshold of adulthood, are looking to the future. It is the summer of 1914 and the era is caught well and authentically.

Love is in the air and as our story develops we get some nice Michael Corleone-style 'Sicilian' courting. In a small part, Joanne Scanlan plays the chaperon Aunt Belle. She delivers to the part the same depth that she did when playing Mrs Catherine Dickens in last year's 'The Invisible Woman'. Played initially for laughs, the chaperon takes a much deeper and more human role as Summer moves into Autumn. There is a station scene, much more dramatic than that in the recent 'The Imitation Game', because the trains are going in a different direction.

Vera Brittain herself wrote of critics who doubted the authenticity of her account. Who are we, to measure the authenticity and depth of feeling of young lovers? This was their love, not ours! The reality of WWI, of course, can be easily measured and recounted.

The film gets progressively darker as the war intrudes into the story. The darkest scenes of all are set in France. These scenes are grim and gritty, muddy and bloody. There are many poignant scenes of love and war. Vera Brittain's male companions are played well by a strong cast. The central character of Roland Leighton is well played by Kit Harington, Here however, his romantic side is much more subdued, than that in his role in last year's 'Pompeii', where he featured in what was arguably the most romantic kiss scene of all time. Appropriately, Colin Morgan who has previously played the role of Merlin, here adds some magic, in what is perhaps the most poignant scene in this film. Perhaps the most sinister-looking figure in the film, is the innocent-faced-looking telegram-boy, played by Xavier Atkins. A small but scary part.

Pre-war Imperial Britain changed to the post-war era of Vera Brittain. The pre-war campaign for votes for women failed. The war forced women to do jobs previously done by men, to take up new roles and new responsibilities. Thus the post-war clamour for women's equality could no longer be ignored, and instead change started. The life and literature of Vera Brittain was an inspiration for the next generation, not the least being her daughter, the politician Shirley Williams. Vera Brittain's 'Testament' is now a recognized part of British culture and history. It is a long time since I read her book, but it seems to me that this film authentically captures the story in the book.

WWI was a seminal event. It changed the lives of a generation. it was a dominant theme in thinking in the inter-war period. To understand positions taken before and during WWII, we need to understand the context in which these positions were adopted.

In four short years British history was changed forever. So too for the world. This true story authentically captures the period and the resultant changes. 9/10.