The Way - La route ensemble

This carefully written road movie drama was directed by Emilio Estevez, who used traditional footage, and laid out the story over a compelling soundtrack with artists such as Tyler Bates, James Taylor and Nick Drake. In brief, we're following Martin Sheen's character Tom during his pilgrimage journey whilst mourning his dead son who died on the same pilgrim route after only one day. Tom meets people along the way who also become his friends, although Tom himself is uninviting. In contrast to the other characters Tom develops throughout the film and goes through the various stages of mourning that come with a great loss such as he suffered. Except from the usual message that people spend too little time reflecting over their life's I think "The Way" makes a good job of describing the strong bond between father and son, and at the same time highlight some problems with that relationship. Some scenes are obviously there to hammer in those two messages and the film would have been even better had they been made more subtle. I do recommend watching this film, and I think it shows that Emilio Estevez' directing skills don't just pertain to "Bobby".

This movie exceeded all expectations, which were already very high. All kudos to Emilio Estevez for an excellent screenplay and superb direction. The photography, too, was wonderful. I think this will go down as one of Martin Sheen's best ever performances. He underplays his role (due to Emilio's direction?) which makes it all the stronger. In fact, it's the understated quality of the whole film that makes it very moving. It never descends into sentimentality but you still feel the grief of Martin Sheen's character as he makes the pilgrimage his estranged dead son never completed. At the same time, there are a lot of funny moments, which lift it from becoming a depressing journey. The gradual coalescing of the four very different main characters into a unified group works very well. Each of them has a different reason for making the pilgrimage and, to begin with, they seem to have nothing in common, but it's still very believable when they start to relate to each other. Emilio and his father Martin have every reason to be very proud of this film. It works on every level.

This beautiful simple and involving film is one of the better films I've seen in the past couple of years. It does what the best of cinema can - it moves us, and reminds us that life is a journey full of chance encounters and that its not all serendipity, but we can walk on too.

Matin Sheen and his son, Emilio Estevez, make a winning team here - the direction, though straightforward is, like Ron Howard, filled with memorable scenes and images that linger. Sheen himself is always good at taking us with him - his half-amused, half-bemused style suits this perfectly. As he travels on the old pilgrimage route to Santiago de Compostela to deal with tragic loss he meets and forms a group with three other pilgrims.

All in all, the overall experience of watching this is simply pleasure - and like Danny Boyle's films, it seems simple but it is a complete experience. The Way is human, emotive, emotional, and sincere, and for this viewer a good journey.

... my sons way. Emilio Estevez has shown on numerous occasions, that he seems to be the more sensible one. Then again comparing him to Charlie Sheen (and his recent outbursts nonetheless) would be unfair to his brother. And while Martin Sheen also took on another surname to make it in Hollywood (Charlie and Martin succeeded), Emilio chose to keep his name, even though it may have blocked some doors for him.

For this movie he reunites with his father (not the first time he's directing him, but the toughest shoot he put him through yet). It's a very personal story about loss and finding one's way. The title is apt then and the journey ahead of the characters may be long, but also very insightful. Great acting and great locations make this a movie that will make you sentimental for sure.

I have looked forward to "the way" since first hearing about it. I heard interviews with Martin Sheen himself and a great double interview with Martin and Emilio on Irish radio. I did a part of the camino in 2009 and It was a life changing/enhancing experience for me so I couldn't wait to see how the film would deal with it. Yesterday I saw the film in the Screen cinema in College Green Dublin. The film is, in my opinion, very true to the camino experience. A previous reviewer trivialised it as "a road movie" and suggested "wizard of Oz" characterisation. The camino "road" has been travelled for over a thousand years. Long before "road movies" were even thought about and yes, any story of fellow travellers sharing their stories on a journey, can be similar to the "wizard of Oz" but I think Chaucers "Canterbury Tales" is probably the true origin of the species. The camino de Santiago in its reality, and in this film, is a wonderful kaleidoscopic confluence of humanity. Pilgrims seem to self-select for certain character traits such as eccentricity, other worldliness, joyfullness, adventurousness, hurt, curiosity etc. Tom's companions were all from the palette of characters I found on the camino. Tom himself was an accidental pilgrim and only at the end of the camino did he allow himself to fall in love with it like the others. Tom, the cynical skeptic, driven to put one foot in front of another as a way of dealing with the brokenness of his relationship with his son and the trauma of his sudden death, allows the distance required to allow viewers share in the journey of the Camino in a way that could not have been achieved by following four "ordinary" pilgrims, no matter how colourful. Tom was the "straight man", the foil, that allowed the full colours of all the other characters to shine through. I thought it was a brilliant piece of cinema. Ole!