Under the Skin
A mysterious young woman seduces lonely men in the evening hours in Scotland. However, events lead her to begin a process of self-discovery.A mysterious young woman seduces lonely men in the evening hours in Scotland. However, events lead her to begin a process of self-discovery.A mysterious young woman seduces lonely men in the evening hours in Scotland. However, events lead her to begin a process of self-discovery.
- Nominated for 2 BAFTA Awards
- 23 wins & 113 nominations total
Krystof Hádek
- The Swimmer
- (as Krystof Hadek)
Featured reviews
I am surprised by the amount of negative criticism about this film as I found it mesmerising and intriguing. If your expecting some Hollywood movie about a sexy alien killing lots of dull characters in a gory and sensationalised way (with lots of explosions thrown in), then you will be disappointed. The pace is slow however I felt that this contributed to the whole feel and atmosphere. I liked the use of Scotland as a setting especially the way it contrasted the natural beauty of Scotland with some of the urban ugliness that exists. I also liked the way Scarlett Johansson played the main role - cool, sexy and almost emotionless. I am glad I didn't watch this at the cinema as watching it at home meant I could discuss the film during the many periods of calm. There were a few arty scenes in the film but I did not feel these were pretentious or contrived, again they added to the feel of the film. The ending was a little disappointing in my opinion but I still feel this film is classy, original and will make most people think!
I am a Scarlett Johansson fan, ever since I saw her in "Horse Whisperer" in 1998. Realizing I had not seen this one yet, I managed to find it via the Kanopy streaming service through my public library's subscription.
It is not a mainstream movie, with a clear story and character motivations. It is a good watch for those who enjoy occasionally exploring alternative themes and filming styles. There is a vague opening, to suggest that an alien character has arrived and will explore Earth, in the process hunting down unsuspecting males. Scarlett Johansson plays the lead and is only known as "The Female."
All filmed in Scotland, much of it outside towns and cities in the unusual and mostly beautiful countryside. There isn't much action, nor is there much dialog. The film is atmospheric and attractive, and when it ends it is very easy to think "so what?"
I am glad I took the time to watch it but I will estimate that most lovers of clear-cut, mainstream movies will not enjoy it.
It is not a mainstream movie, with a clear story and character motivations. It is a good watch for those who enjoy occasionally exploring alternative themes and filming styles. There is a vague opening, to suggest that an alien character has arrived and will explore Earth, in the process hunting down unsuspecting males. Scarlett Johansson plays the lead and is only known as "The Female."
All filmed in Scotland, much of it outside towns and cities in the unusual and mostly beautiful countryside. There isn't much action, nor is there much dialog. The film is atmospheric and attractive, and when it ends it is very easy to think "so what?"
I am glad I took the time to watch it but I will estimate that most lovers of clear-cut, mainstream movies will not enjoy it.
Despite being a box office failure, 'Under the Skin' was a critical success with a lot of critics citing it as "an unforgettable experience" and one of the best films of the year. Audience reaction, as one can see here, has been much more divisive.
One can see why. 'Under the Skin' is the sort of film that will captivate some and alienate others. Being somebody who does like science fiction (and often the more polarising, different and critically acclaimed ones), who really enjoyed the more linear satirical book and was intrigued by the concept, there was the hope that it would be as good as the critics said (being one of the few on IMDb who doesn't resort to immature critic bashing and can see more often than not where they're coming from). Did prepare myself, judging by the divisive audience reaction and how vitriolic some of the negative reactions have been, for disappointment or finding it not as good as made out while still acknowledging its strengths.
Seeing 'Under the Skin', much of it was very impressive. Can totally see why people disliked it, do share a few of the complaints myself, but can see even more why critics and many others loved it. Will not resort to the oh so common, overused and abused stereotypical phrases always spouted on people's tastes on both sides, wanting to be a fair and perceptive reviewer and not someone who thinks only their opinion is right and nobody else's is (seen a lot around here).
'Under the Skin' to me wasn't perfect. Maybe it would have worked better as a short film. Can see why the slow pacing was adopted, for atmosphere and immersing into the world reasons, but there are parts that are a bit too drawn-out and meandering which doesn't always make the film as attention-grabbing as it could have been. The story structurally is a very slight one and not a conventional narrative, this is not always a problem in film and it cannot be denied that in terms of creating a mood and atmosphere that this is a triumph, sometimes it did feel too thin and while the basic concept is clear cohesion is not always a strength. Anybody feeling that there are unanswered questions here will find that the book, which has much more depth and clarity, provides the answers.
However, 'Under the Skin' does look amazing with some startlingly original imagery that really haunts the mind. The cinematography and eerie lighting, as well as the beautiful but austere Scottish landscapes, help make it one of the visually best-looking films that year. A big star is Mica Levi's electronic score that relies on drums and strings, this is one nerve-shredding music score with the freakiest use of strings for any film seen in recent memory.
The film is a triumph of mood and atmosphere. There is a real sense of queasy horror, eerie chills and an otherworldliness. Standout scenes here are the jaw-dropping cosmic sequence, reminding one of '2001: A Space Odyssey', the nightmarish and tension-filled beach scene and the poetic, sensual but pretty creepy seduction. Jonathan Glazer does a fine job directing, particularly in immersing the viewer into this world. The script is minimal but hardly weak.
Scarlett Johansson is mesmerising here in one of her best performances, she's rarely been more sensual and she shows a mastery of conveying so much while saying little, very hard to do and under-appreciated by many. Adam Pearson also gives a disturbing but poignant performance. Other than them, the rest of the acting is competent but not standout-worthy or memorable while never being disastrous or bad.
In conclusion, not mind-blowingly incredible and understandably divisive but one of those experiences that is hard not to forget. 7/10 Bethany Cox
One can see why. 'Under the Skin' is the sort of film that will captivate some and alienate others. Being somebody who does like science fiction (and often the more polarising, different and critically acclaimed ones), who really enjoyed the more linear satirical book and was intrigued by the concept, there was the hope that it would be as good as the critics said (being one of the few on IMDb who doesn't resort to immature critic bashing and can see more often than not where they're coming from). Did prepare myself, judging by the divisive audience reaction and how vitriolic some of the negative reactions have been, for disappointment or finding it not as good as made out while still acknowledging its strengths.
Seeing 'Under the Skin', much of it was very impressive. Can totally see why people disliked it, do share a few of the complaints myself, but can see even more why critics and many others loved it. Will not resort to the oh so common, overused and abused stereotypical phrases always spouted on people's tastes on both sides, wanting to be a fair and perceptive reviewer and not someone who thinks only their opinion is right and nobody else's is (seen a lot around here).
'Under the Skin' to me wasn't perfect. Maybe it would have worked better as a short film. Can see why the slow pacing was adopted, for atmosphere and immersing into the world reasons, but there are parts that are a bit too drawn-out and meandering which doesn't always make the film as attention-grabbing as it could have been. The story structurally is a very slight one and not a conventional narrative, this is not always a problem in film and it cannot be denied that in terms of creating a mood and atmosphere that this is a triumph, sometimes it did feel too thin and while the basic concept is clear cohesion is not always a strength. Anybody feeling that there are unanswered questions here will find that the book, which has much more depth and clarity, provides the answers.
However, 'Under the Skin' does look amazing with some startlingly original imagery that really haunts the mind. The cinematography and eerie lighting, as well as the beautiful but austere Scottish landscapes, help make it one of the visually best-looking films that year. A big star is Mica Levi's electronic score that relies on drums and strings, this is one nerve-shredding music score with the freakiest use of strings for any film seen in recent memory.
The film is a triumph of mood and atmosphere. There is a real sense of queasy horror, eerie chills and an otherworldliness. Standout scenes here are the jaw-dropping cosmic sequence, reminding one of '2001: A Space Odyssey', the nightmarish and tension-filled beach scene and the poetic, sensual but pretty creepy seduction. Jonathan Glazer does a fine job directing, particularly in immersing the viewer into this world. The script is minimal but hardly weak.
Scarlett Johansson is mesmerising here in one of her best performances, she's rarely been more sensual and she shows a mastery of conveying so much while saying little, very hard to do and under-appreciated by many. Adam Pearson also gives a disturbing but poignant performance. Other than them, the rest of the acting is competent but not standout-worthy or memorable while never being disastrous or bad.
In conclusion, not mind-blowingly incredible and understandably divisive but one of those experiences that is hard not to forget. 7/10 Bethany Cox
How do you even rate a film when you sort of loved almost everything about it yet have no concrete opinion on what it was all about? It's pretty rare in cinema to find yourself constantly struggling with your very own feelings, unsure of which side to settle with for whenever a step is taken in either direction, something from the opposite end of the spectrum keeps bringing you back in the middle.
Under the Skin is one film that provides such unique experience. It is a mystical blend of horror, sci-fi & mystery that's easily one of the most perplexing, challenging & polarizing narratives to come out in years and tells the story of a mysterious woman who drives through the streets of Scotland, seducing lonely men into her van until one particular event sets her on a journey to self-discovery.
Directed by Jonathan Glazer, this is my first stint with his works & even though I'm still connecting the dots of this mind-bending puzzle, there were still many elements I was instantly impressed with. Glazer presents a Kubrick-like control over all aspects of filmmaking here & that's no mere compliment. Use of dialogues is minimal & even though the plot is sort of repetitive, it's never expository.
Coming to the technical aspects, Under the Skin is a work of dazzling beauty. The camera nicely follows its lead character like a silent observer, shooting locations are elegantly chosen & every single image is exquisitely captured. Editing lets the story unfold at its own pace & is never in a hurry while Mica Levi's skin-crawling score ends up encapsulating the whole picture with a very creepy, haunting & surreal ambiance.
As far as acting goes, it's Scarlett Johansson show all the way for the actress commands the screen unlike ever before and chips in with an unexpectedly impressive, audacious & intensely alluring performance. Trying to make sense of the human world, getting to know people for a brief time & attempting to understand a human feeling, Johansson is able to express all that through her piercing gaze & subtle body language with effortless naturalness.
On an overall scale, Under the Skin is too complex a film to be fully analyzed on the first watch but it nevertheless delivers a haunting, hypnotic & heartbreaking cinematic experience. Certainly not for everyone, it's one of those art-house features that viewers will either embrace or reject outright. A difficult film to review & an even harder film to rate, Under the Skin does manage to live up to its name by getting under your skin & is one of the most stimulating motion pictures of its year. Multiple viewings advised.
Under the Skin is one film that provides such unique experience. It is a mystical blend of horror, sci-fi & mystery that's easily one of the most perplexing, challenging & polarizing narratives to come out in years and tells the story of a mysterious woman who drives through the streets of Scotland, seducing lonely men into her van until one particular event sets her on a journey to self-discovery.
Directed by Jonathan Glazer, this is my first stint with his works & even though I'm still connecting the dots of this mind-bending puzzle, there were still many elements I was instantly impressed with. Glazer presents a Kubrick-like control over all aspects of filmmaking here & that's no mere compliment. Use of dialogues is minimal & even though the plot is sort of repetitive, it's never expository.
Coming to the technical aspects, Under the Skin is a work of dazzling beauty. The camera nicely follows its lead character like a silent observer, shooting locations are elegantly chosen & every single image is exquisitely captured. Editing lets the story unfold at its own pace & is never in a hurry while Mica Levi's skin-crawling score ends up encapsulating the whole picture with a very creepy, haunting & surreal ambiance.
As far as acting goes, it's Scarlett Johansson show all the way for the actress commands the screen unlike ever before and chips in with an unexpectedly impressive, audacious & intensely alluring performance. Trying to make sense of the human world, getting to know people for a brief time & attempting to understand a human feeling, Johansson is able to express all that through her piercing gaze & subtle body language with effortless naturalness.
On an overall scale, Under the Skin is too complex a film to be fully analyzed on the first watch but it nevertheless delivers a haunting, hypnotic & heartbreaking cinematic experience. Certainly not for everyone, it's one of those art-house features that viewers will either embrace or reject outright. A difficult film to review & an even harder film to rate, Under the Skin does manage to live up to its name by getting under your skin & is one of the most stimulating motion pictures of its year. Multiple viewings advised.
I implore anybody that has seen this movie once, and not liked it, to watch it once more. This time, however, take into account that film is a visual medium. Instead of expecting a narrator or a character to easily explain to you what is happening try paying attention to what is happening. Examine and truly THINK about what is expressed visually. The brilliant part about Under The Skin is how well it tells a story without dialog, without running commentary, and without the central character saying much at all.
Think about the purpose of what the female character is doing. The entire story tells itself so easily if you let it. The problem with the modern movie-goer, and admittedly myself, is that we want things explained to us. We're happy to be treated like ignorant flatheads that don't know our butts from our elbows. Look at any other review here on IMDb and pay close attention to what is being criticized. They are mostly the same things over and over again.
They don't criticize what is conveyed through the film's imagery. Instead, they say things like "Not enough was explained." "This film had no plot." "The movie went nowhere." or "Nothing happened." At the risk of sounding smug, I will say that these people are looking for the wrong things in this movie, or any movie. When going into any new film it's important to remember the medium you're choosing to entertain you. It's not like a book on tape, or music. Movies can explain the plot, story, character motivations, and roles without having to have a character, or narrator explain it to you.
I was one of those people that didn't "get" this film and gave it an extremely low rating of 1 star. But I decided to change to a 7 after much reflection on the content and thoughts it provoked afterward. After reading over 5 or 6 positive I got curious. Why do so many people think this movie is fantastic and innovative? I implore you to look up the video review by Renegade Cut.
This one video, in addition to Under The Skin, made me rethink what I think a movie should be. It can be artistic, and different, and entertaining without following the well established formula for modern movies. Personally, I feel like people in general are too harsh. A one star rating should be reserved for terrible films, with nothing to say at all. Well, that's not this film. It certainly has plenty to say about what it's like to be an outsider, and what a gift it truly is to be human.
A one star rating should be reserved for the most thoughtless trash in existence. This isn't even close to that. Was it for me? No, but I certainly "get" it. I get what the message is, and what it was trying to do. That I had to think to myself "What did I just watch?" was enough for a 7 star rating. It made me think, re-evaluate, and wonder. As much as I like Guardians of the Galaxy, or Indiana Jones, I have to ask myself "Did either one of those films make me feel this way?" No, they didn't.
And also, do films necessarily have to be for entertainment? To which I also say no. Films can be about raising a question, or provoking a thought, or experiencing emotions. Maybe the tedium of a scene evokes boredom, but what if that's the point of the scene being shown? Look past your eyes, think about what the director's intent was, and I think you'll enjoy this one way more on a repeat viewing.
Think about the purpose of what the female character is doing. The entire story tells itself so easily if you let it. The problem with the modern movie-goer, and admittedly myself, is that we want things explained to us. We're happy to be treated like ignorant flatheads that don't know our butts from our elbows. Look at any other review here on IMDb and pay close attention to what is being criticized. They are mostly the same things over and over again.
They don't criticize what is conveyed through the film's imagery. Instead, they say things like "Not enough was explained." "This film had no plot." "The movie went nowhere." or "Nothing happened." At the risk of sounding smug, I will say that these people are looking for the wrong things in this movie, or any movie. When going into any new film it's important to remember the medium you're choosing to entertain you. It's not like a book on tape, or music. Movies can explain the plot, story, character motivations, and roles without having to have a character, or narrator explain it to you.
I was one of those people that didn't "get" this film and gave it an extremely low rating of 1 star. But I decided to change to a 7 after much reflection on the content and thoughts it provoked afterward. After reading over 5 or 6 positive I got curious. Why do so many people think this movie is fantastic and innovative? I implore you to look up the video review by Renegade Cut.
This one video, in addition to Under The Skin, made me rethink what I think a movie should be. It can be artistic, and different, and entertaining without following the well established formula for modern movies. Personally, I feel like people in general are too harsh. A one star rating should be reserved for terrible films, with nothing to say at all. Well, that's not this film. It certainly has plenty to say about what it's like to be an outsider, and what a gift it truly is to be human.
A one star rating should be reserved for the most thoughtless trash in existence. This isn't even close to that. Was it for me? No, but I certainly "get" it. I get what the message is, and what it was trying to do. That I had to think to myself "What did I just watch?" was enough for a 7 star rating. It made me think, re-evaluate, and wonder. As much as I like Guardians of the Galaxy, or Indiana Jones, I have to ask myself "Did either one of those films make me feel this way?" No, they didn't.
And also, do films necessarily have to be for entertainment? To which I also say no. Films can be about raising a question, or provoking a thought, or experiencing emotions. Maybe the tedium of a scene evokes boredom, but what if that's the point of the scene being shown? Look past your eyes, think about what the director's intent was, and I think you'll enjoy this one way more on a repeat viewing.
Did you know
- TriviaChampionship motorcycle road racer Jeremy McWilliams was cast as the motorcyclist to handle the treacherous driving conditions of the Scottish Highlands.
- GoofsWhen Laura is walking down the street before she trips, you can see reflections of a crew member in a high-vis vest helping the camera follow her down the street.
- Crazy creditsNone of the characters are named in the closing credits: the cast-list is only a list of actors' names.
- ConnectionsFeatured in At the Movies: Venice Film Festival 2013 (2013)
- SoundtracksReal Gone Kid
Performed by Deacon Blue
Written by Ricky Ross
Published by Sony/ATV Music Publishing (UK) Ltd.
Licensed courtesy of Sony Music Entertainment UK Limited
- How long is Under the Skin?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Bajo la piel
- Filming locations
- Tantallon Castle, Auldhame, East Lothian, Scotland, UK(castle ruins)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $13,300,000 (estimated)
- Gross US & Canada
- $2,614,251
- Opening weekend US & Canada
- $133,154
- Apr 6, 2014
- Gross worldwide
- $7,494,387
- Runtime
- 1h 48m(108 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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