Jamais sans toi

FROM BEGINNING TO END (Do Começo ao Fim) is the work of writer/director Aluzio Abranches who was born and raised in Ipanema, Rio de Janeiro, Brazil. He graduated in Economics before going to the London International Film School, in 1983. His first feature- film, 'Um Copo de Cólera' (1999) was acclaimed in several international film festivals. In 2002 his second feature-film, As três Marias (The Three Marias) also was selected to various festivals abroad. His latest movie, 'Do Começo ao Fim' (From Beginning to End) tells a story about two male half-brothers who fall in love. The movie caused tremendous controversy as some people loved the delicate relationship between them and others who were outraged by the suggestion of incest. Nevertheless, it is undeniable it was groundbreaking for the homosexual Brazilian cinematography, being selected to over 25 international film festivals, many of them dedicated to the gay pride and film production.

Though the feelings of viewers continues to be quite mixed, hopefully in time the film as an art work will be better appreciated. It is an exquisite study of family in a different light than any other film has probed. Julieta (Júlia Lemmertz) is currently married to Alexandre (Fábio Assunção) and they have a child Thomás who according to the narrator - the half brother Francisco from Julieta's previous marriage to Pedro (Jean Pierre Noher) - was born with his eyes closed and kept them closed except for looking at his new brother. Into this loving atmosphere the two brothers are close, enjoying each other's company in play and adventures and proximity. Francisco as a child is played by Lucas Cotrim and Thomás as a child is played by Gabriel Kaufmann. Thomás idolizes his big brother and Francisco looks to Thomás for secure love. The boys visit Pedro (Francisco's father) in Buenos Aires at Christmas and Pedro discusses with Julieta that he is concerned that the boys are too close, a fact that Julieta acknowledges but assures Pedro that this is normal in boys their age. At home in Rio de Janeiro Alexandre poses the same concern, but the two young boys are so happy and successful in school and sports that the subject is dropped. Pedro dies, then Julieta dies, and the two now grown young lads have only their shared father Alexandre to parent them. As young very handsome, athletic men Francisco (now played by João Gabriel Vasconcellos) and Thomás ( Rafael Cardosa) are left alone in their home and their relationship deepens into a physical one. The lads deeply love each other and their physical love is as wondrously portrayed as their love as half brothers. They exchange rings. They both are dedicated swimmers, but Thomás is better and is offer to go to Russia to train for the Olympics. The idea of separation deeply troubles them both, but Francisco's love for Thomás sees the importance to his brothers career and off Thomás goes to Russia. While the lads are separated they yearn for each other: Francisco attempts to assuage his longing with a young girl but his commitment to Thomás is stronger. The film ends in a statement of commitment and love between these two extraordinary men.

The physical aspects of the relationship are beautifully captured in the sensitive cinematography by Ueli Steiger: the acts are passionate but visually subtle. The musical score by André Abujamra adds another realm of power to the story's character. Each of the actors in the film is excellent. It is rare that broken family stories have been shared with such grace and delicacy. And both Vasconcellos and Cardoso seem to have a fine career ahead of them.

FROM BEGINNING TO END should not be labeled as a gay film even though it allows the viewer to see the power of same sex relationships in a beautifully described new light. This is, simply, a fine film and Aluzio Abranches deserves kudos for his accomplishment.

Grady Harp

The filmmaker starts off with an intriguing premise. How much would love flourish if we lived in a world uncomplicated by belief systems that thrive on shame and conformity? In my eyes, the filmmaker is a dreamer. Not a realist. And it was refreshing and fascinating to watch as the story unfolded. It was profound.

The story begins with a boy at the age of six who is escorted by a nurse to see his newborn brother. Immediately, the filmmaker is setting up the rules of his idyllic world. And the rules are consistent throughout. The father is nowhere to be seen. In fact, there are no adults other than an impartial nurse who leads the boy to the person who will ultimately be the love of his life.

The six year-old brother looks into his baby brother's eyes through the viewing window and a profound connection is formed. The filmmaker makes his first point. Could this mysterious thing we call love start even before birth? In most of the best love films that I've seen, and I've seen plenty, when two lovebirds meet the love of their life they have that experience of, haven't we met before? Or, I feel like I've known you all my life.

I won't go into the whole story but I was fascinated by the filmmaker's decision to leave as much conflict out of the picture as possible. He showed us hints of potential conflicts but wisely didn't emphasize them. It was a brave choice. Abranches' vision would prefer to keep the boy's perpetually in the womb of their mother. Which is another important theme throughout the story.

Abranches give us a vision of his Garden of Eden before the fall and the Great Conflict. Before Adam hid himself in the bushes when God walked the grounds and he asked Adam, why are you hiding? I'm naked. And God became angry, who told you thou wast naked? What kind of world would that be like? I can only imagine but I caught a glimpse of it up there on the big silver screen. I highly recommend From Beginning to End.

The movie tackles with straight-forward candidness the biggest taboo of western societies: the incest. To top it all off, the relationship happens between two brothers. The movie struck me as extremely poetic, with great cinematography and a LOT of chemistry between the main actors. The love scenes will make you gasp with their intensity and sense of poetry, but the film lacks any real reason d'être.

The main subject in hand, with all of it's richness and subtleties, gets pushed to the side, while some other less interesting plot takes on from half the movie onwards.

I did enjoy the film quite a bit, especially for the ease with which it talks about a very taboo subject.

Oh, and I must mention the main actors are, naturally, extremely hot.

Being Muslim and open-minded, I found this true gay brotherly love movie quite a great movie. Gay love making is not cheap and the story is quite normal and impressive too. Not surprised it won awards.

I got this movie out on DVD without knowing too much about it and I was absolutely blown away. It is such a touching and romantic movie. I know it has taboo topics but they are handled so gently and with such acceptance by the film makers and the the characters within the story. It truly moved me in a way a film has never done for me before. It is probably not for everyone due to some of it's taboo content, but honestly, it should be viewed regardless. It is such an exquisite portrayal and will really make you think. I cannot praise this movie more highly. Forget the mind-numbing exploitative offerings of The Hangover or Bridesmaids, and see what great film can accomplish.