Submarine

Dead pan humour is the order of the day with Submarine. Understated lines such as "my mum gave a hand job to a mystic" could go unnoticed by an inattentive audience; every exchange has a hidden reward if picked up on. There are of course obvious jokes throughout, however the true comedy is found in Oliver Tate's voice over and interactions.

Casting Craig Roberts as Oliver Tate was a masterstroke and much of the film's success is based on his performance. The imaginative and peculiar schoolboy analyses everything, often conjuring up fictional events which parody mainstream movies. In one such hypothetical situation he sees Jordana (Yasmin Paige) by the shore and runs to her, meanwhile his narration explains that it isn't her standing there, a stranger turns around.

Submarine is a simple coming of age story, without the solid plot of the British film veterans. A little slow paced on occasion, it could have done with an extra thread of story. In essence the narrative follows two strands, the relationship between Oliver and Jordana and between Oliver and his family. Trying to date Jordana and reignite the spark between his parents isn't a small task, not that that fazes Oliver.

Submarine is devilishly funny, a true gem and I hope it doesn't stay under the radar of most cinema goers for much longer.

"Submarine" is Welsh. It opens, at least in North America it does, with a letter from its protagonist (Oliver) to Americans; educating us that Wales is a country located next to England. Although thankful that America has not yet invaded his country, Oliver informs us that this is an important film which we should treat with the utmost respect.

Don't worry, it's okay to laugh; you're supposed to. This is a teen coming-of-age comedy. Oliver Tate (Craig Roberts) is like a young, Welsh hero of a Wes Anderson film. Gangly and awkward he struggles with popularity in school, but when he imagines his own funeral, the entire country mourns. He bullies one girl to try and impress another but then writes a long letter not so much repenting his guilt but teaching her how to be cool. The dialogue, like Oliver, is precocious but hilarious with a surprisingly fresh feel considering how tired the genre has become.

Oliver tries to win the girl and become the best boyfriend in the world, and he also has to be the best son in the world to save his parents' marriage. In both adventures, he uses psychology books (usually found in routine searches of his parents' bedroom) to ensure his actions accurately reflect his intentions. If you can guess how his plans may go awry, then you are the right audience for this very funny film.

His father, Lloyd (Noah Taylor) is a depressed marine biologist, while his mother Jill (Sally Hawkins) is inappropriately attracted to their neighbour, an old boyfriend of hers. He's a mystic, theatrical performer, and Oliver and Lloyd are the only ones that see it for the nonsense that it is. Lloyd is like a grown-up, Welsh hero of a Wes Anderson film and I loved how they included the father of the protagonist as a main character and showed that although he was more mature, still not any more in tune with the ways of the world around him.

It has some slightly dark twists, but "Submarine" succeeds because it never lets up the humour or the quirky tone. Funny? Yes. Important? No, but I certainly get the joke.

'Submarine' is a wonderfully engaging film. Along with being very funny, It genuinely understands and insightfully explores, teen anxiety and communication/perception troubles. While watching it, I felt like I was experiencing the story first hand. As a result of an artfully made, endearing and enjoyable experience, the film gently implies a progressive and positive message.

The film also shows the tremendous versatility and courage of filmmaker Richard Ayoade. 'Submarine' has created its own category, as it's quite different from Ayoade's brilliant TV comedies, It has a very unique, personal language and sensibility, which is equally thrilling and satisfying for the viewers. The casting is perfect as well, each actor makes their character ring with an authentic and lively human truth.

A delight, Highly recommended!

We had the pleasure of seeing and listening to Richard Ayoade in person at last night's screening at the Glasgow Film Festival.

I am normally a bit scared of coming-of-age movies, mainly because of potential cheesiness and annoying child actors but Submarine managed to an accurate, funny portrayal of the hell of teenage UK school life. There were some slightly Adrian Mole-esque moments but that's not a bad thing.

The audience at the screening seemed to think that the whole thing was a rip-roaring comedy and laughed at points which were obviously supposed to be more poignant or sad. Overall, however, the tone is one of wry comedy at the horrors of growing up and even subjects such as brain tumors & divorce are treated as lightly heartedly as possible.

Don't be put off that Ben Stiller's production company was behind funding the film - it has nothing in common with a Hollywood teen movie. One of the best British films we have seen.

Being so far away from my school years that I remember Betamax video players and a world without Instagram, I'm not that into teen love stories, but I was more than happy to give 'Submarine' a try, based on the fact that it was directed by the (awesome!) Richard Ayoade (best known for the 'IT Crowd'). And I really enjoyed it. In fact, I bought the DVD, but have only just got round to watching it a second time again. Oddly enough... I wondered what I saw in it the first time round.

It's set in the eighties (some may call this a 'period piece' but it basically sums up the world my childhood was set in) where a teenage boy struggles with growing up. Or rather he struggles with his own inner demons surrounding what plagues many boys of that age... girls. He's fallen in love with a girl in his school and he basically has to come to a way of winning her over, while dealing with his parents possibly having marital difficulties.

So the plot is hardly original and, don't get me wrong... it's not bad. The direction is very good - I believe the term is 'meta' where the characters sometimes talk directly to the camera in scenes where the protagonist theorises on what may or may not be happening. And, although there are plenty of good lines here and there which will make you smile. Plus, if you're like me (i.e. of a certain age) you will enjoy seeing the world before smartphones. However, what didn't seem to gel with me this time was the two leads.

I found them both a bit unlikeable. They seemed so wrapped up in themselves that I found I didn't really care whether they got together and lived happily ever after or not. Maybe I've just got even older and I'm finding even less in common with the younger generation (even if the younger generation in question are the ones I grew up with!). Overall, I - sort of - enjoyed it the second time around. Like I say, it's very well directed and Richard Ayoade definitely has a future ahead of him if he ever tired of fixing computers, plus I did laugh here and there, but I probably won't watch it a third time.