Winnie l'Ourson

Winnie the Pooh is out of honey. Eeyore has lost his tail. Owl is writing his memoirs and suggests a reward for a replacement tail. Christopher Robin takes Pooh's suggestion of a honey pot for the reward. After many attempts, Kanga knits Eeyore a tail which later unravels. Pooh finds Christopher missing and a note at his doorstep. Owl misreads the note leading the group to think that Christopher has been captured by a monster called Backson.

This movie maintains the sense of play from the Pooh franchise. It is the stuff of childhood. It's fully connected to its book origins with the familiar style. It is traditional and what great traditions they are. Disney is not reinventing the wheel as much as giving it a good wash. It's adorable. The animation is old fashion but a little crisper than the older versions. It recreates what makes the old stories so beloved.

My little girl is 5 years old. I was afraid this would be an update of Pooh, an attempt to make him and his world more contemporary...try to compete with Transformers and Harry Potter.

To my delight this is not the case. If you let your youngster watch this movie they are in for a gentle play date with old friends. Perfectly pitched silliness for my young one, she literally belly laughed twice. Never once trying to cross that line with "risque humor for adults".

I was so happy they avoided the intensity of Toy Story 3. Winnie the Pooh is a small, quiet and perfect, like my little girl.

"Winnie the Pooh" is not just another classic animated book transformed into a live action movie. Pooh and crew know exactly where they belong; in classic 2D animation leading to a flawless transcription of these characters to contemporary times. "Pooh" does not trying to impress anybody and avoids falling into modern day pop culture stereotypes, instead it is simpler than ever making no better way to spend an hour of authentic entertainment for all ages. The story follows the ideals of the original 1926 book by A.A. Milne originally made into animated productions starting in 1966 told in the definitive page by page storybook form. Narrated by John Cleese ("Monty Python"), Pooh (Jim Cummings, "Princess and the Frog") begins his day like any other. After sleeping in, he wakes up to an empty honey jar inevitably initiating a quest for honey. On the way he runs into Eeyore (Bud Luckey, "Toy Story 3") who is still as downtrodden as ever and misplaced his tail giving Pooh another task to complete. The issue is brought up with the rest of the gang; Tigger (Also Jim Cummings), Rabbit (Tom Kenny, "Meet the Robinsons"), Owl (Craig Ferguson, "How to Train Your Dragon"), Kanga (Kristen Anderson-Lopez), Roo (Wyatt Hall) and Christopher Robin (Jack Boulter). They decide to make it a contest to find Eeyore a replacement tail. After their creativity runs out, Christopher Robin goes missing sending the bunch into song as they find their friend, Eeyore's tail and "huny" for Pooh.

Anyone who grew up with "Pooh" will be instantly transported back to a humbler time through this short and sweet snippet of flawless storytelling. The most important accomplishment of the film is staying true to its routes because of its ability to create context. What do I mean by context? Its simple; from its primary coloring, delicate characterization, stark banter, and tranquil plot, everything is coherently joint together. It is a franchise true to itself and is the best movie parents have had in years to take their little ones to. Its just plain old' harmless, straightforward fun without any unnecessary forced plot conflicts or hang-ups on contemporary spectacle.

Many people may feel short-changed because of the hour runtime, even though this is part of what makes it what it is. This is not a monumental life changing film by any means; therefore, if you are expecting a film synonymous with "Toy Story 3" you will be very disappointed. In the contemporary eye of animated cinema "Winnie the Pooh" does not stand a chance at making money.

A perfect little tale everyone young and old should see at some point because while "Pooh" will not make history, it is a historical flashback to the early days of cinema.

Eyeore has lost his tail, and Winnie the Pooh and his friends hold a contest to get him a new one.

There are some minor complaints to be made about this film. First, even with the credits, it barely hits the one hour mark. Now, I do not mind short films, but if you paid to see it in theaters, you might have felt ripped off. And also, the voices are not always spot on, but I suppose with the original voice actors quite dead, what can you do?

Those complaints aside, not a bad flick. Cute, fun, captures the Pooh spirit. I really enjoyed it. Well-played choosing the Backson story to turn into a full-length film.

Going to see this movie was like stepping back into childhood. I had the 1977 movie on VHS when I was young and I wore that tape out with countless viewings. I was also a big fan of the cartoon show than ran during the nineties and the many direct-to-video films that came out around that time too. So I already walk into this movie with nostalgia on my mind - knowing roughly what to expect, and the film delivers pretty much what you've seen before.

It follows the structure of the 1977 movie mostly, telling three different stories over the length of the film. Which may have worked in 1977, but today if you cut the film apart into these three sections you could just release them as specials on the Disney channel.

The voice work is as good as it needs to be. Jim Cummings is enigmatic as always and Bud Luckey is a nice addition as Eeyore. It's not Disney's best dubbing job but far from their worst.

The film is far too short, there was definitely time for another story should there have been one. 70 minutes shouldn't really be acceptable for a cinema release, under any circumstances.

All qualms I have with the movie are overshadowed by its innocence and joy. Children who go to see this movie may love it, but adults may love it more.