After Charlie survives a car crash that kills his younger brother, he is given the gift of seeing the spirits of his brother and others who he has lost, and must use his powers to save the w... Read allAfter Charlie survives a car crash that kills his younger brother, he is given the gift of seeing the spirits of his brother and others who he has lost, and must use his powers to save the woman he loves from impending disaster.After Charlie survives a car crash that kills his younger brother, he is given the gift of seeing the spirits of his brother and others who he has lost, and must use his powers to save the woman he loves from impending disaster.
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He seems to have other things on his mind though. He is trying to act. And I have to admit, that I was surprised at how engaging and how truthful he seemed in this one. I do think he is better than the High School Musical tag he has stamped on him (which would mean, he is a bad actor, which frankly I don't think could be said of him).
His character does get a lot of attention from the female characters on display here, which seems natural. On the other hand, you do have the female lead in here, that does not seem to get any attention whatsoever, which makes you wonder if the male "population" in the movie is blind or into other things. Whatever it is, this is one of the things that do not feel right. The other being the mixture between the elements on display here. Let me just tell you, that this isn't neither your simple romantic movie, nor just pure drama. There is other aspects to it. I can see though that this might ruin the movie for quite a few people. Especially if they expected something more straight-forward.
The opening is neatly crafted as back story explaining how brothers Charlie (Efron) and Sam (Tahan) are as inseparable in death as in life. Fast forward five years and we have the revelation of a gift Charlie may, or may not, have. The story takes over from there as a charmingly meandering exploration of promises, principles, reasons and deeply held beliefs. Zac Efron gives a goodish but slightly uneven presentation of the "man with a mission", his own worse enemy, but also one of his word. There are moments when Efron is very convincing but there are others when he seems to be going through the motions. What Charlie Tahan succeeds in doing is taking the simple and raw and keeping it simple and raw, something Efron needs to work on.
Amanda Crew is good as the romantic interest and there are a couple of cameos from Kim Basinger and Ray Liotta.
Now I will not plot spoil to reveal the bigger flaws in the script but I was not expecting a revelation to be made in quite the way it was, and at the time was left thinking - that's stupid it should have been done differently without spoiling the story - but that is show business for you! Overall it is a worthwhile film with a reasonable point to make. I give it seven out of ten.
When we first meet Efron in the title role he looks to be a young man with a bright future. A scholarship to Stanford awaits as he graduates high school from his New England coastal town where he enjoys sailing with his younger brother Charlie Tahan. The two share some heart warming chemistry as brothers, those who have younger siblings will understand the brotherly love between the two.
However, a cruel trick of fate puts the two of them in the path of an oncoming drunk driver. Both die, but a determined, spiritual paramedic played by Ray Liotta manages to bring Efron back.
As per an agreement they made minutes before the crash, Zac and Charlie still meet in the woods every day to play catch and work on Charlie's baseball skills. It's all Efron lives for. By some trick of fate he can communicate and see his deceased brother. Efron's forgotten Stanford and he now works at the local graveyard, to be close Charlie so that He can fulfil the promise he made.
I won't go into it too much except that the climax is something that we have seen before yet it is still touching and shows that we must learn that the true value of life is to live and let live.
I came out of the cinema feeling good and that is what the film is all about- loving life. My only criticism is that Liotta and Kim Basinger(as the mother) don't have enough screen time, although i must say that Liotta still manages to impress even with this small supporting role. Zac Efron and Charlie Tahan deliver strong performances as the two brothers and Amanda Crew is pretty decent. The film is beautifully shot and the scenery is quite breathtaking at times.
We've seen quite a few romantic dramas this year(Dear John, The Last Song)- but this has to be one of the most touching(not the most original i must say) but still, it'll make you feel good inside. So my advice is go watch the movie or rent it when it comes out on DVD and don't believe those critics who's job it is to tell us how bad the movie must be just because it didn't earn $100 million at the box office.
Anyone liking Ghost-type stories with youth oriented themes should be happy with the outcome but it might not always be pleasing for many others.
When we first meet Efron in the title role he looks to be a young man with a bright future. A scholarship to Stanford is his as he graduates high school from his New England coastal town where he enjoys sailing and the companionship of his younger brother Charles Tatan. The two are rabid Red Sox fans as all New England kids are brought up to be. Efron's boat is named the Splendid Splinter which everyone in New England knows is the nickname of Ted Williams. Being much older than Zac or his character, I actually remember seeing Ted play.
A cruel trick of fate puts the two of them in the path of an oncoming drunk driver. Both die, but a determined paramedic played by Ray Liotta brings Efron back.
As per an agreement they made minutes before the crash, Efron and Tatan still meet in the woods every day to play catch and work on Tatan's baseball skills. It's all Efron lives for. By some trick of fate he can communicate and see Tatan, in fact he sees all kinds of dead folks including a young man he graduated with from high school who was killed in Iraq. Efron's forgotten Stanford and he now works at the local graveyard, the better to be near the ones he identifies with.
I won't go into the rest except that Efron does learn to let the dead bury the dead. Meeting up with Amanda Crew, another sailing enthusiast does help. And Liotta now dying of cancer tells Zac that he was saved for some special purpose.
Two great lessons of life are to be learned in Charlie St. Cloud. First that we all have some kind of destiny, the trick is to find it and recognize it. The second is that some people die young and maybe are meant to so that the rest of us recognize how precious life is and not to waste it. Having lost any number of people including a sister at a young age, it's something that is always uppermost in my mind.
Charlie St. Cloud is beautifully filmed with some breathtaking sailing sequences. The performers are flawless, especially Zac Efron. One thing I will agree with other reviewers about is that I wish that the role of the mother of the St. Cloud brothers played by Kim Basinger was more fully developed. After the death of her younger son, she moves out of town and you never really learn why.
Despite that minor criticism, Charlie St. Cloud is a moving film that should be seen by all generations for the life lessons imparted.
Did you know
- TriviaAmanda Crew actually learned how to sail a boat for the film. In some scenes, you can make out bruises on her legs which was the price she paid for her lessons.
- Quotes
Sam St. Cloud: I'm okay, Charlie. I'd give anything for you to see me, what I've become, but no one ever gets to see what could have been.
Charlie St. Cloud: Sorry I had to break our deal.
Sam St. Cloud: It was time. I mean, it's beyond anything we ever imagined, Charlie.
Charlie St. Cloud: I hurt as bad as the day you died.
Sam St. Cloud: You hurt because you're alive.
Charlie St. Cloud: We'll always be brothers.
Sam St. Cloud: Promise, every day, come rain or shine, through Hell or high water?
Charlie St. Cloud: I promise.
- SoundtracksBaby Rhys Blues
Written by Nick South, Padraic McKinley, Michael Simkin
Performed by The McKinley South Experience featuring Mick Simkins
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Más allá del cielo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $44,000,000 (estimated)
- Gross US & Canada
- $31,162,545
- Opening weekend US & Canada
- $12,381,585
- Aug 1, 2010
- Gross worldwide
- $48,190,704
- Runtime1 hour 40 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1