Rocket Singh: Salesman of the Year

Rocket Singh: Salesman of the Year is a film about the importance of basic goodness. In an industry driven by opening weekends and bumper collections, it's that oddball film that seldom compromises on its intentions for the sake of becoming more box-office friendly. As a result the film feels too long, indulgent even, and ever-so-often it appears uncinematic. That's hardly surprising, considering much of the film is shot in basic office spaces and features long conversations between its characters. But don't be fooled by its appearance; Rocket Singh: Salesman of the Year is a film with all heart. Ranbir Kapoor plays Harpreet Singh Bedi, an idealistic young graduate who lands a sales job in a computer firm run by a boss who sets unrealistic targets for his team. His rose-tinted glasses come off early in the day as he watches receptionists being wooed for prompt appointments with busy managers, and security guards being bribed for information on rivals. For his own part, he stays strictly upright, going so far as to file a complaint against a client who wants his palm greased. That act of honesty, however, is rewarded with a demotion. Convinced that a business can be run clean, Harpreet sets up his own company within the one he works for, roping in a handful of fellow colleagues as partners. Operating honestly and diligently, this team discreetly sets up a thriving business that eventually rivals the one they work for. Meticulously written by Jaideep Sahni, the genius behind such gems as Khosla Ka Ghosla and Chak De India, the script of Rocket Singh is its real star. Seeking inspiration in real life and real people, the film avoids stereotypes and goes for characters and situations that are refreshingly familiar – the team-leader who fudges conveyance vouchers, the cut-throat competitive co-workers, the porn-surfing maintenance guy, even the promotion-seeking receptionist. Taking the cue from Sahni's script, director Shimit Amin bravely resists any temptation to glamorise the world they've set the film in, by rooting the drama in a space that is basic and without frills. An office party scene is filmed with colleagues drinking out of plastic cups, loosening their ties and dancing to songs being played out of a computer. Even the film's opening credits sequence in which the camera lovingly floats over a middle-class home's bric-a-brac is evidence of the makers' commitment to authenticity. But Rocket Singh touches a chord because it's that rare film that urges us to examine our lives and to question the rules by which we live it. It has a life-affirming quality that will appeal to every one of us who has ever hesitated before taking the easy way over the right way. The film isn't without hiccups, though. Overly long, especially in its first half, Rocket Singh suffers on account of sluggish pacing, and occasional indulgences like that unduly stretched-out confession monologue by Harpreet's boss in the film's climax. Remarkable casting has resulted in some fine performances by key players, although even the bit parts are filled out convincingly. D Santosh as the affable maintenance guy, Mukesh Bhatt as the tea-man with computer-repair skills, Naveen Kaushik as the oddly sideburned team head, and Gauhar Khan as the cutting receptionist pitch in commendable performances. Of course it's topped off by Ranbir Kapoor's compelling, effortless portrayal of Harpreet Singh Bedi. Ranbir adds the little touches that make all the difference: combing the beard, tucking in the turban, lifting the 'kada' further up his arm before dipping his hand into a bucket of wet clothes. He's an actor you can't take your eyes off. In the end, Rocket Singh is a clean, honest film with noble intentions. It requires patience to appreciate it fully, but deserves a viewing because films like this are hard to find. I am giving a thumbs up for director Shimit Amin's Rocket Singh: Salesman of the Year; whatever else you do , don't miss this film.

As I came out of the theatre, a lady was telling to her husband, in one of the most innocent tones possible in Mumbaiyya Hindi, which roughly meant: "I did not get what they were talking throughout the film". It did not surprise me at all. During the interval, my brother had called me. He was in the interval too, coincidentally. We talked for 10-15 seconds. And in that short period, we mutually agreed: it is a difficult film.

What do you expect from the director of 'Ab Tak Chhappan' and the writer of 'Company' and 'Khosla Ka Ghosla'? What do you expect from the next project by this duo, after the hugely successful 'Chak De India'? The problem is, whatever you expect gets hugely affected by the promotion of the current film, and the filmography of these talented people remains nothing more than factual details in the minds of people who care.

This problem, promotion, or selling itself, is the biggest error committed by a film that, ironically, comes with a tag line: "Salesman of the Year." And this could be fatal for the film. It has been promoted as the story of a protagonist who appears to be funny enough to entertain. Sadly, the film is not a comedy. So, if you want a laugh-riot that can make your weekend, it is not the correct film for you. It is a difficult film. And not all difficult films are masterpieces! Rocket Singh is far from that. It is not even the story of this young Sardar. The protagonist of the movie is 'Rocket Singh' which does not exist in person, but as an idea. That idea is the theme, the story and the protagonist of the film. That idea is the message.

But this film manages to achieve something that is rare in this industry madly following a 'formula' that does not exist. This film takes some daring steps. It tries to bridge the gap between the actual changes Indian society has been going through and the stagnancy that has plagued the commercial cinema of this country. The traditional villain has been replaced by the corporate set-up. The point of confrontation is not modesty of a woman or the love-interest of the hero. Here the humiliation is not physical. It is verbal and mental. And it hurts you as much as it has always done. And you want revenge. But even the revenge is not relying on adrenaline, but on planning and making smart moves, and taking calculated risks. There is no comedian. The life itself is a big, dark comedy. And the hero is not a tough guy protecting the poor, but a middle-class man who is running as a salesman in spite of having a place to live, food to eat, and friends to party with. But this is what the life of today has become. And this film tries to explore that reality. The reality that does not have strong, emotional points of conflict, but which is a continuous, never-ending struggle.

In its attempt, it has become a difficult film. During the interval I was thinking: is this subject powerful enough to be made into a feature film? The second half picks up and there are some genuinely funny moments. And a convincing Ranbir Kapoor tries his best to keep you emotionally connected, as does most of the support cast. But in the end, Rocket Singh remains an honest and gutsy 'salesman' that did many things right, but failed while trying to sell itself. If you can ignore this mistake and appreciate the attempt, you might like it. An actor who makes her debut with this film has said that it does not belong to any genre, and this is what will work for the film. I almost agree with the first part of the statement. But will it work? If it is successful, I would be pleasantly surprised, but it is unlikely. As for me, well, I liked it, almost.

I went to watch Rocket Singh with the expectation to see a good movie knowing that the same creative team (Shimit Amin and Jaideep) had put together a good movie previously with Chak De India. By the time "Rocket Singh" was over I sat in my seat spell bound and amazed by some excellent story telling by the same creative team. Half way thru the movie I was certain that I was witnessing a special piece of work by a talented team. What works for Rocket Singh is an absolutely crisp script, screen play, dialogues (some of which are very witty), sharp direction and awesome performance by an amazingly talented cast. The casting fits perfectly and Ranbeer deserves special mention for his performance, it is hard to believe that he is only a handful of movies old as an actor. In fact I could not pick anything negative or faulty with the film in my first viewing. Coming to the plot itself, it is about a fresh graduate with ordinary grades who lands a trainee salesman job and is shocked to see the cut throat methods used to succeed both at individual and team levels. He is soon found wanting in terms of the "killer" instinct necessary to survive. But he continues to believe in his ways and shows everyone how success is achieved with out resorting to cut throat/unethical means. The climax is very interesting; the conversation between "Rocket Singh" and Mr. Puri (his ex-employer) is one of the highlights of the movie.

In summary Indian cinema needs more of these movies - engaging stories of "real" people made with utmost attention paid to the story itself. Indian cinema can do with out "Love stories that have blood on them".

--S Rao

The way the opening credits are presented, they raise your expectations from the film. And the first 30 minutes are typically reflective of a salesman's life. It is easy to connect with the situations and giggle at the workplace jokes. Our protagonist has just barely graduated & wants to make a career in sales. But he is naive, and has to learn the tricks of the trade soon. To complicate matters, he has demanding bosses & non co-operative peers. Been there.

But soon enough, our guy, with a few other employees of the same company, hatches a plan to prove a point & make some money by creating a dummy company that provides superior service & works on ethical lines only. A good intentioned simple storyline from Jaideep Sahni, but a bit too far-fetched. So, once again, it is up to the director & the actors to elevate it. And they do. Once you get past the fake moustaches & loose wigs, the movie engages you. The script is kept tight & there are no silly song & dance routines to break the flow.

Ranbir Kapoor & Prem Chopra (who plays Ranbir's grandfather) have very good chemistry & all their scenes together are so real & touchy. Ranbir's friends & his love interest do have their moments in the sun, but the movie is not about them. As the director did with ChakDe India, the characters who take the movie forward, including the office peon & the receptionist, are developed well & are given ample screen time & they also carry their characters with ease. Salim-Suleiman have little to do barring the title track (which is missing in the movie), because the movie is not a dramatic melting pot a la Chakde. The screenplay is good, direction is good, and the actors deliver. What the film really lacks is a climax. It ends without a bang; it ends all so smoothly, with a social message thrown in.

One thing that this film confirms is that, in Ranbir Kapoor, we have found the next big thing. As with all his other movies this year, he gets right under the skin of the character, hence making it utterly believable. A director's actor, never the star. 2009 may well be the year in which all his movies came oh too close to being the biggest hits of the year. Rocket Singh may well be the next in that category.

This film is truly ahead of its time, i just watched this film and it's hard to believe that this film released in 2009. At a time where bollywood movies were still typical hero heroine and villian(infact most of them still pretty much are), this movie was different and innovative from the rest of the industry. Moreover the message that this movie gives "having ethical business practices, valuing and understanding the customers and their needs is what helps a business to ultimately grow and be succesful instead of deceiting and conning them" is something people have realised quite recently(atleast here in India) and so companies and businesses have quite recently started taking ethics and customer satisfaction more seriously, so yeah this movie is quite ahead of its time. It's sad to see such amazing bollywood movies being underrated and hardly known.