IMDb RATING
5.8/10
2.7K
YOUR RATING
Akane begins seeing visions of a female ghost wearing the same yellow hat and red satchel she wore as a school child.Akane begins seeing visions of a female ghost wearing the same yellow hat and red satchel she wore as a school child.Akane begins seeing visions of a female ghost wearing the same yellow hat and red satchel she wore as a school child.
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Chikako Isomura
- Old Lady in White
- (uncredited)
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Featured reviews
There's something about the Ju-on films that really fascinate me and gets under my skin --- from the persistently warped mythology, confounding non-linear narrative, low-key jolts and blood-curdling atmosphere. JU-ON: WHITE GHOST ticks all the boxes. No matter how beat up or imitated the formula becomes; I'll never tire of this franchise.
At only hour in length, the curse is re-awakened taking no time to install fear and despair in all of those who come in contact with it. Starting backwards, changing timelines, and characters. What starts off as a jigsaw puzzle (at the infamous residence) begins to add up with the pieces finally becoming one. Everything comes full circle along with the consequences. You know where it's heading, and once the characters are apart of it, they're literally stained. Slowly building upon its actions and drawn out for maximum impact when it lashes out with a quick-fire jump scare, and this is rather constant with the shocking images. Never does it lull, always interesting and unnerving whomever the taut narrative follows. Taking a backseat this time; Toshio only gets a cameo appearance and Kayako doesn't come into it at all. Most of the frights are taken up by an elderly white ghost and child. I thought the scenes with the white ghost were surprisingly creepy thanks to the low-maintenance makeup and how they were shot. Some violent moments too.
The mystery behind the curse is somewhat recycled using the typical tropes; a horrific past event casting a shadow over the occupants, someone under distress coming under the possession of the restless spirit to commit despicable acts, and the others unknowingly become attached, or purposely dig up disturbing info that should be left untouched. But that's just the manner of the curse --- an unstoppable loop that no one can escape, and from that a new curse can be born out of it. This is what WHITE GHOST sets up and effectively so.
At only hour in length, the curse is re-awakened taking no time to install fear and despair in all of those who come in contact with it. Starting backwards, changing timelines, and characters. What starts off as a jigsaw puzzle (at the infamous residence) begins to add up with the pieces finally becoming one. Everything comes full circle along with the consequences. You know where it's heading, and once the characters are apart of it, they're literally stained. Slowly building upon its actions and drawn out for maximum impact when it lashes out with a quick-fire jump scare, and this is rather constant with the shocking images. Never does it lull, always interesting and unnerving whomever the taut narrative follows. Taking a backseat this time; Toshio only gets a cameo appearance and Kayako doesn't come into it at all. Most of the frights are taken up by an elderly white ghost and child. I thought the scenes with the white ghost were surprisingly creepy thanks to the low-maintenance makeup and how they were shot. Some violent moments too.
The mystery behind the curse is somewhat recycled using the typical tropes; a horrific past event casting a shadow over the occupants, someone under distress coming under the possession of the restless spirit to commit despicable acts, and the others unknowingly become attached, or purposely dig up disturbing info that should be left untouched. But that's just the manner of the curse --- an unstoppable loop that no one can escape, and from that a new curse can be born out of it. This is what WHITE GHOST sets up and effectively so.
The only Ju-on movie I've watched so far, I think this one is okay. There are a lot of scary and brutal moments at the beginning, but one of the worst things about it is that the final 20 minutes aren't really that scary. I hope to give Black Ghost a try soon.
I suppose it makes logical sense for the distributors here to combine both Ju-on: White Ghost and Black Ghost stories in 1 screening. After all, each is only 1 hour long, and narratively are somehow intertwined together quite loosely, with their production marking 10 years since Ju-on's cinematic premiere. Helmed by two different directors, we're given two direct-to-video productions, each with its own flavour and separate storyline dealing with the Ju-On Grudge curse, and frankly, with its limited production budget and consistent elements,
For those unfamiliar with the Ju-on mythos (like me), fret not, as the films are self- contained, so prior in-depth knowledge is not required to enjoy what's essentially one of the longer enduring J-horror franchises out there, which has been remade by Hollywood as always. For both tales, the story lines were done in non-linear fashion, which is supposed to make you work at piecing together its chronology, with an increased challenge in White Ghost being two separate timelines you have to make mental notes of.
Then there's the episodic cliffhanger that trails off each segment. On its own, the episodes within White Ghost and Black Ghost can be extremely short stories of their own, since each contains its own dedicated shock-scare moments, though White Ghost seemed to enjoy making it look so cheesy with its atmospheric jump scares, sudden appearances and the likes, and I admit it did get to me, especially with that old ugly woman with a penchant for holding onto a basketball (yes, all will be explained in due course) seem to have a fetish for charging towards her victim / screen.
Personally, between the two, I'd prefer White Ghost to Black Ghost, mainly because of the storyline which was more engaging and kept within its limits, save for a tangent in White Ghost for AV star Mihiro to appear in a needless scene that had most of her screen time being butchered for a screening here (no, my friend who has met her before, says there's nothing sexy about that segment, more of a violent treatment which was rather tame that the censors frowned upon). For Black Ghost, it went off into the hokeyness of a Japanese medium of sorts, probably to show off some snazzy looking CG-ed belly, and a tale that's less engaging.
For what it's worth, these stories did enough to pique my interest in the original Ju-on mythos, and I just might pick them up on DVD just to see how those got executed. For starters though, I have to get used to how "The Grudge" can be used as a plot device for ghouls to get created / passed on, as I felt White Ghost had it quite nailed down, and Black Ghost didn't exactly do a great job on that concept.
For those unfamiliar with the Ju-on mythos (like me), fret not, as the films are self- contained, so prior in-depth knowledge is not required to enjoy what's essentially one of the longer enduring J-horror franchises out there, which has been remade by Hollywood as always. For both tales, the story lines were done in non-linear fashion, which is supposed to make you work at piecing together its chronology, with an increased challenge in White Ghost being two separate timelines you have to make mental notes of.
Then there's the episodic cliffhanger that trails off each segment. On its own, the episodes within White Ghost and Black Ghost can be extremely short stories of their own, since each contains its own dedicated shock-scare moments, though White Ghost seemed to enjoy making it look so cheesy with its atmospheric jump scares, sudden appearances and the likes, and I admit it did get to me, especially with that old ugly woman with a penchant for holding onto a basketball (yes, all will be explained in due course) seem to have a fetish for charging towards her victim / screen.
Personally, between the two, I'd prefer White Ghost to Black Ghost, mainly because of the storyline which was more engaging and kept within its limits, save for a tangent in White Ghost for AV star Mihiro to appear in a needless scene that had most of her screen time being butchered for a screening here (no, my friend who has met her before, says there's nothing sexy about that segment, more of a violent treatment which was rather tame that the censors frowned upon). For Black Ghost, it went off into the hokeyness of a Japanese medium of sorts, probably to show off some snazzy looking CG-ed belly, and a tale that's less engaging.
For what it's worth, these stories did enough to pique my interest in the original Ju-on mythos, and I just might pick them up on DVD just to see how those got executed. For starters though, I have to get used to how "The Grudge" can be used as a plot device for ghouls to get created / passed on, as I felt White Ghost had it quite nailed down, and Black Ghost didn't exactly do a great job on that concept.
Just saw this movie and the bad thing about this is that it only hour one long.
it not got anything to do with Ju-on-The Grudges movies! This is brand new Grudge story, it dose have the same feel to movie just like other but not great like the other two movies but still really really good, I really liked this movie it is creepy and it had some great creepy moment and one and two shocking moments too, I Can't believe it just less then hour, it was so good wanted to see again.
If you liked the other Ju-on movies, give this watch, it only 58min long 8/10
it not got anything to do with Ju-on-The Grudges movies! This is brand new Grudge story, it dose have the same feel to movie just like other but not great like the other two movies but still really really good, I really liked this movie it is creepy and it had some great creepy moment and one and two shocking moments too, I Can't believe it just less then hour, it was so good wanted to see again.
If you liked the other Ju-on movies, give this watch, it only 58min long 8/10
Even tho "White ghost" does provide some very, but very tensioned moments, I found it hard to take it seriously. I mean, after watching it, it's rather difficult to say that this one is worthy of a grade over 6, cause let's face it, for a cheesy Asian fun, it does the job, but if you in for some real scares with a over the top plot and development, "White ghost" looks like a cartoon!
Again, don't get me wrong, dunno how, but when I saw it, it scared me out of my mind, cause the execution is very good, but if they were able to put it on screen like this, why didn't they try harder on the script part? Get a decent idea, make use of it, and put your name up there, with the rest of Asia's greater horrors! They did everything better than most such films, again, the plot is what killed it for me. Check it out and you'll see what I'm talking about!
Cheers!
Again, don't get me wrong, dunno how, but when I saw it, it scared me out of my mind, cause the execution is very good, but if they were able to put it on screen like this, why didn't they try harder on the script part? Get a decent idea, make use of it, and put your name up there, with the rest of Asia's greater horrors! They did everything better than most such films, again, the plot is what killed it for me. Check it out and you'll see what I'm talking about!
Cheers!
Did you know
- TriviaChikako Isomura played Sachie in the original Ju-on: The Grudge (2002). She had passed away long before film production began, so her likeness was used In this film as a tribute to the original film.
- ConnectionsFollowed by Ju-on: The Beginning of the End (2014)
- How long is Ju-on: White Ghost?Powered by Alexa
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- Ju-On: White Ghost
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- $1,971,714
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