Running Man

The Running Man had everything it needed to become an unforgettable remake for a new era: a superb director with an enviable track record in Edgar Wright, a unique premise based on a Stephen King novel, an iconic 80s adaptation starring Arnold Schwarzenegger, a huge budget, and a charismatic lead in Glen Powell.

Yet somehow, it ended up becoming the most generic, bland-looking adaptation imaginable-something that could easily pass for yet another forgettable Netflix action movie.

Despite its premise being more relevant than ever in today's society, the film squanders every opportunity. Instead of leaning into its unsettling themes, it delivers a shallow, almost childish message. The story steadily loses steam scene by scene, drifting into randomness and culminating in a terrible third act that strips away any real stakes or emotional resonance, all in favor of a cliché happy ending clearly aiming to set up a sequel that will never happen.

The visuals and action sequences are equally uninspired. They're entertaining, sure, but they have none of the flair, wit, or creativity that define Edgar Wright's style. Ironically, the film's entertainment value rests almost entirely on Glen Powell's shoulders-he brings energy and charisma despite a script that gives him little to work with.

In the end, The Running Man is an entertaining enough popcorn flick, but it leaves absolutely no impact. It's a painfully wasted opportunity that could-and should-have been so much more.

I've never read The Running Man novel, and I thought the 1987 Schwarzenegger film was a fun but forgettable piece of cheesy sci-fi. That's why I was genuinely excited for a new take-especially with Edgar Wright directing. I adore Baby Driver and Hot Fuzz, and I've never disliked anything he's made. While his 2025 version doesn't break that streak, it's easily my least favourite of his films, though still an enjoyable watch overall.

Glen Powell steps in as Ben Richards, a desperate father who agrees to compete on the deadly TV show The Running Man to save his seriously ill child. The month-long hunt for a billion-dollar prize sets up plenty of opportunities for standout supporting roles, and the cameos are a lot of fun. My favourite stretch involves Michael Cera, whose scenes with Powell have great energy and chemistry.

Where the film let me down was in its pacing and surprisingly heavy exposition. For a director known for sharp, kinetic action, Wright delivers a film that feels a bit low-energy and light on set-pieces, especially for a 2-hour-13-minute runtime. The action that is there works, but the storytelling feels too spread out, and the script over-explains things instead of trusting the audience. It also lacks the usual Edgar Wright stylistic punch, which made something feel slightly off.

Even so, Powell gives a committed performance, and the supporting cast-especially Coleman Domingo-brings a lot to the table. The action is fun when it arrives, and despite some characters needing more screen time, everyone makes their moments count. The 2025 Running Man is a great film delivered in an average way, but it's still entertaining and absolutely worth a look, even if it falls short of greatness.

People might say that it's a good popcorn movie, but I gotta say that a good popcorn movie is still a good movie. Glen has done a great job on acting.

As you know, the story is from Stephen King so it has some sort of guarantee that the plot wasn't gonna be that bad. In fact, i view that it is quite good even though there is a lack of depth in some part. Still, for a two hour movie, it has done a pretty great job on capturing the story. Although in some scenes, it's quite prolonging.

This movie is surely fulfilling the criteria of whatever action movie should have. There's an excitement as it will make you rooting for the runners. Some scenes may be predictable, but it is not easy as it seems. So just go watch it, it won't disappoint you.

Glen Powell stars as Ben Richards, who signs up for a TV show where contestants are hunted by killers; if they can survive for 30 days, they win a fortune in prize money. Josh Brolin is the villain of the piece -producer Dan Killian - who will go to any lengths to ensure the show's popularity and high ratings.

The 1987 adaptation of Stephen King's The Running Man, starring everyone's favourite Austrian bodybuilder, is a lot of cheesy '80s action fun, but it's far from my favourite Schwarzenegger movie. That said, I'd rather rewatch Arnie dropping corny one-liners while battling cartoonish, colourful, over-the-top villains than sit through Edgar Wright's version for a second time. The tone of the new film feels all wrong - Wright attempts to combine satirical humour with hard hitting violence, but fails to pull off the trick: he's no Verhoeven. He should have either leaned into the campiness, as per the original film, or gone serious and super dark and ultra violent - in attempting to do both, he merely succeeds in making his film feel very uneven.

This new adaptation is also unnecessarily long (2 hrs and 13 mins), losing a lot of steam in the second half. I was willing to give the film a fair crack of the whip, 'cos when Wright is on form he is great, but I really found my mind wandering once the film passed the hour and a half mark. The action scenes fail to get the adrenaline pumping - I felt no jeopardy for Ben Richards whatsoever - and the humour doesn't land (only the Y/Why? Gag made me laugh). I really wanted this to be good, so it pains me to say that The Running Man is far from Wright's best work and will probably be forgotten about fairly quickly (unlike Arnie's film, which is a cult classic).

4.5/10, generously rounded up to 5 for IMDb.

This is, for 90% of the film, entertaining stuff, but without spoilers, why oh why do so many films feel the need to make endings so poor? I appreciate that for a lot of viewers good v bad is a pure binary, and that an ending has to be clear - but it makes for poor story telling. I think I am part of the target audience for this film, but I wish the film makers would credit us with being able to deal with nuance and ambiguity. The ending felt ridiculously contrived and, almost, abbreviated - for me it undermined what was a rollicking, fun, action film.

Having said all of that, it worth saying I'd still recommend this movie, Glen Powell clearly has fun in the title role. I saw the original when it came out in the late 80's - and this version is nothing like the original, other than very superficially. This film does, however, have a number of references to the first version - not least the picture of Arnold on the currency.

This is well Directed, if somewhat predictable and cliched. The action is unrelenting, and enjoyable. The script doesn't get in the way. Inevitably, one can look at the current state of politics and transpose this dystopian story onto current events - there did appear to be a deliberate slant in this film.

An entertaining movie - mostly.