[go: up one dir, main page]

    Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
  • Cast & crew
  • User reviews
  • FAQ
IMDbPro

Symbol

Original title: Shinboru
  • 2009
  • Not Rated
  • 1h 33m
IMDb RATING
6.9/10
4.8K
YOUR RATING
Symbol (2009)
A man wakes up in a white room empty other than buttons on the walls, he must find out which button to push to get what he wants.
Play trailer1:00
1 Video
52 Photos
ComedyFantasyMystery

A man wakes up in a white room empty other than buttons on the walls, he must find out which button to push to get what he wants.A man wakes up in a white room empty other than buttons on the walls, he must find out which button to push to get what he wants.A man wakes up in a white room empty other than buttons on the walls, he must find out which button to push to get what he wants.

  • Director
    • Hitoshi Matsumoto
  • Writers
    • Hitoshi Matsumoto
    • Mitsuyoshi Takasu
  • Stars
    • Hitoshi Matsumoto
    • David Quintero
    • Luis Accinelli
  • See production info at IMDbPro
  • IMDb RATING
    6.9/10
    4.8K
    YOUR RATING
    • Director
      • Hitoshi Matsumoto
    • Writers
      • Hitoshi Matsumoto
      • Mitsuyoshi Takasu
    • Stars
      • Hitoshi Matsumoto
      • David Quintero
      • Luis Accinelli
    • 29User reviews
    • 59Critic reviews
  • See production info at IMDbPro
    • Awards
      • 5 nominations total

    Videos1

    Trailer
    Trailer 1:00
    Trailer

    Photos51

    View Poster
    View Poster
    View Poster
    View Poster
    + 48
    View Poster

    Top cast34

    Edit
    Hitoshi Matsumoto
    Hitoshi Matsumoto
    • The Man
    David Quintero
    • Escargot Man, Antonio's Father
    Luis Accinelli
    • Antonio's Uncle
    Lilian Tapia
    • Antonio's Mother
    • (as Lillian Tapia)
    Adriana Fricke
    Adriana Fricke
    • Karen
    Carlos C. Torres
    Carlos C. Torres
    • Antonio
    Ivana Wong
    • Antonio's Sister
    Arkangel De La Muerte
    • Aguila De Plata
    Matcho Panpu
    • Tequila Joe
    • (as Misuteru Kakao)
    Dick Togo
    Dick Togo
    • El Super Demonio
    • (as Dick Tôgô)
    Salam Diagne
    • African Tribesman
    Stuart-O.
    Chris Gurundy
    Nik Sliwerski
    Jonathan Hicks
    Anatoli Krasnov
    Daisuke Sasaki
    Martin Sanchez
    • Director
      • Hitoshi Matsumoto
    • Writers
      • Hitoshi Matsumoto
      • Mitsuyoshi Takasu
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews29

    6.94.7K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Featured reviews

    7athanasiosze

    6.7/10. Recommended

    It's very difficult to review this movie. I don't know if it's dumb or brilliant. It's definitely hilarious, ridiculous, entertaining and above all, unique and original. As i was watching the first hour, i decided to not recommend it even though it was kinda interesting. However, the last 15-20 minutes were almost breathtaking. I think that the ending is beautiful. I guess that there are deep messages here, but i can't decipher them. That's the reason i don't rate it higher, because there is a strong possibility that the director is just messing around and there is no hidden wisdom here. In any case, this was fun and enjoyable. There are some boring scenes but overall, i liked it. Watch it if you like weird comedy/drama/fantasy movies and make your own judgement.
    8KnatLouie

    It doesn't get much weirder than this...

    I was fortunate enough to catch this movie at a screening during the Copenhagen film-festival last month, and when I went to see it, I didn't really know what to expect, so imagine my surprise and joy, when I found out that the plot went something like this...

    First, we begin with a scene in Mexico, where we see a small family eating breakfast.. nothing extraordinary in that, except that the father is wearing a full-face wrestling-mask, like the famous Mexican wrestler Santos (or for the mainstream-audience, like The Gimp from "Pulp Fiction"), and is suddenly picked up by a foul-mouthed woman dressed as a nun, who drives him to town, where the night's big fight is going to take place.

    Then, cut to a Japanese man, waking up in a completely empty white room, not knowing how or why he got there, he screams to get some help and attention. But all he sees is something that looks like a button in the wall.. when he presses it, hundreds of naked angel-boys appear before him, only to disappear back into the wall..except their penises! He then proceeds to press the penises, and finds out that something mysterious happens every time he does so! Holes open in the walls, and random things are thrown into the room, be it furniture, gadgets, food, or even living things! All that happens inside the room is apparently a personal voyage for the man, but it also effects other people's lives at the same time, most notably the Mexican wrestler and his family, which we discover near the end of the film. But it really is something that should be watched to be completely understood - and even then, it's not even certain that you'll be able to understand what happened - or why.

    Highly recommended film. Very unique and entertaining throughout, even though the last fifteen minutes get really bizarre and too artsy for my taste. This movie is not to be missed. You will probably never see anything quite as weird and funny like this. 8/10
    9Radu_A

    It helps if you know Japanese slapstick - but just a bit

    There's no mention on who the director/ lead actor Hitoshi Matsumoto is in the other reviews, which may help prospective viewers to decide if they want to see this unique film or not. Matsumoto is one half of the arguably most famous Japanese comedy duo 'Downtown'. Their style is called 'manzai', that is one guy says a lot of stupid stuff and the other butts in all the time to correct him; you may have seen this in the background of some films by Kitano, who started his career in 'manzai' as well.

    If you know that type of comedy, the otherwise completely non-sequitur style of 'Symbol' won't necessarily come as such a surprise, because the whole idea of 'manzai' is to baffle the audience by pushing nonsense as far as it can go. Since Matsumoto's part is the 'boke' AKA nitwit, it's pretty much in his line to come up with the most far-fetched, senseless and weirdest story angles imaginable - after all he's been doing this on TV since 1983! The ridiculous wig he's wearing in the film is actually part of his TV antics - I remember him wobbling around with it whenever he got an idea, pretty much like what he's doing here.

    What surprised me though is that 'Symbol' has excellent production values, unlike his debut 'Big Man Japan' which suffered from very bad CGI (which may have been on purpose though). Here the visuals look so well done that I can't help but wonder about the budget. Another surprise unmentioned in the other reviews: there's an appearance by 'Kiss'! Other than that, I can only confirm what everyone else said: you may love it, you may hate it, that depends on how much you can forget about any expectations you have.
    9k_tress

    I loved it... but could have ended up hating it just as well

    I saw this movie at the Brussels Fantastic Film Festival, and I loved it!

    In retrospect, I could have ended up hating it just as well!

    Shinboru is a very odd situational comedy. It's silly yet artsy, thoughtful in parts, anarchic in its delivery and overall nuts. To this day, I have no idea what it was about, its meaning, what it's meant to *symbolize*.

    I enjoyed it immensely, though, and found it especially hilarious with the geeky festival crowd commenting irreverently at the screen. It might not be as fun if you're watching it alone in your living room.
    6kosmasp

    Panic Room

    A Japanese movie that stars off in Mexico. No you heard/read me right. And yes this is the movie you wanted to see or were pushed to see by your friend. The latter is true for me. And this movie defies quite a few rules and is anything but simple to categorize. While its crazy ideas may either delight you or annoy you, this is a crude mix of fantasy and sci-fi that is difficult to put a finger on (no pun intended).

    The comedy that ensues is mostly non verbal and while the main character seems stupid at times, he is also able to figure things out quite quickly other times. And therefor the flow of the movie seems a bit interrupted at places. If you are annoyed by that, maybe you should stop watching. Though you would miss out on an ending that is even more difficult to describe then the movie itself. It is definitely a trip and something you have to do voluntarily, otherwise you might be angry at yourself/your friend recommending this.

    I cannot say watch this, but I cannot tell you not to either. I know that quite a few people were delighted by the (physical) humour, never even thinking about the layers that this movie builds. And that is a way to enjoy the movie, if you can. I had problems with the simple little things that were "off" (in the wrong sense) as written above. The big idea behind ... I liked that one. I just think there could have been an even better way to do that ...

    Storyline

    Edit

    Did you know

    Edit
    • Connections
      References Nip/Tuck (2003)
    • Soundtracks
      Symbol: Ending Theme
      Written by Yasuaki Shimizu

      Performed by Yasuaki Shimizu and Saxophonettes

    Top picks

    Sign in to rate and Watchlist for personalized recommendations
    Sign in

    FAQ16

    • How long is Symbol?Powered by Alexa

    Details

    Edit
    • Release date
      • September 12, 2009 (Japan)
    • Country of origin
      • Japan
    • Official site
      • Official site (Japan)
    • Languages
      • Russian
      • Japanese
      • Spanish
      • English
    • Also known as
      • Shinboru
    • Filming locations
      • Mexico
    • Production companies
      • Yoshimoto Kogyo Company
      • Phantom Film
      • AOI Promotion
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross worldwide
      • $5,033,714
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 33m(93 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.78 : 1

    Contribute to this page

    Suggest an edit or add missing content
    • Learn more about contributing
    Edit page

    More to explore

    Recently viewed

    Please enable browser cookies to use this feature. Learn more.
    Get the IMDb App
    Sign in for more accessSign in for more access
    Follow IMDb on social
    Get the IMDb App
    For Android and iOS
    Get the IMDb App
    • Help
    • Site Index
    • IMDbPro
    • Box Office Mojo
    • License IMDb Data
    • Press Room
    • Advertising
    • Jobs
    • Conditions of Use
    • Privacy Policy
    • Your Ads Privacy Choices
    IMDb, an Amazon company

    © 1990-2025 by IMDb.com, Inc.