Kill the Irishman

It doesn't take much research into the real story of Danny Greene and the Cleveland mob war to recognize that there was potentially a great Mobster movie waiting to be made. This film misses the mark, which is sad, because the players were there to craft something special.

The downfall of this film is the script and the way it rushes through time and space without ever focusing enough on the characters and their relationship with each other (and in the case of Greene with society) to really get us connected into the world they inhabit. We see scene after scene that remind us of gangster movie staples. Greene beaten by Italian kids as a boy, Greene standing up to the crooked Union leadership, Greene making deals with the mafia, Greene gets a girl and they wind up married, Greene beats up bikers, Greene gets a partner out of hot water and tells him never to gamble again...and duh..he gambles again. Unfortunately, we always stay on the surface of people's motivations as these scenes fly by, we never stop and get a sense of why with the characters. And we never connect with them.

The acting is fine, Ray Stevenson's Greene is tough and smart and world-worn, everyone else is fine but they just stay on the periphery and play stock characters who come and go for the most part.

If the script had made a choice to either be the story through the eyes of Val Kilmer's Cleveland police detective, or the story through the eyes of Irish Danny Greene, instead of just a linear montage of standard gangster film clichés, we all could have been treated to a top-notch tale.

The movie just proves you need a great script to make a great movie, and it didn't have one.

I've been pretty excited about getting my hands on this film for some time now without knowing very much about it. But watch the trailer and if you're a fan of your 'Goodfellas,' 'Donnie Brasco's and 'Casino's then you'll probably relate.

'Kill The Irishman' has been called the best film since 'Goodfellas' as was stated on the DVD box that came in the mail today. Now all that tells a man to begin with is that the film is the best imitation of 'Goodfellas' there's been since 'Goodfellas' was introduced to cinemas and VHS tapes. Fear not, it is actually good enough to compare to the many times already aforementioned gangster classic and what comes as a surprise is pretty much everything about the film.

Firstly, a synopsis. Danny Greene's story - narrated by Val Kilmer (who lends some heavy support throughout the film) - tells of a tough Irishman working the grain silos at the Cleveland Docks whose rise to infamy begins when he goes to work for the mafia after a jail term for larceny makes headlines due to his muscling in on his former factory boss's business.

Greene is an old fashioned street fighting man who will stand up to anybody and although readily willing to commit crimes to make money, he is an honest and caring man by nature and this quickly endears us to the complex character so easily portrayed by Irish-born up and coming actor Ray Stevenson. I say up and coming but if you're British you'll already know him for television and minor film roles. If you're American you may know him for 'King Arthur', 'Outpost', 'Book of Eli' and 'Punisher: War Zone'.

As events unfold and just as Greene became unhappy with his factory boss, he sees the mafia acting unfairly, abusively and little involved. He declares that he will go into business for himself, meaning that he will inevitably have to declare war on the Italian mafia.

Naturally, what follows is the titular plot; the mafia attempting and failing over the duration of many years to hit the unflappable Irishman as he goes to great lengths to rub it in their faces and get revenge where necessary.

The film, based mostly in Cleveland throughout post-war '70's America, looks and feels authentic but it is the strong, earthy Irish charm that sets it apart from all those old classic I-tallian-American gangster films and a style of film-making that sometimes takes you back even as far as the forties for its occasionally rich film-noir texture.

What I find amazing because this is actually no huge Hollywood film is that 'Kill The Irishman' boasts a hugely classic cast including Val Kilmer (Heat), Christopher Walken (explanation???), Vincent D'Onofrio (Law & Order), Paul Sorvino (Goodfellas) and Robert Davi (Die Hard and The Goonies) to name a few. They're all very admirably cast in familiar roles, some unfamiliar which works in favour of plot tiwsts, and help to endear us towards a film that is actually very down to earth and sometimes even hilarious for a such a darkly toned crime drama.

What surprised me the most is the link I made earlier on as I looked over the cast and crew of the film. Ray Stevenson (the last man to portray killer ex-military vigilante Frank Castle AKA The Punisher) being directed as the film's lead by Jonathan Hensleigh, director of the 2004 Thomas Jane version of The Punisher. And the team works brilliantly. Hensleigh who I associated with slow and simplistic storytelling since the latter has really thrown a curveball with this one and I can't help but wonder; what if Hensleigh had directed Stevenson as the Punisher instead, what kind of comic crime caper would we have gotten then? Kill The Irishman boasts some hilariously offensive dialogue that cannot be mistaken for anything but Irish, the film to me at first glance was authentic and quite realistic and I recommend it to everyone with a fully functioning brain and heart. 'Kill The Irishman' is one of the best dramas on offer at this moment!

I'm not often writing critics on IMDb, but when i checked the page of this movie I was really surprised that there were so few reviews.

I must confess that I haven't heard anything about this movie before I read that there will be free theater screenings of "Kill the Irishman" in my hometown. As far as i know, the film also had a very limited theater release in the USA, which is a sad thing because this movie was surprisingly good and well-crafted and was one of the best films I've seen in the last months.

The film tells the true story of Danny Greene, a tough irish gangster - and let me tell you, it is definitely a story worth telling.

I guess many of you are informed about the story of Danny Greene, so i won't go further into the story.

The movie features an impressive cast including Ray Stevenson, Val Kilmer, Christopher Walken and many other familiar faces known from other mob movies. Ray Stevenson gives an incredibly good performance as Danny Greene and manages to keep his character really violent, but also likable. This movie could give him a career boost for bigger roles.

The direction and the cinematography are very nice and i'm hoping this movie will enable Jonathan Hensleigh more work soon, because he's definitely a talented craftsman.

In some reviews i read that other people complained that this movie is just a ripoff of Goodfellas. That isn't true. The movie stands well on his own, despite featuring some actors known from Goodfellas, and wasn't that also the case in Shows like The Sopranos? Why complain about that? And last but not least, it IS a true story and who grows sick of seeing good mobster movies? Definitely not me.

Wow..... Wow..... Wow.............

I DID NOT EXPECT THAT! I AM STUNNED!

The Hunter becomes the Hunted in KILL THE IRISHMAN. In the year 1976 in Cleveland 36 bombs went off but could they get Danny Greene?

Based on the life events of Irish American gangster Danny Greene KILL THE IRISHMAN is by far one the most involved movies I have watched of its kind. Danny Greene a gangster from Cleveland in 1970s is a man with pride and honor. Quite unusual traits for a gangster don't you think? Exactly what I did think as well until I completed the whole movie! Danny Greene's story brings to light the hardships that certain people go through to meet their ends in life. Although not most of them are legal methods, sometimes these seem to be the only way out for some of them. Most learned folk at this point would think I am a few screws lose upstairs to agree with an illegal approach to life. I sincerely believe that all humans will tread paths they never would if they too are pushed to extreme limits. This is just me, however I am sure some may feel that to die with hunger is better than steal, try it and let me know! Please note I am not promoting criminals since Danny Greene's revelation is entirely different. Danny Greene earned his bread and butter until the associations abused them and ill-treated them. Danny stood up to them and took over the associations and became a self-found businessman. However when authorities came for him few years later, he did not run, he had the courage to stand up to his faults.

Ray Stevenson, Christopher Walken, Vincent D'Onofrio and Val Kilmer bring to life the dark early 1970s of Cleveland. I am impressed of the precision performances. Especially Ray Stevenson, he is amazing and its wise choice by the casting directors to go with an unfamiliar face (although Ray Stevenson has appeared in a fair number of movies) since it's a biography of an actual person. I believe Ray Stevenson fits into the character with ease rather than to have a Hollywood regular play the protagonist. I need not speak about Christopher Walken, you put him in front of a camera and wonders emerge. Val Kilmer's weight does not stop him from slamming a great performance either. Unison is what it is with these men pulling the movie through.

A very appropriate and touching soundtrack evokes a great emotion within me. Much like BRAVE HEART or ROBIN HOOD PRINCE OF THIEVES she captures and wraps me with a strange enchantment. It's like a spell, I need to admit there were moments in the early parts of the movie where I did consider switching it off. The interest did not seem to be consistent. In my terms the attention span of the viewer is violated with Jonathan Hensleighs directorial approach. It lost me a few times, however it did not LOSE me. I am having difficulty expressing what I felt, let me try to elaborate. It's like water, tasteless, however after a long night when you wake up dehydrated after one too many drinks, and that one glass of water you have at that point of time is the perfect drink. This is the only way I can bring myself to explain the feeling of this movie.

A definite skip for those who look out for action and cleverly choreographed fight sequences. A good one for the mature audience who savor biographies and slow paced dramas.

This is how I see it, nothing more nothing less!

Title: Kill the Irishman Directed by: Jonathan Hensleigh Starring: Ray Stevenson, Vincent D'Onofrio, Val Kilmer, Robert Davi, Vinnie Jones & Christopher Walken Rated: R for strong violence and some sexual content/nudity Rating: 07/10 106 Minutes

I was surprised at how this was a really well told story.

It was made in 2011, but took place in the mid 70s. It is the story of Danny Greene an Irish mobster who would not sell out to the Italian mafia as they fought over turf in Cleveland.

And the Director, Jonathan Hensleigh did a great job on the direction and script. Too many who knew him, Danny had a 'good' side and a bad side and it was represented in the movie. Danny served Turkeys at holidays, saved an old lady from an explosion, yet easily planted a bomb to eliminate adversaries.

Jonathan told the story in 70's film language which has a lot of natural lighting, some hand held camera, realistic scenes, and sort of a cinema-verite feel to the movie. This made the film seem like a documentary but without the ponderous narrator and constant talking heads. Hensleigh told the story with action and character. The lighting, film stock, and camera work was reminiscent of The French Connection, a gritty 70's film.

Ray Stevenson was almost a look alike for the real Danny Greene and added to the realism of the story.

Even the fights were very realistic. There was no whack, thwack of a bamboo rod on leather as is typically overdone in movies. Those fights are a realism unmatched in cinema. a) they did not go on forever, with high kicks and constant up and down moments for the hero. b) sound of fist heating a chin was very real. Fights aren't an array of sound effects. c) most real fights end pretty quickly as in the movie, a few punches and the guy is down and you beat him up, he doesn't keep popping up like a whack a mole after being knocked out. Thank goodness the fights didn't go on forever with 'artsy' camera angles.

The feel of this movie was gritty, and matched the grittiness of the story and labor (garbage and longshoreman activities) and you didn't feel the supporting cast was acting but that you were watching a mafia spy cam on their activities. See the extra features and the movie is pretty much the real story. The supporting cast of name actors had them nicely blended into the background and not upstaging the main character. Nicely done.

I liked the incorporated newsreel footage, and forgot about all those explosions in the 70s in Cleveland. Funny how bombs are the "weapon"of choice for criminal types.

Thank goodness Scorsese did not direct this movie as it would have been over lit and much more hyped up and with those whack fist effects and other posed scenes.

And people died in these explosions, they didn't run ahead of them like Tom Cruise and Harrison Ford to "beat" the blast.

If want to learn about the historic story of mobster vs. mobster in the 70s and an icon of resistance...this is the movie.