Senritsu meikyû 3D

Not a slasher or a tension edge of your seat horror movie but it makes up for it with above average 3d and a decent but confusing story. The filming was excellent and I watched it with dubbed english so hard to judge the actors. But a few jump scares some creepy characters and overall entertaining movie. glad I purchased the 3d bluray , unlike a LOT of horrible German 3d horror movies I shouldn't have purchased.

For a Japanese horror movie, then "Shock Labyrinth 3D" failed to live up to many of the other Japanese horror movies on the market, in the sense that it wasn't really scary and making you look over your shoulder every five minutes or so - that is, if you are expecting this movie to follow the 'standard formula' of a Japanese ghost movie.

That being said, then don't get me wrong. Even though this movie is not up to par with other Japanese horror movies in the same genre, then "Shock Labyrinth 3D" delivers anyway, and it plays well on having an interesting story that keep evolving and adding new aspects and angles to the same story all throughout the course of the entire movie. And that is what made "Shock Labyrinth 3D" work out so well.

Not forgetting to mention that they actually managed to pull off the 3D effects quite nicely. Of course it is nowhere near the spectacular effects of the 3D version of "Avatar", but still "Shock Labyrinth 3D" managed to deliver to nice effects and work the psyche just the right amount to actually creep under your skin.

I will not venture into reviewing the story, as this movie has the type of story that needs to be seen to be enjoyed in all its fullness. And if you enjoy Japanese movies, horror movies that is, they you should definitely check out "Shock Labyrinth 3D" as it brings something new and interesting to the horror scene. This is more of a psychological thriller with just a hint of horror, than it is actually a horror movie, because it plays so heavily on the psyche.

The story takes place in a run down building which is actually quite disturbing and confusing in itself, in its construction layout and with all the weird stuff that is placed inside it. Plus, the way they made use of the effects and visuals really helped to bring the mood of the setting to live in a great way. There were so many nice details in almost every scene.

As for the people cast for the movie, then I can't really claim to remember having seen any of them in other movies, at least not right on the top of my head. And people did good jobs with their roles, especially Misako Renbutsu (playing Yuki) and Erina Mizuno (playing Myiu), their performance was quite memorable and really played out with their hearts poured into their characters.

The musical score for the movie worked out well enough too, to help add to the mood of the movie. It was just subtle enough to be there in the background, and put in the front when something bizarre was taking place.

If you have the chance to watch the 3D version of "Shock Labyrinth 3D", go for it, don't settle for the regular 2D version, because this was meant to be enjoyed in 3D. I warmly recommend "Shock Labyrinth 3D" to anyone who is looking for a new breath of air to the Japanese horror scene.

I never worry too much about the scores movies achieve as if something fits into your preferred niche or genre you will enjoy it more than an aggregated score will suggest. Therefore a Japanese horror from the guy who made the grudge which people are saying may be a bit weird and confusing ticked a lot of boxes for me regardless of its 4.

Unfortunately 4 is a fair score, the story had real potential, I am not an expert on Japanese culture but it felt true to the kind of supernatural movies we get to see. Movies are either more or less than the sum of its parts therefore it didn't necessarily matter that the movie looked like it was made for TV, the acting was poor (the guy I watched it with thought the lead actor was the worst he had ever seen)! The effects were cheap and sure there were plot holes. I see movies for the emotional impact so can forgive pretty much everything, I don't always understand David Lynch movies but they are beautiful dreamy experiences.

So having said that I bring it all down to how I felt about the experience and it was boring, there was no tension or atmosphere. I've seen movies where I didn't care about the characters but this was different, I've enjoyed bad movies but I wasn't sure how I could get through the 85 minute run time. It really is that bad. The story could have been interesting but other than that there were was nothing to redeem this movie.

I have only hated 2 movies in my life, this isn't one of them but its probably the movie I have found the most impossible to engage with.

As children, Ken, Rin, Motoko, Yuki and Myiu ventured into a closed house of horrors at a local amusement park without the approval of their parents. Four came out, but Yuki was never seen again. Tonight, approximately ten years on, Yuki will return.

Spooky premise? Shock Labyrinth as a movie bears some similarities to Silent Hill, House on Haunted Hill and Ju-On, though, unlike the aforementioned Japanese horror film, the feature, rather than being a combination of events set out of chronological order, provides the audience with an opposing atmosphere, where the past and the present frequently clash to reveal what really happened all those years ago.

Unlike contemporary horror, Yuki (Misako Renbutso) does not appear as a terrifying figure, kicking down the door, only to proclaim 'here's Johnny!'. Rather, she's portrayed as an adorably cute, innocent victim, who, for the entirety of the film is capable of receiving our sympathy. One look into her character's eyes, and we immediately melt, though the same cannot be said for the other leads that occupy this film.

Ken (Yuya Yagira), a young man who has only recently returned for reasons that are not thoroughly provided, and Motoko (Ryo Katsuji), who exhibits dominance over his group of friends, portray stereotypical male characters, who inevitably attempt to exert control over a seemingly uncontrollable situation when things start going wrong.

Myiu (Erina Mizuno), Yuki's younger sister, is as guilt ridden over her sister's disappearance as she is quick to blame her for all the wrongs in her life, while blind character Rin (Ai Maeda), is able to, despite her condition, take note of her surrounds through the environment's vibrations, allowing her to predict what awaits her and others in unexplored areas.

Instead of asking if Yuki is okay, the unanimous reaction upon her arrival is to treat her like a pariah, her four childhood friends initially viewing her as an unwanted hindrance. After an accident leaves Yuki unconscious, she is taken by her friends to the hospital, where they mysteriously discover they are the only people in the seemingly empty establishment. Here, the friends are forced to encounter the fateful day Yuki disappeared, an event most of them would rather forget, and as paranoia and mistrust set in, the characters are forced to confront their hidden desires and honest personalities. A particularly powerful scene involves Rin questioning the legitimacy of people's sympathy, which is just one example.

Friendship, peer pressure, family, resentment, jealousy and unrequited love are just some of the themes explored. Despite this, ironically, many of the characters remain two dimensional in a film marketed as a 3D feature. Besides the depth that is provided in a number of scenes, actual 3D affects are incredibly fleeting, and generally occur when the film happens to be moving in slow motion, which again, happens very infrequently. Often this involves a plush bunny, moving either on its own, or through the air, which, similar to a rabbit been pulled out of a hat, fails to excite after its first appearance.

The movie works best as a mystery, and is, in this sense, similar to a wheel of cheese, but instead of a mouse running off with the slices, the critter is returning them, the viewer being required to watch the entirety of the feature to satisfactorily understand what happened all those years ago. By the end, director Takashi Shimizu provides the audience with enough information to compliment both a rational, or an illogical ending, this decision solely been at the behest of the viewer.

Though there are several unique moments in this feature, the film doesn't prove to be in the slightest scary, and the symbolism of a forest, which appears more than once in the movie, is lost on me I'm afraid. Although this image could literally convey the notion of being lost in the woods, considering the film takes place in an amusement park, a different metaphor might have been appreciated.

Shock Labyrinth neither shocks its audience or provides them with a labyrinth, with corridors and images alike been repetitively explored. Despite its negative features, the mysterious plot will keep your interest peaked, and even if this begins to flounder, the promise of three gorgeous female characters and two handsome men will certainly keep your heart racing. In the end, you will more than likely be wondering: if my friends and I go somewhere we shouldn't, how safe will I truly be?

I gave it a chance and watched it twice just to see if I had missed some creative writing, directing, acting, props - anything. Even the actor interviews when asked what the movie meant the most frequent answer, "What ever you make of it." The usual plot device of making the viewer question whether what was being seen was taking place or was just in the mind of our central character just didn't fly. Just a not well thought out mess.

Some examples: 1. The long opening and closing scenes of a forest did not fit with anything in the movie which was centered about an amusement park and hospital. The focal structure in the film, a spiral staircase, seemed like an oddly out of place prop for either location. 2. The visuals of falling feathers and rising/falling bubbles contributed nothing. 3. The floating rabbit backpack, both as a physical form and as a go through walls form, was just meaningless effects. 4. The comatose girl who is presented as supposedly an avenging spirit, she's hooked up to various hospital monitors which if move would set off an alarm, is shown with dirty feet as if she was out in the world avenging. Yet, on one occasion shows up at a person's apartment. 5. The intermingling of the two time periods were at times actual physical events and at times visual or hallucinatory. Not consistent. 6. The police interviews which were intermittently injected to provide some cohesion and clarity, did neither.