L'Improbable voyage d'Harold Fry

The story of Harold Fry's 500 mile walk from Devon to the English border with Scotland is well translated to the big screen by director Hettie MacDonald in this low key but very watchable film. When retired Brewery manager Harold (Jim Broadbent) receives a letter from an old work colleague that she is dying in a hospice at the the other end of the country in Berwick-upon-Tweed, he writes a letter. However feeling it is not enough, he cannot bring himself to post it and, after talking to a shopgirl in a petrol station, decides on the spot to walk to see her, leaving his wife Maureen (Penelope Wilton) sick with worry and frantic about being on her own. As Harold makes his way up north his 'Pilgrimage' starts to become public knowledge and he soon attracts a following on both social media and then the headline news. On the journey he meets an assortment of characters, from a well meaning and helpful Slovakian woman, a woman on a farm, a stranger at a railway station, a pill popping confused 18 year old, a stray dog and a small following of people who want to join his pilgrimage. And as Harold makes his journey we start to learn that his life and relationship with Maureen is not as boring as it seems, for beneath the surface he is masking a terrible tragedy and a fractured relationship.

The story might be slight but I found it nonetheless compelling. Both Broadbent and Wilton produce powerful performances and as the film progresses their characters personalities start to make sense. The film is also well made and full of good performances and doesn't feel overlong.

If you've seen the Timothy Spall film 'The Last Bus' (2021), the Robert Redford film 'A Walk in the Woods' (2015) or the Emilio Estevez/Martin Sheen film 'The Way' (2010) then some of this may seem vaguely familiar to you as, like them, this is a gentle road movie that is in part, about using the journey as a way of self discovery and confronting ones own emotional issues that will appeal to older viewers in particular. It is a well acted drama with a ring of truth to it that should appeal to those enjoy gentle drama.

The cinematography of this film is beautiful - a story full of fleeting moments and what-ifs, and the impact that small actions can have on the people we come across. A life-affirming and thought-provoking movie that will make you want to be a better person. Gently heartfelt acting from a top-flight cast.

If you're looking for dramatic plot lines and fireworks, this movie is not for you. However, if you want to enjoy a couple of hours with some glimpses of English scenery and weather - and the repressed emotions so typical of the English temperament - while reviewing your personal relationships, this is a wonderful piece of unassuming filmmaking.

Jim Broadbent and Penelope Wilton. That's all I needed to know to go see this film. Both deliver incredible performances ranging from that unique British wit, the inevitable pulled heartstrings to having it outright ripped out of your chest.

Thematically, the film asks us to let go of the things we think we need - the things that hold us back. Which Maureen (Wilton), wife of Harold for at least a few decades, rightfully takes quite personally. You wonder why Maureen just let's Harold leave, but we discover later she's not completely in the right, either.

Unfortunately, the supporting cast feel forced, two-dimensional and pepper Harold's journey purely to impart information that could be taken or left behind. This isn't helped by the stunted pacing and frequent B-roll cutaways to presumably things Harold wouldn't have seen if hadn't set off on his adventure.

The social media/celebrity element leaves a bad taste in the mouth, and his first follower appears endearing at first but then descends into cult follower territory trying to find meaning from someone else's cause.

Again, I cannot emphasise enough the stellar performances by both leads. I'm tearing up just watching the trailer while writing this. The film is let down by its supporting cast and weird editing.

I didn't know this was based off a book so I can't make any comparisons with the source material.

But if I were to give this a second viewing, I'd only watch the scenes with Harold and Maureen interacting with each other, with one notable exception: when Harold asks for a glass of water in a café. Heartbreaking.

This might not win many awards or get critical acclaim, but it will probably make you cry and certainly make you think about life.

A poignant film, which Broadbent shines as much as he ever has. From the people he meets along the way to the affect his decisions have on those he leaves behind. It's a beautiful story of a simple act that one man made to try to bring some meaning and importance to a life that was just originate but full of regret.

A very good way to spend a few hours, especially if you have someone in your life who is struggling with an illness. There's probably a lot more you could do for them.

The Unlikely Pilgrimage of Harold Fry is a heartwarming and emotional film that tells the story of Harold Fry, an ordinary man who decides to embark on a pilgrimage to deliver a letter to his old friend Queenie. The film is a slow burn, starting as a simple story of a man walking, but it gradually builds into a poignant examination of grief, guilt, and eventual closure.

Jim Broadbent delivers an excellent performance as Harold Fry, capturing the character's quiet desperation and eventual transformation as he walks the 600-mile journey. Penelope Wilton is also good as Harold's wife, Maureen, who is hurt and confused by her husband's sudden departure.

The film's direction by Hettie Macdonald is ok, with the cinematography and production design capturing the beauty of the British countryside. The score also adds to the story's emotional weight.

However, the plot can sometimes be implausible, and some supporting characters feel underdeveloped. The pacing is often ploddingly slow.

The Unlikely Pilgrimage of Harold Fry is an occasionally touching and poignant film that, while not perfect, may be worth watching for the performances and emotional resonance. But it never really manages to reach its potential.