Somewhere in Queens

When I saw the cast and that it would be Romano's first time directing, I was curious to check out Somewhere in Queens. There seems to be some discontent amongst some viewers regarding tha description and the outcome. The marketing says both comedy and drama. While I don't think that was completely correct, I don't quite think it was completely wrong either. The word comedy is kind of loaded and creates expectations of laughs and potential hilarity. Somewhere in Queens is clear with its drama but I consider it more humorous, which to me suggests something more subtle, like a chuckle here or there, or you think to yourself 'that was kind of funny' but not really any out-loud laughter. That is what Somewhere in Queens gives the viewer, and I think it did both drama and humor fairly well. Along with a dose of sentiment, it all works and I think worth checking out.

A little bit of everything, happy sad glad mad. Emotional for me ... a few tears, a lot of thought provoking and family dynamics, and in the end LOVE. Ray Romano and Laurie Metcalf played roles different from their usual. Yes Ray had his comedy show but this was different for me. He showed a different side that took me by surprise. They were very authentic people with many complexities, It is the kind of movie I would want to watch again, to catch what I missed. To let it sink in even more the depth of it. I had read years ago that if you still think of the movie going home and thereafter, it is a story that has moved or effected you. The son and his girlfriend were very good, awkward and sensitive and sweet together. And for teenagers, very smart.

"I love youse both." A partier at the wedding-reception

Somewhere in Queens is about blue-collar Italians whose diction may be rough but whose hearts are the real thing. Director Ray Romano, not a stranger to playing a loveable schlub, is Leo, an outer-borough Italian-American father who works a little too hard at times to propel his basketball-adept son "Sticks" into a scholarship at a small college, Drexel, in Philadelphia. With some accuracy this dramedy has been labeled "crowd-pleasing." Just think Everybody Loves Raymond for the big screen with longer time to flesh out character.

Romano directs and acts with a strength and depth he couldn't have for a network sitcom.

Working during the day for his old-school dad (Tony LoBianco) in construction, Leo attends all Sticks' games, brags about him, and regales everyone all the time about scenes from Rocky. Leo's attention at the games hints at his need to be acclaimed where he'll never be by his family.

The family feel here is authentic Italian, from the pasta-heavy dinners with friendly shouting to family secrets sharing, peppered with love and "youse" and an authentic "Mangia tutti." As the shiest of the Corleone-like family, Leo has given this introversion to Sticks.

Quite differently, Thelma Ritter-like wife, Angela (Laurie Metcalf), after her breast cancer went into remission takes an extroverted hard line about husband Leo's gaffs and about Sticks' new love going south.

Sticks' fumbling his new love, Dani (Sadie Stanley), has all the earmarks of his Dad's ability to screw up the easiest plans. Indeed, when Leo begs Dani to stay with Sticks through the tryouts for Drexel, he's tripping right into his biggest fatherly mistake ever.

Although Leo regularly fumbles such as the wedding speech he asks the videographer to erase, his heart is always there and big as when he makes a decision about having an affair with an attractive widower (Jennifer Esposito as the year's best MILF). Even his mistake about his son's scholarship is rooted in love mixed with a bit of harmless personal gain.

See this low-key, soft comedy for a pleasant evening with the family if only to meet shy, big-hearted Leo. He's a loveable dad and husband and father. Just like Raymond.

All of the other reviews have touched upon just how funny, touching and well acted this movie is. I would like to further add that the characters, family chemistry and the timing of the dialogue was outstanding. It rivals Moonstruck with its situational comedy, and it occasionally exceeds it. The real deal for me were the depth of the family secrets, how they bubbled to the surface and the pain/hurt that can be inflicted. It was raw and painful. Frankly, I couldn't see how they could overcome it. However, this movie really shines when it shows the strength of the family, how they overcome it and actual grow from it. I can't say anything more without giving away something so I would strongly encourage you to see it for yourself.

Wish the movie world had more of this. I know those stories are out there, but we get bombarded with reboots and comic adaptations with weak storylines and zero depth.

This film is understated, and revolves around the father and his basketball son, with the friction arising between a caring father wanting a better life for his son, while the son wants to follow a path which isn't necessarily of his father's choosing. Also a sub-plot of first love, and the conflict within his girlfriend that cares for the boy but doesn't want a serious relationship.

If you like Ray Romano, you'll adore the film. It's not really a comedy, but there are definitely funny parts to it, and his measured dry approach is delivered beautifully. Hats off to Sadie Stanley that plays the girlfriend - she did what was quite a complex role, fantastically. I'm a 52 year old guy and felt weepy at the end. It's a touching film, and maybe won't have the profile or impact of an epic film, but it's a really beautiful story of a sweet Italian-American family coping with some problems in their lives. It's the type of film you want to hug, and I'd watch 100 films done like this.

Who should watch it? Anyone that likes real life, touched with comedy, romance, and anyone that likes the Italian-American family vibe. Most adults with a heart will love this film. Of course, it's not a thriller, action film or all out comedy. It's touching (but not a soppy girly chick-flick). Writing and especially the dialogue, if fantastic.