IMDb RATING
6.6/10
6.1K
YOUR RATING
Cheng Li-sheung is a young, upwardly mobile professional finally ready to invest in her first home. But when the deal falls through, she is forced to keep her dream alive - even if it means ... Read allCheng Li-sheung is a young, upwardly mobile professional finally ready to invest in her first home. But when the deal falls through, she is forced to keep her dream alive - even if it means keeping her would-be neighbors dead.Cheng Li-sheung is a young, upwardly mobile professional finally ready to invest in her first home. But when the deal falls through, she is forced to keep her dream alive - even if it means keeping her would-be neighbors dead.
- Awards
- 3 wins & 7 nominations total
Ching Wong
- Security Guard
- (as Wong Ching)
Lai-Ling Chan
- Receptionist in Love Motel
- (as Chan Lai Ling)
Chung-man Pow
- Young Sheung's Brother
- (as Benjamin Pow)
Hee Ching Paw
- Sheung's Mother
- (as Paw Hee Ching)
Hoi-Pang Lo
- Sheung's Grandpa
- (as Lo Hoi Pang)
Norman Chu
- Sheung's Father
- (as Chui Siu Keung Norman)
Featured reviews
This is pretty awesome for what it is. Remember CATIII films from some twenty years ago? The most gruesome violence, a seamy social underbelly, usually a plot involving revenge and some terrible crime spree; bleak, nihilistic, amoral affairs of a world abandoned to the most deviant whims and sexual appetites. On at least the matter of violence, this one is a slick return to splatterfests of yore. There is no body part that isn't horribly mangled in some way. The pregnant woman isn't spared. Police don't save the day when they show up. There is no safe moral center to pivot around.
This part works, is senselessly brutal and exciting. But every now and then we veer off into extensive childhood flashbacks meant to contextualize and explain. Backstory is gradually pieced together from that direction that allows us to discern pattern in yawning madness, minutely calculated obsession. Every wild stabbing of the knife is gradually imbued with purpose.
The idea on the part of the filmmakers was probably that this was drama and human interest that would trouble how we handled violence from our end. The shift in tone would unsettle: here is a perfectly innocent young girl, and on the other end a raging psychopath.
This would grace the whole with some complexity, even respectability. The film would not be easy to dismiss but would recast aimless slaughter as greater social consequence. We learn for example that government and land proprietor thugs are ousting poor tenants from their shabby apartment blocks, in order to flatten them and build luxurious high-rise towers in their place. Prices artificially skyrocket. This is brought full circle in the end with the first news as of '08 of the coming global economic crisis. The problem is this is not handled in terribly interesting ways. It's shoe-horned at the end of a bloodbath for some weight but only drags the superficial pleasures down.
So we just learn stuff someone presumed we would need to know. The whole is tied into something someone presumed would be relevant to us all. It is but I'd rather get this part from a newspaper. A newspaper doesn't have excellent gore. So every minute spent away from cartoonish carnage and into hamfisted drama and social commentary is a minute lost for me.
Being from Hong Kong, the makers perhaps felt it was their part to address all this. Perhaps the ire is honest and comes from experience. But as far as a horror film goes, I'm surprised they allowed the lesson of A L'Interieur go wasted: brutality even more sharpened by complete awareness of the present moment.
Still, it's pretty awesome for what it is. It just means we'll have to concentrate on what was clearly poured into the most effort; the slick, ultraviolent slasher film.
This part works, is senselessly brutal and exciting. But every now and then we veer off into extensive childhood flashbacks meant to contextualize and explain. Backstory is gradually pieced together from that direction that allows us to discern pattern in yawning madness, minutely calculated obsession. Every wild stabbing of the knife is gradually imbued with purpose.
The idea on the part of the filmmakers was probably that this was drama and human interest that would trouble how we handled violence from our end. The shift in tone would unsettle: here is a perfectly innocent young girl, and on the other end a raging psychopath.
This would grace the whole with some complexity, even respectability. The film would not be easy to dismiss but would recast aimless slaughter as greater social consequence. We learn for example that government and land proprietor thugs are ousting poor tenants from their shabby apartment blocks, in order to flatten them and build luxurious high-rise towers in their place. Prices artificially skyrocket. This is brought full circle in the end with the first news as of '08 of the coming global economic crisis. The problem is this is not handled in terribly interesting ways. It's shoe-horned at the end of a bloodbath for some weight but only drags the superficial pleasures down.
So we just learn stuff someone presumed we would need to know. The whole is tied into something someone presumed would be relevant to us all. It is but I'd rather get this part from a newspaper. A newspaper doesn't have excellent gore. So every minute spent away from cartoonish carnage and into hamfisted drama and social commentary is a minute lost for me.
Being from Hong Kong, the makers perhaps felt it was their part to address all this. Perhaps the ire is honest and comes from experience. But as far as a horror film goes, I'm surprised they allowed the lesson of A L'Interieur go wasted: brutality even more sharpened by complete awareness of the present moment.
Still, it's pretty awesome for what it is. It just means we'll have to concentrate on what was clearly poured into the most effort; the slick, ultraviolent slasher film.
I saw this for the first time recently n in my opinion the filmmakers shud have removed the pregnant woman's turmoil scene.
The story is bah Lai sheung n thru mixed chronological order, we see Lai-sheung as a child whose family and friends are evicted from their low-rent housing so that developers can build expensive flats but she vows to buy her mother and father a new apartment, specially an apartment with a view of the Victoria Harbour.
As an adult she is working in a bank, having a relationship with a married man, taking care of his ailing father n a young brother. Due to bad circumstances, Lai-sheung goes into a frenzy where she goes to the flats and attacks people who live and work there, killing them without any mercy.
This film has shades of Inside (2007). It is one of the best slasher of modern times n the effects r amazing. The film is very very violent with some very heavy stuff which made me squirm.
The story is bah Lai sheung n thru mixed chronological order, we see Lai-sheung as a child whose family and friends are evicted from their low-rent housing so that developers can build expensive flats but she vows to buy her mother and father a new apartment, specially an apartment with a view of the Victoria Harbour.
As an adult she is working in a bank, having a relationship with a married man, taking care of his ailing father n a young brother. Due to bad circumstances, Lai-sheung goes into a frenzy where she goes to the flats and attacks people who live and work there, killing them without any mercy.
This film has shades of Inside (2007). It is one of the best slasher of modern times n the effects r amazing. The film is very very violent with some very heavy stuff which made me squirm.
I sort of see Dream Home as a thinking man's slasher. What I mean by that is that it's a slasher film with a point, as it contains all the outlandishly kills from famous slashers like Friday the 13th (it probably goes further actually) but all the excessive blood and violence has a point, and a very valid point about the current house market in Hong Kong. Dream Home is also supposedly based on true events, I don't know how many of the events are true but I'm guessing not that many! Still, it illustrates the point of the film further as the age old issue of money has seriously taken its toll!
Dream Home has an interesting structure which I don't know if it entirely worked. You see it cross cuts from her current murder spree to her past, including early childhood, right up to the events that led her to do it. In its favour it did add a nice layer of mystery to the film, and also helped to balance out the drama-heavy scenes with the horror-heavy scenes, allowing us to take a break from the last gruesome massacre and look forward to how it's all going to pan out! However, I can't help but wonder if the film would've been stronger having the events be shown in chronological order. It may have built the suspense and the final killing spree would've been doubly intense! It certainly worked for May, although the characters were much stronger in that than they are here. It's an interesting thought, but I'm satisfied with the unusual cross-cuts.
Now horror fans are not going to be disappointed with the horror-heavy scenes! Dream Home showcases some of the most inventive kills I've seen on screen for a long time. Some of them are also quite heavy to watch, by that I mean distressing, which makes us feel less empathy for the character, making her well rounded. However, I think there could've been more evidence of her snappy psychological state in the past as she doesn't appear violent until she suddenly snaps. It does seem a bit over the top, but I suppose we can forgive it. There's plenty of blood and not only that, some scenes were actually quite suspenseful and thrilling rather than just a simple slash and dash.
The drama-heavy scenes are also not as boring as I've labelled them. I found it really interesting to find out how she got so fixated on that apartment she wanted, and her journey getting her. They really help to flesh out the character further so we can feel for her and her motives (occasionally). However, I also think that a little background on her victims could've been nice as well, so we get to see them as humans too rather than just prey to feed off! The film is also beautifully shot and directed which I didn't expect. There's some lovely cinematography of the high-rise buildings which could also be metaphorical as it seems so out of her reach!
Dream Home is a highly successful slasher and one that I'd be happy to revisit again. It doesn't hold back and also brings up various themes which have a place in today's society. I really enjoyed its entertaining violence and strong character build-up. You do care what happens to her in the end and it also makes a refreshing change to have a slasher film from the killer's point of view. I'd definitely go and check this one out as it doesn't seem that a lot have!
Dream Home has an interesting structure which I don't know if it entirely worked. You see it cross cuts from her current murder spree to her past, including early childhood, right up to the events that led her to do it. In its favour it did add a nice layer of mystery to the film, and also helped to balance out the drama-heavy scenes with the horror-heavy scenes, allowing us to take a break from the last gruesome massacre and look forward to how it's all going to pan out! However, I can't help but wonder if the film would've been stronger having the events be shown in chronological order. It may have built the suspense and the final killing spree would've been doubly intense! It certainly worked for May, although the characters were much stronger in that than they are here. It's an interesting thought, but I'm satisfied with the unusual cross-cuts.
Now horror fans are not going to be disappointed with the horror-heavy scenes! Dream Home showcases some of the most inventive kills I've seen on screen for a long time. Some of them are also quite heavy to watch, by that I mean distressing, which makes us feel less empathy for the character, making her well rounded. However, I think there could've been more evidence of her snappy psychological state in the past as she doesn't appear violent until she suddenly snaps. It does seem a bit over the top, but I suppose we can forgive it. There's plenty of blood and not only that, some scenes were actually quite suspenseful and thrilling rather than just a simple slash and dash.
The drama-heavy scenes are also not as boring as I've labelled them. I found it really interesting to find out how she got so fixated on that apartment she wanted, and her journey getting her. They really help to flesh out the character further so we can feel for her and her motives (occasionally). However, I also think that a little background on her victims could've been nice as well, so we get to see them as humans too rather than just prey to feed off! The film is also beautifully shot and directed which I didn't expect. There's some lovely cinematography of the high-rise buildings which could also be metaphorical as it seems so out of her reach!
Dream Home is a highly successful slasher and one that I'd be happy to revisit again. It doesn't hold back and also brings up various themes which have a place in today's society. I really enjoyed its entertaining violence and strong character build-up. You do care what happens to her in the end and it also makes a refreshing change to have a slasher film from the killer's point of view. I'd definitely go and check this one out as it doesn't seem that a lot have!
Cheng Lai-sheung(Josie Ho)is desperate to buy a flat in the famed Victoria Harbor in Hong Kong.He works two jobs and is already in debt.Not enough money for her dream home prompts her to spill the blood of the rich."Dream Home" is one hell of a gory slasher.The killings are extremely vicious and insanely bloody.The murderous rampage of the main character leaves nothing to imagination.The cinematography is stylish,the acting is fantastic and the score provide some chills."Dream Home" paints an ugly side of corrupted society with some of the bloodiest murders ever captured on screen.8 blood sprays out of 10.A must-see for horror fans with an iron stomach.
"Dream House" was somewhat of a great surprise. I love Hong Kong cinema and watch anything I can get my hands on. Though I wasn't familiar with "Dream House" prior to finding it by sheer random luck on Amazon, and decided to get it as it sounded interesting and was at an okay price.
And to make it all the more interesting, then the movie is based on true events that shook Hong Kong, and I got that confirmed from a friend living there, so it wasn't just something that was flaunted in the movie to make it more interesting - there was some truth behind it.
The story in "Dream House" is about Cheng Lai (played by Josie Ho) who has been saving money her entire life to buy her own dream apartment, a home of her own. She is living with her family, which is normal in Hong Kong, up until you get married, usually. Things seem to sort themselves out for her, except that the sellers raise the price, and other people are interested in the one and only specific apartment she wants. Cheng Lai sanity flickers and she is driven to inhuman actions.
"Dream House" was driven by a great story that sweeps you up and takes you along for a great ride. Plus it was really well acted, and it was mostly Josie Ho who pulled the weight. I, personally, do not care much for Eason Chan (playing Siu To) and his acting skills (or lack thereof).
The movie is filmed in a great way that makes it come off as right in your face, almost as if you were right there with the actors. Plus the camera work really helped the movie along as well, especially when Cheng Lai was having a breakdown on the street. That scene was just so amazingly nice.
And as a major plus, for all gorehounds out there, then there is a rather good amount of gore and really good effects in the movie, which makes it well worth checking out for the mayhem alone. I was impressed with some of the scenes. And I will say this, without giving away anything here; the scene with the pregnant tenant and her maid was one of the most brutal and graphically disturbing scenes I have seen in a long, long time. That really got my attention, as I had never expected that kind of graphic violence in this movie.
If you enjoy Hong Kong cinema, then you definitely should treat yourself to this movie, as it is a rather unique addition to the collection of Hong Kong cinema.
And to make it all the more interesting, then the movie is based on true events that shook Hong Kong, and I got that confirmed from a friend living there, so it wasn't just something that was flaunted in the movie to make it more interesting - there was some truth behind it.
The story in "Dream House" is about Cheng Lai (played by Josie Ho) who has been saving money her entire life to buy her own dream apartment, a home of her own. She is living with her family, which is normal in Hong Kong, up until you get married, usually. Things seem to sort themselves out for her, except that the sellers raise the price, and other people are interested in the one and only specific apartment she wants. Cheng Lai sanity flickers and she is driven to inhuman actions.
"Dream House" was driven by a great story that sweeps you up and takes you along for a great ride. Plus it was really well acted, and it was mostly Josie Ho who pulled the weight. I, personally, do not care much for Eason Chan (playing Siu To) and his acting skills (or lack thereof).
The movie is filmed in a great way that makes it come off as right in your face, almost as if you were right there with the actors. Plus the camera work really helped the movie along as well, especially when Cheng Lai was having a breakdown on the street. That scene was just so amazingly nice.
And as a major plus, for all gorehounds out there, then there is a rather good amount of gore and really good effects in the movie, which makes it well worth checking out for the mayhem alone. I was impressed with some of the scenes. And I will say this, without giving away anything here; the scene with the pregnant tenant and her maid was one of the most brutal and graphically disturbing scenes I have seen in a long, long time. That really got my attention, as I had never expected that kind of graphic violence in this movie.
If you enjoy Hong Kong cinema, then you definitely should treat yourself to this movie, as it is a rather unique addition to the collection of Hong Kong cinema.
Did you know
- TriviaSeveral Japanese audience members passed out during screenings of the film.
- GoofsThere is a character in this film which is credited as Filipino Maid. In fact, the character is an Indonesian Maid and her dialogue in this film was spoke in Indonesian language, not Tagalog language.
- Alternate versionsThe Hong Kong theatrical version was censored by nearly 30 seconds. The main cuts were made to the scenes of violence towards a pregnant woman, and the slicing off of genitals.
- ConnectionsReferenced in Ida, Be Thy Name: The Frightful Females of Fear (2013)
Details
Box office
- Gross worldwide
- $383,158
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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