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Since Spain has become a leading European production hub for global streamers, little wonder that the country’s most regular content suppliers for major players receive a spotlight at this week’s Content Americas 2025 in Miami.

On Tuesday, Jan. 21, some of the most awaited Spanish scripted productions will take center stage at the Miami-based TV market toplining the event Spain Upfront. Best of Spain’s New Content.

The Spain Upfront reunites key executives from four top Spanish distribution houses: Rosalía Alcubilla, head of global clients at pubcaster Rtve; Silvia Cotino, deputy director of sales and business development at Mediaset’s Mediterráneo; Miguel García, sales director of Atresmedia Sales, and Onza Distribution’s general manager Carlos Garde.

Audiovisual from Spain, operated by Spanish government export and investment org Icex, hosts the meet, moderated by Gloria Saló, director of content and production consultancy at Madrid-based firm Geca.

Saló will also unveil key...

“I went to bed in one of the [hotel room] and he lay down beside me,” Nevenka Fernández, a former member of Ponferrada Municipal Council, recounts how she was raped in 2000 by her boss, Ismael Álvarez, then the all-powerful major of the city.

“Why didn’t you leave?” asks Álvarez’s defence attorney in the trial sparked by Fernández when she took Álvarez to court for sexual harassment.

“He was at my side. I couldn’t move,” Fernández replies.

Sold by Film Factory Ent. and playing in main Competition at this year’s San Sebastián Film Festival, Iciar Bollain’s “I’m Nevenka ” – written with Isa Campo (“Offworld”), her co-scribe on box office hit “Maixabel” – is inspired by true events which led to Álvarez becoming the first politician to be convicted of sexual harassment in Spain, in a landmark judicial sentence 15 years before the #Me Too movement,

The film is not just...

Two Netflix Originals and new movies from Mike Leigh, Joshua Oppenheimer, Gia Coppola and Edward Berger will vie for San Sebastian’s top Golden Shell this September.

The festival features a main competition that is stronger than usual on both bigger-name directors and ‘A’ list stars, such as Tilda Swinton in Oppenheimer’s “The End,” Jamie Lee Curtis and Pamela Anderson in Gia Coppola’s “The Last Showgirl” and the ensemble cast of Berger’s “Conclave” that includes Ralph Fiennes, Stanley Tucci and Isabella Rossellini.

Bound for Toronto and Telluride before San Sebastián, Oppenheimer’s “The End” stars Swinton, George MacKay and Michael Shannon in what is described as a post-apocalyptic “Golden Age” musical.

“Conclave,” from “All Quiet on the Western Front director Edward Berger,” is a psychological thriller written by Peter Straughan, based on the 2016 novel of the same name by Robert Harris and starring Ralph Fiennes, Stanley Tucci and John Lithgow.

Cuatro películas españolas en la competición.

Hoy se han dado a conocer las películas españolas que formarán parte de la programación de la 72ª edición del Festival de Cine de San Sebastián, que se celebrará del 20 al 28 de septiembre.

Cuatro películas españolas formarán parte de la competición por la Concha de Oro del Festival: “Soy Nevenka”, “El Llanto”, “Los Destellos” y “Tardes de Soledad”.

© 72Ssiff

Icíar Bollaín, conocida por su película “Maixabel”, presentará “Soy Nevenka”, que será su quinta participación en la Sección Oficial. Protagonizada por Mireia Oriol y Urko Olazabal, se basa en la historia real de Nevenka Fernández, una concejala que pagó un alto precio por atreverse a denunciar el acoso del alcalde de Ponferrada. Una historia que convirtió a su protagonista en una pionera del movimiento #metoo al llevar por primera vez a un político influyente ante los tribunales por acoso sexual y laboral.

© 72Ssiff

En su ópera prima,...

Top Spanish Titles brought to market at MipTV:

“Dating in Barcelona,” (Filmax)

Produced by Filmax’s Arca, Catalan public broadcaster 3Cat and Prime Video in Spain, a first season of “Dating in Barcelona” bowed last year in Spain to big ratings, both on its first-window debut on 3Cat and on Prime Video, where it became one of the streaming service’s most-watched debuts. A modern take on romance and sex in an online age, “Dating in Barcelona” also reflects a swing in TV towards a lighter, more episodic fare, whether in crime thrillers or other categories. Each episode features two dates which, as Variety has observed, play off each other. Powered in creative terms by Pau Freixas, behind iconic series from “Red Band Society” To “I Know Who You Are” And “Todos Mienten,” All Produced By Filmax, “Dating In Barcelona” features a top-tier cast, this time round in Season...

“I’m Nevenka,” a Movistar Plus+ original film and the awaited next feature from Spain’s Iciar Bollaín, has closed its earliest pre-sales, struck by Film Factory Entertainment, including a bellwether deal in France.

The deals come as “I’m Nevenka” has wrapped production, shooting in the Basque city of Bilbao before transferring to rural Zamora, western Spain.

Daniel Chabannes’ Epicentre Films, a classic 30-year-old distributor and producer of non-English language art pics, especially from Europe and Latin America, whose recent acquisitions take in San Sebastian Gold Shell winner “The Rye Horn” and Amos Gitai’s “It’s Not Over,” has acquired French rights.

A distributor of both big Cannes winners – “Triangle of Sadness,” “Rosetta,” “The Child” – and slightly more out-there propositions, such as Pablo Berger’s silent movie “Blancanieves,” Xenix Film Distribution has clinched rights to Switzerland.

Iciar Bollaín: A Broader Audience Auteur

The early pre-sales are hardly surprising. Since her big breakout,...

Series from Atresmedia TV, Rtve, Movistar Plus+, Javier Calvo and Javier Ambrossi (“La Mesías”), Zeta Studios (“Elite”) and director Carlota Pereda and Morena Films (behind Sundance hit “Piggy”) will unspool or be unveiled at the Berlinale. They underscore the breadth and depth of Spanish TV output:

“Death to Love,”

Carlota Pereda dazzled at Sundance with first feature, “Piggy.” Now, Pereda’s at the Berlinale Co-Pro Series on Feb. 20 with her debut series, “Death to Love,” in which afemale vampire struggles over centuries to end a toxic relationship with her vampire female lover and culminates in a modern-day climax. “A visceral and romantic proposition,” Pereda says.

“Dressed in Blue: Veneno Season 2,”

The Sundance world premiere “La Mesías” sealed the standing of Javier Calvo and Javier Ambrossi as most probably the coolest creative duo in Spain. This time around, they produce, with Mikel Rueda, a director on “Veneno,” and Claudia Costafreda and Ian de la Rosa,...

Film Factory will bring to market at Berlín Icíar Bollaín’s latest film, “I’m Nevenka,” a recount of Spain’s first high-profile case of sexual harassment starring Mireia Oriol (“The Girl in the Mirror”).

It will reunite much of the team behind Bollain’s “Maixabel, including Urko Olazaba who won a best supporting Spanish Academy Goya Award for “Maixabel” and now co-stars opposite Oriol in “I’m Nevenka.”

Disney will handle distribution in Spain. The film is scheduled for release in the fourth quarter of 2024.

This acquisition signals Film Factory’s commitment to championing stories that not only entertain but also provoke important conversations about societal issues.

“I’m Nevenka,” is based on the true story of Nevenka Fernández, a young woman whose bravery and resilience became a pioneering beacon for the fight against sexual harassment in Spain.

At the young age of 23, Fernández faced widespread public scrutiny and...

The growing pantheon of films and TV series inspired by podcasts continues apace with such noteworthy spinoffs as “Homecoming,” “The Dropout” and “WeCrashed” leading the pack.

It doesn’t seem so common in the Spanish language but Spanish podcast producer TrueStory is hoping to change that. The award-winning three-year-old company, operating from the U.S. and Spain, has inked a pact with Spanish production companies Kowalski Films (box office hit “Ocho Apellidos Vascos”) and Feelgood Media (Icíar’s Bollaín’s “Maixabel”) to co-create a podcast of actual events that can later be adapted into audiovisual formats.

To date, titles adapted from Spanish-language podcasts are few, although some have emerged in recent years, led by “El gran apagón” from Podium Podcast, which inspired the Movistar Plus+ series “Offworld” (“Apagón”); “El crimen de la guardia urbana” on Netflix, adapted from Carlos Porta’s podcast “Crims”; and “XRey,” the podcast about former Spanish...

The 68th edition will screen a mix of new Spanish films and 2023 favourites and host an expanded industry programme.

The 68th edition of the Seminci, the Valladolid International Film Week opens this weekend (October 21) with a screening of The Movie Teller, directed by Lone Scherfig, starring Bérénice Béjo, Antonio de la Torre and Daniel Brühl and written by Walter Salles, Isabel Coixet and Rafa Russo.

For what is a vital launchpad into the Spanish market, new festival director José Luis Cienfuegos has programmed a series of international festival favourites from 2023 alongside new films by Spanish directors Antonio Méndez Esparza and...

As earning significant profile for shows in a packed marketplace has become one of Europe’s most pressing industry concerns, a new and ambitious TV series festival is launching in Cadiz, southern Spain, as an initiative of Mediaset España and backed by shows from other key players on the Spanish TV scene, such as The Mediapro Studio and Movistar Plus+.

Speakers from the Spanish-speaking world take in writer-director-producer Armando Bo (“El Presidente”), an Oscar winning scribe for “Birdman, or the Unexpected Virtue of Ignorance,” and Daniel Écija, an executive producer on key hits in the last decade in Spain such as the multi-genre free-to-air series “Estoy Vivo,” and “Locked Up” “(Vis a vis,” a key into its lift-off into premium drama selling worldwide.

Some titles screening at Cadiz are already celebrated, such as Russell T. Davies’ “Nolly,” starring Helena Bonham-Carter.

Also in the Coming Next section is Norwegian political satire “Power Play,...

Spanish mini-major Filmax has picked up international sales rights to “Teresa,” the new feature by Paula Ortiz, a fictional story turning on the prominent Spanish mystic and religious reformer Saint Teresa of Jesus.

“Teresa” marks the big screen adaptation of Spaniard playwright Juan Mayorga’s stage play ”La lengua en pedazos,” which narrates a meeting between Saint Teresa of Jesus – also known as Teresa de Ávila – and a character called The Inquisitor.

The feature is not a classic biopic, but rather a free adaptation of the text written by Mayorga – a winner of Spain’s National Prize for Dramatic Literature – which in turn, is based on “The Book of Life,” by Saint Teresa herself.

In the movie, Teresa patiently awaits the Inquisitor’s arrival and judgement. His visit and his words will determine her future. They will hold a religious and dialectical duel, where the question will be if she is set free,...

Martin Scorsese is executive producing “Escape,” the next film from Spanish writer-director Rodrigo Cortés, who burst onto the international scene directing Ryan Reynolds in the 2010 Sundance hit “Buried.”

Set to go into production at the end of May, Cortés’ first Spanish-language film since his debut feature, 2007 madcap dark comedy “The Contestant,” “Escape” stars Mario Casas, a Spanish Academy Award Goya winner for 2020’s “Cross the Line.”

One of Spain’s biggest film-tv stars, Casas leads a top-notch Spanish cast in “Escape” which takes in Anna Castillo, José Garcia (“Bastille Day”), Guillermo Toledo (“I’m So Excited”), Josep Maria Pou (“The Realm”), Blanca Portillo (“Maixabel”), and Jose Sacristán (“Velvet”).

Produced by Adrián Guerra and Núria Valls at Barcelona-based Nostromo Pictures, “Escape” is a free adaptation of the same-title novel penned by Spanish author Enrique Rubio.

“Escape” turns on N., a young man who wants to live in prison and will do whatever...

Spanish satire starring Javier Bardem one of the big winners at the Ibero-American film awards held in Madrid.

The Good Boss, produced by The Mediapro Studio and Reposado PC. took home four prizes at the Platino Awards, the ninth edition of the Ibero-American ceremony that took place in Madrid, on Sunday (May 1).

This satire about the petty boss of an industrial scales factory won best film, best director and screenplay for Fernando León de Aranoa, and best actor for Javier Bardem following its success t the Goyas in February when it won six prizes.

Blanca Portillo won the best actress...

Spanish satire starring Javier Bardem one of the big winners at the Ibero-American film awards held in Madrid.

The Good Boss produced by The Mediapro Studio and Reposado PC took home four prizes at the Platino Awards on Sunday (May 1), the Ibero-American equivalent to the Oscars which took place in Madrid.

This satire about the petty boss of an industrial scales factory won best film, best director and screenplay for Fernando León de Aranoa, and best actor for Javier Bardem following its success at Spanish Film Academy awards the Goyas in February when it won six prizes.

Blanca Portillo won...

Spanish satire starring Javier Bardem one of the big winners at the Ibero-American film awards held in Madrid.

The Good Boss produced by The Mediapro Studio and Reposado PC took home four prizes at the Platino Awards on Sunday (May 1), the Ibero-American equivalent to the Oscars which took place in Madrid.

This satire about the petty boss of an industrial scales factory won best film, best director and screenplay for Fernando León de Aranoa, and best actor for Javier Bardem following its success at Spanish Film Academy awards the Goyas in February when it won six prizes.

Blanca Portillo won...

Few movies are as awaited at this year’s Málaga Festival as Daniel Guzman’s “Canallas” (“Monkey Business”) which world premieres in competition this March 19.

It marks the follow-up by Guzmán, an acclaimed actor-turned writer-director, to his notable debut “Nothing in Return” which scored best picture, director and a Critics’ Prize at 2015’s Malaga Festival, going on to scoop Spanish Academy Goyas for new director and breakout actor, the latter for Miguel Herrán.

“Canallas” also reps the second original movie production from Movistar Plus, as Spain’s industry looks to the pay TV/SVOD arm of telco giant Telefonica to co-produce some of the biggest movie plays in the country.

Though the subject, setting and tone of “Canallas” could hardly be different from Movistar Plus’ debut movie outing, Alejandro Amenabar’s “While at War,” “Canallas” gives further clues to what kind of movies Movistar Plus is willing to sink money in.

Director Tha Se Gnanavel’s critically-acclaimed Tamil courtroom drama ‘Jai Bhim’ has made it to the World Competition segment of the 20th Pune International Film Festival, which is scheduled to be held from March 3 to 10. The other films that are in this category are director Gabor Fabricius’s ‘Erasing Frank’ (Hungary), director Iciar Bollain’s ‘Maixabel’ […]...

Pedro Almodovar’s ‘Parallel Mothers’ went home empty-handed.

The Good Boss, directed by Fernando León de Aranoa and starring Javier Bardem, scored big at the 36th edition of the Goyas, the Spanish Academy Awards held on Saturday in Valencia. With a record 20 nominations, it won six wards including best film, best director and screenplay for León de Aranoa and best actor for Javier Bardem.

Pedro Almodóvar’s Parallel Mothers, nominated for eight awards, left empty handed.

Produced by The Mediapro Studio and Reposado PC, The Good Boss premiered in competition at the San Sebastián Film Festival and went on to...

Shortlisted for the Academy Awards in the international feature film category, Fernando León de Aranoa’s “The Good Boss” capped a record 20 Spanish Academy Goya nominations by scoring best picture and actor for Javier Bardem at Saturday’s Goya prize ceremony.

The prizes marked both Leon and Bardem’s seventh Goya wins. Produced by El Reposado and The Mediapro Studio, and a workplace dramedy skewering the abuse of power practised by a seemingly benign factory owner, “The Good Boss” also won best director and original screenplay for León, as well as best score and editing.

Blanca Portillo beat out “Parallel Mothers’” Oscar-nominated Penélope Cruz, thanks to Portillo’s powerful performance as Maixabel Lasa, the real life widow of former Basque Country governor Juan Mari Jauregui who agreed in 2011 to meet one of his Eta killers. Her forgiveness, and Portillo’s portrait, has touched a large nerve in Spain.

One highlight...

Santiago Segura’s ‘The Kids Are Alright’ was the fourth-highest grossing film of the year.

Spain was one of the few European markets where an independent local title made it into the top 10 in 2021.

Rarer still, Warner Bros Spain’s comedy The Kids Are Alright, directed by and starring Santiago Segura, landed in the top five with a year-end gross of $9.6m (€8.49m), ahead of Dune, No Time To Die and Eternals.

The total Spanish box office reached $284m (€251m) in 2021, up on the $193,5m (€171m) of 2020, but far from pre-pandemic figures that saw a total gross of $706m (€624m...

‘The Good Boss’ leads Icíar Bollaín’s ‘Maixabel’ and Pedro Almodóvar’s ‘Parallel Mothers’.

The Good Boss, directed by Fernando León de Aranoa and starring Javier Bardem, led the Goya nominations from the Spanish Film Academy with 20 nods, an all-time record.

The satire, also Spain’s entry for the Oscars, is ahead of Icíar Bollaín’s Maixabel and Pedro Almodóvar’s Parallel Mothers, on 14 and eight nominations respectively.

The Good Boss is the fifth highest-grossing film in Spain this year with €2.6m. Written and directed by León de Aranoa, it follows the petty boss of an industrial scales factory, played...

Already selected as this year’s Spanish Best International Feature Film submission for the Oscars, Fernando León de Aranoa’s dark workplace comedy “The Good Boss,” starring Javier Bardem, has set a new record for most Spanish Academy Goya Award nominations with 20, ahead of Icíar Bollaín’s standout Basque drama “Maixabel” with 14 and Pedro Almodóvar’s “Parallel Mothers,” which secured eight.

The 20 nominations include: Best picture, director, original screenplay, original music, lead actor, three nominations for supporting actor, supporting actress, two nominations for best new male actor and one for best new female actor, production design, cinematography, editing, art direction, costume design, makeup, sound design and special effects. It’s a total which breaks an almost 30-year-old record held by Imanol Uribe’s “Numbered Days,” which received 19 nominations in 1994.

León’s latest, produced by The Mediapro Studio and Reposado PC, is a return to a fruitful partnership between the director and his leading man.

Movistar Plus, the streaming and broadcast arm of Spanish telco giant Telefonica, has confirmed a breathtaking roster of talent which will helm its upcoming five-part anthology series “Apagón,” produced by Buendía Estudios.

Inspired by the popular “El gran apagón” podcast, the series features five stand-alone stories, connected only in that they take place after a solar flair causes a worldwide blackout – “apagón” in Spanish – and deals with the consequences that such a catastrophe might impose.

The series’ impressive lineup of writing talent was first announced in June of this year, and Movistar has today confirmed that award-winning directors Rodrigo Sorogoyen, Alberto Rodríguez, Raúl Arévalo, Isa Campo, and Isaki Lacuesta will helm the five stories. For the first two filmmakers, the series is a return to Movistar Plus. The three new recruits further establishes the broadcaster as one of the Spanish industry’s premier platforms for upscale Spanish talent to express...

Held online over Oct. 20-22, 2021’s Spanish Screenings-Málaga de Cine mark Spain’s biggest national cinema showcase anywhere in the world, its equivalent of UniFrance’s Paris Rendez-vous. 113 recent Spanish titles were made available to 218 carefully-targeted international buyers, distributors and fest heads with a record of screening movies from Spain. Such a spectacular smorgasbord also says much about Spanish production trends and the state of the international market at large. Six takes on this year’s screenings:

A Sign of the Times

Last year, Malaga unveiled 20 market premieres. This year, the number were way down, with screenings dominated by titles brought onto the market as finished films at Cannes, Toronto and San Sebastian. That’s a sign of the times. With a huge international distributor release bottleneck, sales agents used the Spanish Screenings to wring more sales out of the titles they did have, rather than bringing new titles onto a clogged market.

Director Icíar Bollaín’s “Maixabel” – which world premiered last month in San Sebastian’s main competition and screens at this week’s Spanish Screenings-Malaga de Cine – is a turbulent and emotional look into the repercussions of terrorist violence, both for the victims and the victimizers. The film follows the aftermath of the murder of politician Juan María Jáuregui from the perspective of his widow, Maixabel (Blanca Portillo), as well as the Eta terrorists who committed the killing.

The Basque film is produced by San Sebastian-based Kowalski Films (“Coven”) and Feelgood Films, with Film Factory Entertainment handling international sales. The screenplay, based on the real life story of Basque Country political activist Maixabel Lasa, was co-authored by Bollaín and Isa Campo, co-scribe of “Between Two Waters,” a San Sebastian Golden Shell winner

Variety spoke with Bollaín during the Spanish Screenings.

“Maixabel” is filled with nuanced, complex characters. How did you go...

Happy Friday International Insiders. Tom Grater here coming to you live from Zurich this week with your round-up of the top international headlines. To get this sent to your inbox every Friday, sign up here.

A World Of Pure Imagination

Golden ticket: Netflix landed the big one this week, wrapping up a deal to acquire the full Roald Dahl catalogue of stories, marking one of the streamer’s most significant acquisitions to date and one that the company was understood to have been chasing voraciously. The agreement extends a partnership that began in 2018, initially only covering animated adaptations, with projects to date including Taika Waititi and Phil Johnston’s upcoming series based on the world of Charlie and the Chocolate Factory and an adaptation of Matilda The Musical with Sony and Working Title.

Franchise potential: Financial details weren’t disclosed but general consensus seems to be that this was a...

Vicente Canales’ Film Factory Entertainment has sold Icíar Bollaín’s San Sebastian Festival-bound Basque reconciliation drama “Maixabel” to Germany, striking a deal with Berlin-based distributor Piffl Medien.

The film is set to make its theatrical release in Spain on Sept. 24 via Buena Vista Intl.

World premiering in San Sebastian’s main competition this weekend, Bollaín’s film – which she co-wrote with screenwriter Isa Campo (“The Next Skin”) – stars “Volver’s” Blanca Portillo as the widow of murdered socialist leader Juan María Jáuregui who makes steps towards forgiving the Eta terrorist who killed her husband a decade earlier.

The feature is based around the experience of Maixabel Lasa, a key figure in the journey that the Basque Country is making towards peace and reconciliation following the violence of its recent past.

Co-starring Luis Tosar (“Retribution,” “Way Down”), the film was made by top Basque production company Kowalski Films (“Coven”) and Feelgood Films...

Documentary Exposure from The Babushkas Of Chernobyl director Morris gets its world premiere.

The 57th Chicago International Film Festival has unveiled its international competitions line-up, a roster that includes Venice Silver Lion winner The Power Of The Dog, Tatiana Huezo’s Prayers For The Stolen, and the world premiere of Holly Morris’s documentary Exposure.

The programme includes the international premiere of Franziska Stünkel’s The Last Execution. The festival runs October 13-24 and is the longest running competitive festival in North America.

The International Feature Competition line-up comprises: Péter Kerekes’s 107 Mothers (Slo-Czech-Ukr); Mohammed Diab’s Amira (Egy-Jor-uae-Saud...

Last year, September’s San Sebastian worked a minor miracle, staging a safe on-site festival as second-wave Covid-19 built up in Spain. This year, on-site attendance will be up, though travel problems, caution and costs in Latin America, the U.S and Asia will prevent a full attendance.

That said, this year’s festival, running Sept. 17-25, will be firing on all cylinders — as a Spanish-language movie emporium, a new talent hub and launchpad for the local Basque industry. Following, seven takes on the most important film event in the Spanish-speaking world:

Star Power: Cruz, Banderas, Bardem, Depp, Cotillard, and Chastain?

Penelope Cruz and Antonio Banderas are expected for the Spanish premiere of “Official Competition” and Javier Bardem the world premiere of “The Good Boss.” Despite some opposition Johnny Depp will receive a career-achievement Donostia Award as, less controversially, will Marion Cotillard. Jessica Chastain, fest organizers hope, will attend for “The Eyes of Tammy Faye,...

Starring Jessica Chastain and Andrew Garfield, “The Eyes of Tammy Faye” will receive its European premiere at late September’s San Sebastian Festival.

The biggest film event in the Spanish-speaking world will open with the anticipated “One Second” from China’s Zhang Yimou, which was dramatically pulled from competition at the 69th Berlin Film Festival.

Both titles play in competition, vying for San Sebastian’s top film plaudit, its Golden Shell, where they are joined by French filmmaker Thierry de Peretti’s “Undercover.”

Recounting the rise, fall and redemption of Tammy Faye, the indomitable wife of televangelist Jim Bakker, “The Eyes of Tammy Faye” weighs in as the only U.S. movie in San Sebastian main competition. It catches Chastain on a high as she will receive the TIFF Tribute Actor Award, coinciding with the premiere at Toronto of the film.

The three new films mark the final titles to...

Fernando León de Aranoa’s ‘The Good Boss’, Icíar Bollaín’s ‘Maixabel’ and ‘La Abuela’ from Paco Plaza are all in competition.

A total of 14 Spanish productions have been selected for the 69th San Sebastian Film Festival (September 17-25).

These include four titles which will compete for the Golden Shell, including The Good Boss, starring Javier Bardem, which marks the third time in official selection for Fernando León de Aranoa. The Madrid filmmaker won the Golden Shell for best film with Mondays In the Sun back in 2002. The Good Boss is a black comedy and is set in an industrial sales manufacturing business.