The Moth Diaries

This is a movie you are very likely to forget, a week after you have seen it. I wouldn't exactly call it one of the worst genre movies ever made but it still is one that is lacking a whole bunch of things.

The way the horror and whole mystery of the movie gets presented is disappointing, to say the very least about it. It's lacking a good buildup and the movie does a poor job at explaining everything and to let stuff make sense. Really, when looking back at this movie, nothing really makes enough sense, which only adds to the redundant impression that the overall movie is making.

You can't even really this a horror but I also don't think that this was the approach they were heading for. They went for a more quiet and humble approach, which was supposed to add to the movie its mystery. But the story just isn't ever interesting or original enough to carry the movie through. As a viewer you will already figure things out before the characters in this movie will, which is always an annoying aspect about genre movies, such as this one.

Another big reason why the movie just doesn't ever work out is its pacing. The movie really has some bad editing in it and at times it even feels like scenes are completely missing. Things often happen too fast ever each other and there just isn't ever a natural flow to any of it. It feels almost as if this movie got shot in a hurry and got put together in a couple of days, in the editing room. It does feel a bit like an incomplete movie.

Thing that I did like about it was the fact that it featured an all girl cast. It's set at a boarding school for girls. It gives the movie already a special sort of atmosphere and the way the girls interact with each other feels genuine. I'm also confident about it that women will like this movie better than men, since some of its themes should be recognizable to most.

It still is a movie you simply shouldn't bother with. It's not exciting, it's not mysterious, it's not surprising, not scary, not particularly pleasant. It basically has far too little to offer to anyone.

5/10

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Rebecca (Sarah Bolger) is 16 year old and still haunted by her father's suicide. Her best friend is her roommate Lucy (Sarah Gadon) at her boarding school. Ernessa Block (Lily Cole) is the new girl and she befriends Lucy to the dismay of Rebecca. The mysterious new girl somehow got friend Charley (Valerie Tian) expelled. After Rebecca and Dora (Melissa Farman) witness Ernessa do something supernatural, Dora is later found dead falling off a ledge. There is also a new teacher Mr. Davies (Scott Speedman) at the school.

This could have been a creepy Gothic horror movie. Mary Harron who made 'American Psycho' still pose the same problem to me as before. Her sparse style really stripes away the tension. She doesn't elevate the material and there is some good material here. More importantly, there are some great actors here trying their best. However, the movie never takes off. There is just a lack of tension. There is a lack of visual style. This is a bland execution. The female melodrama promises something that is never emotionally delivered. It's potentially an interesting horror but Harron doesn't know how to make one. Of course, this one doesn't have Christian Bale.

There are three reasons I wanted to see this movie. The first, is director Mary Harron who did the excellent "American Psycho" a decade ago, but has yet to really follow up on it. The second is I enjoy ANY adaptation of the Sheridan LeFanu tale "Carmilla", a story which preceded Bram Stoker's more famous "Dracula" and one that introduced the lesbian vampire trope. This 19th century story has served as inspiration for the British Hammer Studio's "Carnstein" trilogy, the Belgian classic "Daughters of Darkness", the lesser but still worthy Spanish film "The Blood Spattered Bride" and and even Danish filmmaker Carl Theodor Dryer's early sound classic "Vampyr". The third reason, is that I am always a sucker for any movie set in a girls' boarding school. Before you label me a pervert, however, let me stress that the actresses playing "girls" in these movies are usually in their twenties and far, far sexier than ANY actual schoolgirls.

The movie does resemble "American Psycho" in that it's left very ambiguous whether what is happening--the protagonist (Sarah Bolger) suspects a new arrival to the school (Lily Cole) of being a vampire when tragic events befall her friends--is really happening or is all in the troubled protagonist's head (and perhaps the real cause is more mundane adolescent problems like anorexia nervosa). The protagonist's fertile imagination is sparked by the LeFanu "Carmilla" story, which she is (rather implausibly) reading in her English class, and she is also haunted by the recent death of her father. The morbid eroticism and repressed desires of the classic story do fit in well with what is actually going on in the school (as do the intimations of lesbianism and lesbian jealousy).

Sara Bolger is pretty if also pretty young (she was a little girl in "In America" only a few years ago), but the real problem is she is not quite a strong enough actress to pull off such a complex character (she's certainly no Christian Bale). But she gives it her best try. British actress Lily Cole has the right look (creepy), but she too is a pretty inexperienced. Sara Gaddon, a somewhat older actress, has all of the more erotic scenes, but her character is rather underdeveloped. The movie is definitely too erotic and violent for kids--or perhaps even your more impressionable teens (although it's hardly a lesbian sex romp either). The biggest problem though is the short length, which I think indicates that Harron's vision was perhaps somewhat hampered either by a lack of money or interference from the people providing the money (maybe both). Still while the movie doesn't entirely work, it is a very interesting failure.

Director Mary Harron ("American Psycho," "The Notorious Betty Page") tackles neo-Gothic horror in her latest film, an adaptation of Rachel Klein's novel "The Moth Diaries."

Set at a remote Canadian BoardingSchool for Girls, "…Diaries" is the story of Rebecca (Sarah Bolger) and Lucie (Sarah Gadon,) really, really, REALLY close roommates who are looking forward to spending their last year at school together. Enter Ernessa (Lily Cole) a suspiciously gaunt, pale, yet dark figure who quickly attaches herself to Lucie. Rebecca finds herself on the outside looking in as Ernessa and Lucie's relationship grows stronger; all the while Lucie herself appears to be getting weaker and weaker.

Hmmm… Life force ebbing… Ernessa never seen during the day… Ernessa never seen eating or drinking… Could she be a… super model? No, no, that's not it. How about a vampire? A ha! Could be. Coincidentally, one of the books being taught by the new hunky English teacher (Scott Speedman) is "Carmilla," a Gothic novel about a female vampire and her prey (that actually predates Stoker's "Dracula" by about a quarter of a century.) Is this a case of life imitating art? Or would that be art imitating life imitating art? Regardless, Rebecca can't get anyone to believe her that Ernessa is a danger to them all, even after students and staff start dropping like flies. What's a good Catholic school girl to do?

Harron does her best with the material, and the film does a good job of establishing an overall mood of dread with several effective set pieces. The ending, however, underwhelmed me. It seems rushed and incomplete, which may reflect the film's apparent low budget more than the filmmaker's intent. Harron has done much with little before, so I found myself let down with this film's conclusion. Solid performances, good location work and moody cinematography can't make up for a haphazard script and the lack of a solid ending.

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I think that this film had an interesting (while not entirely original) plot, but from what I've heard about the book, should have been better than it was. It showed some very promising acting from a few young actresses and I liked the directing. The main problems are that there wasn't enough character development of, well, any of them, the resolution seemed rushed and not nearly as epic as it could have been, and the mystery surrounding the character of Ernessa was, instead of intriguing, just puzzling. It's a little hard to describe, but I didn't feel that intangible suspense and relation to the characters that I'd like to have felt. Overall, I'd say it's worth a watch, but I do wish it had been better crafted.