A thorough overview and dissection of the subgenre of 'folk horror, ' with contributions from many of the major creators and clips from cinema all over the world.A thorough overview and dissection of the subgenre of 'folk horror, ' with contributions from many of the major creators and clips from cinema all over the world.A thorough overview and dissection of the subgenre of 'folk horror, ' with contributions from many of the major creators and clips from cinema all over the world.
- Awards
- 4 wins & 2 nominations total
Robin Hardy
- Self - Director, The Wicker Man
- (archive footage)
Anthony Shaffer
- Self - Writer, The Wicker Man
- (archive footage)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
If you're a horror fan, I have to recommend Woodlands Dark and Days Bewitched: A History of Folk Horror now available on Shudder A documentary on how regional folklore has been used in horror films.
Beginning with British cinema, then covers this type of horror around the world. It has some examples of this in early silent films, but is primarily how modern filmmakers, since the mid-20th Century have used lore and legends in their films. Often looking at older eras to point out problems in our own.
Beginning with British cinema, then covers this type of horror around the world. It has some examples of this in early silent films, but is primarily how modern filmmakers, since the mid-20th Century have used lore and legends in their films. Often looking at older eras to point out problems in our own.
WOODLANDS DARK AND DAYS BEWITCHED is the folk horror documentary that many of us didn't even know we wanted. It's often a tour-de-force bit of filmmaking with a running time that flies past despite coming in in the region of three and a half hours. The first half is particularly good, charting the usual likes of THE WICKER MAN, WITCHFINDER GENERAL and BLOOD ON SATAN'S CLAW before looking at the origins of the genre and then moving to study the format in America and Australia. I thought the second half feels a lot more rushed; it turns into a virtual clip compilation and I would have liked much more insight and background into the intriguing foreign films shown.
An outstanding look at the folk horror subgenre. There's lots here I didn't know and it's fun to watch and make a list of all the films you've yet to see, because I can promise you that there will be many you've never even heard of from all sorts of countries. The film is over 3 hours which might make it a bad idea for one seat viewing, but it's just as good if you want to watch it in smaller portions.
This is a documentary about the history of folk horror; while a good number of writers are cited (M. R. James, H. P. Lovecraft, Stephen King), the focus is primarily on film and, in some cases, television programs. Starting with an exploration of such films in the UK and moving on to the very different origins of American folk horror, the film spends its last hour or so talking about folk horror films around the world, particularly in Australia, Brazil, Japan and parts of the former Soviet Union. It's a *very* long film, more than three hours, but the interested viewer will not feel that time drag at all, so engrossing is the topic and so fascinating are the talking heads - and, of course, so terrific are the film clips. I've been interested in folklore and mythology for, oh, 40 years or so now, but this is the first time I've seen such scholarship applied so rigorously to films, many of which were considered schlocky in their time, some considered classics now. Absolutely riveting - but watch at your own peril, because you will find yourself wanting to track down a massive number of films after seeing tantalizing moments from the hundreds referenced here!
I loved the documentary and learned quite a bit about the Folk Horror genre and its offshoot. I thought that the chapter on colonialism was the best and would deserved its own feature.
However, it's a lengthy documentary (over 3 hours) that sometimes lost me with a feeling of tediously hammering some points while some other were a lot more nebulously discussed. At times, I even had a hard time figuring out where I was being taken, where the discussed matters were going. I would have also loved to have a little bit more introduction of the guests speakers, some of them I was not certain what their expertise or knowledge was.
That said, the result is visually impressive and clearly shows expertise and skills. As some others mentioned, it would have probably been a little more digestible in form of a series with 6-7 épisodes.
However, it's a lengthy documentary (over 3 hours) that sometimes lost me with a feeling of tediously hammering some points while some other were a lot more nebulously discussed. At times, I even had a hard time figuring out where I was being taken, where the discussed matters were going. I would have also loved to have a little bit more introduction of the guests speakers, some of them I was not certain what their expertise or knowledge was.
That said, the result is visually impressive and clearly shows expertise and skills. As some others mentioned, it would have probably been a little more digestible in form of a series with 6-7 épisodes.
Did you know
- TriviaThis was originally commissioned as a half hour extra on the Blu-ray release of La Nuit du maléfice (1971). It quickly ballooned into the three hour documentary we see today.
- ConnectionsFeatures The Moonshiner (1904)
- SoundtracksThe Midnight Folk
Performed by The Hare and the Moon
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Folk Horror: Bosques sombríos y días de embrujo
- Production company
- See more company credits at IMDbPro
- Runtime
- 3h 14m(194 min)
- Aspect ratio
- 1.78 : 1
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