Zhang wu shuang

Anyone remotely familiar with the Hong Kong action industry during the 1980s and early 1990s should know that the pool for martial arts actors was overflowing with capable talent. Pick your poison: Jackie Chan, Jet Li, Sammo Hung, Yuen Biao, Donnie Yen, Collin Chou, Ken Lo, etcetera ad infinitum. In like manner, there were a number of martial arts actresses floating around: Yukari Oshima, Moon Lee, Michelle Yeoh, Cynthia Rothrock, and Joyce Godenzi, to name but a few. Unfortunately, the girls were not allowed to attain their full potential because the directors and producers were either too stupid or too incompetent to use them properly, opting to saturate their films with boring filler material and lame humor. How many times did Moon Lee and Yukari Oshima sign for the same film, only to then fight for a grand total of 2 friggin minutes over the course of a 90 minute running time? I honestly lost count, and it really ticks me off because Yukari and Moon should have accounted for at least 30 minutes of action per movie. There's no excuse for falling short of that quota, and these "Golden Age" directors/producers should be ashamed of themselves for essentially wasting these actresses careers.

If there's one type of action movie that really hits the spot for me, it's the "girls with guns" or "girls kick a$$" subgenre. Some of my favorites involve non-athletic actresses, but there's something really special about watching a highly athletic girl strut her stuff without the help of stunt doubles. JeeJa Yanin, in and of herself, demands excitement after her phenomenal debut in "Chocolate" (2008). And despite the fact that the pool of martial arts actresses is very thin at the moment, Luxia Jiang has impressively demonstrated her abilities in "Coweb" (2009).

A female bodyguard attempts to rescue her kidnapped boss. It's no understatement to say that this film is as action-packed as humanly possible. Within the opening 15 minutes the viewer is treated to a brutal, lengthy kitchen fight and the subsequent brawls (in a knee-deep water pit at a disco, at a warehouse, on a bamboo scaffold, in a marketplace with breakdancers, etc.) follow in quick succession. The plot simply serves the purpose of transporting our heroine from one clash to the next, which isn't a problem for fans of no-brain action. Jiang is a highly athletic specimen who easily carries the film on her back. Her spin kicks are awesome, and she breaks out a few nifty acrobatic jumps. There are other flaws here for sure. Direction and sound design are amateurish, wires are used regularly, and the martial arts choreography is a bit repetitive at times (more variety would have been nice), but this is very entertaining fare that will please those viewers who love to see girls kick a$$.

It's definitely nice to see that modern filmmakers are capable of avoiding the same mistakes of those during the "Golden Age." I'm sure lots of people will complain about the weak plot and characters in "Coweb", but a non-stop exhibition of girl-inflicted destruction is a major rarity in the world of cinema. How many more crappy big-budget Hollywood action flicks (with actresses who have ZERO talent) do you need to watch before appreciating a Luxia Jiang or JeeJa Yanin flick? I've seen more than enough already to fully appreciate these girls. If they are fortunate enough to each make one action-packed film per year over the next decade, I'll be in heaven.

The martial arts film seems to finally be making a comeback in the US market, but a far cry from the boom of the 80s and 90s. Most of the ones that still deliver come from the Asian film market and usually are slapped into a large scale period piece. Every so often you get one that feels more like an old school action film of the past, but a lot of time the action just doesn't live up to the hype. The latest to bring it into a more present day scenario is Ninja Masters but does it bring the action with it or will it be a quick knockout?

Ninja Masters follows a martial arts instructor who is hired as a bodyguard for a powerful couple. When they are kidnapped on her watch, she sets out on a mission to get them back. As her search begins she is given cryptic messages leading her into the world of underground fighting and will have to fight her way to the top to save her clients and get out alive. First and foremost there needs to be a disclaimer on this film. The action is awesome and the story delivers, but there is not a single ninja or anything related to ninjas in this movie. Clearly this was an US release decision to capture audience's attention and will most likely work. That being said the fight scenes are so awesome here you will quickly care less if there are ninjas or not. Sure there are some silly moments and over the top action, but for the most part the story doesn't matter as you are taken on a video game like journey through one awesome fight after another that is sure to keep you entertained. It starts off a bit slow, but rest assured once things get going you will have a blast.

This movie had the feeling of the old school martial arts films and works on just about every level. For the most part the actors all do a great job, but classic ninja movie fans will no doubt get a treat from seeing Kane Kosugi, son of Sho Kosugi, in action tearing up the scene at times even better than his legendary father. If you are a fan of old school martial arts films, then you will love Ninja Masters, just take the title as a nod to Kosugi and don't read into it and let yourself get in on the fun.

This effort, directed by newcomer Xin Xin Xiong, takes movie-making down many notches beyond amateur. Nothing in the movie makes any sense at all.

Nie Yiyi (Jiang Lu Xia) is a skilled martial arts expert working as a security guard after her father's death. A childhood friend, Zhong Tien (Sam Lee), who works as a personal assistant to billionaire Mr He (Eddie Cheung), persuades Yiyi to become a bodyguard to Mr He's wife. Reluctantly Yiyi accepts and she takes her job very seriously.

When both her bosses are kidnapped by a gang of thugs at a restaurant, Yiyi blames herself for it and goes all out to trace the culprits. She is dissuaded from contacting the police by Zhong Tien - and the two follow dubious leads that involve duels at a disco, on top of bamboo scaffoldings, alleyways and bridges. Yiyi soon discovers that all her fights are being recorded on video by a gambling syndicate and streamed over the Internet for people to bet on. And yes, Coweb alludes to Combat Web! There are very few hits but a whole lot of misses. For one, director Xiong mistakes kungfu talent for acting talent and casts newcomer Jiang Lu Xia in such a demanding role. Going through the paces with just one or two expressions (like looking angry and angrier), she fails miserably of course. Jiang's claim to fame was showing off her martial arts skills on the Internet and competing on Jackie Chan's "The Disciple" TV series (a hunt for the next big Hong Kong kungfu star). She can fight but she can't act to save her life.

Next, the dialogue is appalling and you just can't believe the moronic stuff that the director allows to get into the movie. Xiong has one of the baddies go through a door cartoon-style with a cut-out hole; he has Jiang playing a bodyguard without any firearms or contact with the authorities; he portrays Yiyi as an utter idiot believing and following ridiculous leads and clues when the obvious could be seen a mile away; and no attempt is made to explain how the gambling scam works.

However, the most unforgivable flaw is the badly filmed martial arts action. Ever since Raging Bull in 1980, directors and cinematographers have learnt to dramatise the scenes with close-up and slow-motion shots, not to mention CGI-enhanced views to excite our senses. The action here is repetitive and boring, except for a brawl at the bamboo scaffoldings. It is obvious Xiong tries to imitate Jackie Chan's comic 'kungfu' tricks but again, he fails miserably due to poor timing. Jiang is not good enough to carry the movie and Xiong has no idea how to direct a modern martial arts thriller.

Although a fairly OK martial arts movie I believe there may have been a marketing flaw with this movie. The poster to the movie shows a "Ninja". Set in the background are old / classic style structures. With the tag line of "They are the perfect weapon" When watching the movie however it is set in the modern day. There is no "They" only one main protagonist fighter. No ninjas to speak off.

The movie as I say is OK on its own merits as a Hong Kong style martial arts movie but due to some error along the line the wrong poster was attached to it.

The action seems solid enough to hold your attention with a pretty good female lead. Which in movies like these, are always trying to show / prove that they can be as strong as their male counterparts. In doing so the female characters becomes arrogant the same way, but more a fault of the writing.

No titillation here if that is what you are looking for as seen in many of the other action style movies with female leads, dressed in skimpy revealing clothing. Cheap tricks designed to distract you.

I believe this movie was made mainly as a response to 2008's Chocolate. Still worth checking out in any case. A few of the fight scenes especially the one vs one fights do last a little longer than I would like, to show the skills of the cast maybe? As it is not based on the fantasy setup. No wire-work or anything like that, so actions and stunts done under their own steam.

This film is pathetic.

The actors are clearly skilled martial artists but not skilled actors.

The plot is stupid, it makes no sense and then the 'twist' at the end to try and make it makes sense is so forced and idiotic that it makes you wonder why they bothered.

The martial arts scenes are endless and dull, they have nothing original to offer and are unconvincing in the extreme, I actually switched the film off after the appearance of the 'hip-hop' fighters, I only returned to watch it again because I figured it couldn't get worse than that and it doesn't but unfortunately it doesn't get better either.

There is no plot, the direction is bad, the acting is non-existent and the fights are long, unrealistic and boring. This is like the films they made in the seventies in the US when martial arts were new and trendy, it's amazing that someone would make it now.