Prisoners

This was one intense movie-going experience. Throughout the entire running time of the movie, the suspense never lets up.

The director masterfully weaves the haunting atmosphere, and I was at the edge of my seat. The plot is a wonderful puzzle, unraveling slowly to reveal hidden layers of depth and complexity. The acting was wonderful, emotional and nuanced, with some unforgettable moments (The two leads - Gyllenhaal and Jackman - give their career best performances, but the biggest achievement in my opinion is Paul Dano's). The musical score contributes to a sense of dread, as well as the rich sound design and the chilly color palette of the breathtaking cinematography.

All those parts add up to a rare, gut-wrenching, dark and fascinating masterpiece - the kind that lingers with you long after the credits roll.

"Prisoners" is rich in compelling narratives and stellar performances from the ensemble cast. This movie had me love and hate Hugh Jackman's character which was so complex to the point of making me question my moral standards because I found myself empathizing with his character. On the other hand, Jake Gyllenhaal did a marvelous job on playing the frustrated cop: complete with all the intensity of his eyes and his intuition. While Gyllenhaal had more screentime as the lead, Jackman's performance really stood out for me.

This film doesn't use jumpscares (often precluded by suspenseful music to build-up the tension and are often abused in this genre) in order to thrill the audience, but rather, moments of silence and stillness. Its calm and cold vibe stirs up the kind of anxiety it wants its audience to feel, and naturally, the audience would want to get rid of that uneasiness by knowing what's going on, thus, cleverly forcing them to watch the entire film which runs about 2 hrs and 33 mins.

The director, Denis Villeneuve, incorporates his "less is more" style of using soundtracks in this movie (just like what he did with Blade Runner 2049) to emphasize the scenes, especially with the ending (heavens know how much I liked that ending). It's not rocket suspense but the simplicity of it makes your mind wander to other possibilities which I think is often a good indication of a brilliant film since it's open for other interpetations.

However, one thing that won't make me rate this a perfect 9 or 8 is the fact that I'm not entirely convinced on the motivation of the antagonists for doing the things they did. It felt a bit rushed (for the lack of a better word) and while it makes sense, it doesn't leave me satisfied

Hugh Jackman takes you on a trip through the intense emotions a family is put through during its darkest hour. This may be his best role to date. From the trailers you know that his character will be out for blood as their daughter was kidnapped, but throughout the film you feel his pain, anger and moral struggles as he deals with this situation. The director does an excellent job of keeping you invested in the film emotionally even through some intensely violent scenes. Its dreary setting provides no comfort, but goes hand and hand with the narrative. This film may not be for those faint of heart but should be a must see for most viewers.

If you think of someone being a prisoner, you automatically might think of someone behind bars. But apart from a physical prison, a prisoner can also be trapped mentally, either by his own doing or by someone else. This movie that starts off pretty light gets very heavy. And it is carried by its actors. Gyllenhalls characters might seem odd and out of place at the beginning, even like a cardboard cutout. But he does have more to do as the movie progresses.

Still front row seat is Hugh Jackman. And while some might argue that a female should have a bigger role in this, you only have so much time to tell a story. And this is perfectly told and cut together. It might not fit your description of entertainment (and I don't think the filmmaker would love it described as such), but the movie is really great. If you like dramas in general you should be cherishing this .... and you will.

We have a few grey areas that we visit and the ending did not satisfy everyone (I know from friends). But the movie could not have ended any other way (in my book). Superb movie one of the best released in 2013

Wow, what an intensely suspenseful film Prisoners was. The film commences with a naturalistic and peaceful look of a suburban neighborhood, leafless trees calmly swaying along with the cool air that encompass them. All is fine, and a perfectly normal family visits their friends/neighbors for a delightful dinner and some music. Everything is fine and dandy until both family's two kids run off to retrieve a toy they left outside. After pleasant conversation, the two families begin to realize that their kids haven't gotten back yet. The noiseless environment around them feels incredibly unusual, and once they realize that their kids have officially gone missing, chaos breaks loose. We are suddenly presented with a ruthless father (played by Hugh Jackman) who loves his daughter so much that he's willing to transcend any morally difficult obstacles to hopefully locate her.

A spectacular cast, ranging from the likes of Hugh Jackman to Jake Gyllenhaal to Viola Davis and Terrence Howard, create such a chilling atmosphere that everyone in the audience immediately notices the discomforting subject matter as they prepare for a disturbing viewing. One should know prior to visiting the movie theater that this film doesn't feature morally perfect individuals. They are all human beings cast into an unbelievably frightening situation, and this is where larges amounts of debate will stir. There's one side of the audience that will persistently detest the characters' actions and the characters themselves, and there's the other side (which I am proudly a part of) that will essentially understand that people can't possibly (always) be the "goody-two-shoes" heroes, perceived in Hollywood blockbusters, in reality- that, by god, I will partake morally and ethically questionable activities to save a precious, loved one, absolutely! Such conversation/argument is healthy for it proves the memorability factor of the film itself. After you witness the terrifically-crafted picture, you will find enjoyment in discussing the movie's events with friends and family with- eventually- two sides forming over the talk.

And holy crap is Hugh Jackman entirely convincing in his performance. You can see the longing to find his sweet, innocent daughter through his miserable eyes, filled with redness, desperation, and anger. Then, there's Jake Gyllenhaal as the second lead, playing an ambitious cop who holds a very impressive resume: no unsolved cases left under his plate. Can that mean his skill will greatly help in this predicament? On a similar note, Paul Dano takes the prize after Hugh Jackman for another wonderful performance. No offense or anything, but he completely fits into these immensely creepy and eerie roles.

Speaking of, the soundtrack will definitely remain in that shocked mind of yours long after you've left the theater because it fills us with a sense of hopelessness and discomfort. At times, it sounds exceptionally ominous with the disconcerting sound of those violins in play. At others, it sounds like the music weeps for all those involved. The pace never seems to drag even though it clocks in at around 150 minutes as you remain at the edge of seat the entire time, utterly perplexed by everything that's transpiring and wholly befuddled by the choices that these people are making. The film will make you cringe and question the humanity of the participants or the competence of our law (that word could mean two things). Although I was slightly disappointed with the end result, the majority of the film strongly intrigued me. And, oh, how could I forget, the cinematography is simply amazing. Roger Deakins, the brilliant cinematographer behind last year's Skyfall, manages the camera-work of this film as well. As one wise critic said, a drive in the rain never felt so disquieting- a moment of foreboding.

Furthermore, I would not recommend skipping out on Prisoners unless you're of the type that prefers more lighthearted and fun movies like The Avengers. If you love films that explore more than just entertainment and "fun," such as important themes and moral ambiguity as a whole, you cannot go wrong with Prisoners. With a mix of top-notch cinematography, remarkably unsettling music, superb performances, and a thrilling/powerful story, Prisoners will definitely be one of this year's features that I'll surely be remembering. The true cinema season has started; now, let's hope every film from here on out delivers like this one did.