Il giorno la notte poi l'alba

really beautiful. images, idea, humanist flavor, atmosphere. only sin - dialogs. because the axis is a long lesson. the word - birds with strange fly. the characters - sketches of history silhouettes. the sensation - a play in which every word most be memorable. but its beauty is more impressive to ignore it. film about basic things, kind of fairy-tale, arena of profound problems, poem, game with shadows, window to XIII century, it is a ball of nostalgia, Saat Nova and Medieval atmosphere. a strange delight, almost boring but so beautiful than each image must be seal of a delicate revelation. in fact, a parable in which central character is public. because the emperor, Francis of Assisi, the boys, the Pope emissary are masks for everyone. only masks. the truth is more deep. and more interesting.

not surprising. or, maybe, the right manner to present Francisc . because the film reminds the art of Giotto. because it is pure eulogy to the beauty. and splendid trip in the essence of small things defining every day reality. sure, it is slow, the dialogues are more preaches, but its basic virtue remains the status of travel across the sensitive portrait of a time, made by gestures and faith and pain and simple joy. and this does it an useful experience. seductive, convincing, touching, refreshing. and it is enough for escape from the ordinaries circles of life. for understand the roots of a different perspective about near reality.