The Incident: Part 1
- Episode aired May 13, 2009
- TV-14
- 42m
IMDb RATING
9.1/10
8.4K
YOUR RATING
Jack and Sayid's plan faces resistance from Sawyer, Juliet, and Kate. Locke, Richard, Ben, and The Others reach Jacob at the Foot of the Statue.Jack and Sayid's plan faces resistance from Sawyer, Juliet, and Kate. Locke, Richard, Ben, and The Others reach Jacob at the Foot of the Statue.Jack and Sayid's plan faces resistance from Sawyer, Juliet, and Kate. Locke, Richard, Ben, and The Others reach Jacob at the Foot of the Statue.
- Director
- Writers
- Stars
Henry Ian Cusick
- Desmond Hume
- (credit only)
Jeremy Davies
- Dr. Daniel Faraday
- (credit only)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I loved Lost as much as anybody could have, But I think that I'm simply too fatigued to devote myself to it anymore. I got so used to the awe and mystery of The Island that I should have known it couldn't last. When they sort of explained what the monster was, it was impossible for it to satiate my desire for an amazing explanation; the answer couldn't hold up the feeling of wonder.
And here is what I think is wrong with JJ Abrams. This is also seen in Cloverfield. He's talented at making the audience metaphorically drool for an amazing movie, but he spends so much time building up and building up that he can't satisfy. After watching so much Lost, Losing myself one might say (ha ha), I think that it is way too late to be answering questions that were raised in the first season. Most of us just don't care anymore. In fact, I don't think most of us could care as we don't have the emotional energy.
I think that they could just as well end the series right where it stands. This episode was brilliant, and I loved every minute of it. Everything but (perhaps evil?) future Locke is resolved, and that might be the only leg this show has to stand on in another season.
That said... I'm going to cry when this show is over. It's an amazing watch.
And here is what I think is wrong with JJ Abrams. This is also seen in Cloverfield. He's talented at making the audience metaphorically drool for an amazing movie, but he spends so much time building up and building up that he can't satisfy. After watching so much Lost, Losing myself one might say (ha ha), I think that it is way too late to be answering questions that were raised in the first season. Most of us just don't care anymore. In fact, I don't think most of us could care as we don't have the emotional energy.
I think that they could just as well end the series right where it stands. This episode was brilliant, and I loved every minute of it. Everything but (perhaps evil?) future Locke is resolved, and that might be the only leg this show has to stand on in another season.
That said... I'm going to cry when this show is over. It's an amazing watch.
I LOOOVE this episode. I was not expecting it to be as perfect as it is. That beginning! That ending! Just- - everything was perfect. Even the sweat stains. From that awesome beginning that is like any other Lost opening (premiere-wise) to that awesome skin-tingling cliffhanger ending, I've got nothing bad to say (except for the lack of sleep it caused, but it was worth it) about the Incident. This is definitely the best episode of the season. The face I had when L O S T banged onto the screen at the end of it was shock. Pure shock. And giddy. Oh, it was good. Deliciously good. The plot twist I did not see for 2000 miles coming.
Damon and Carlton know how to write their episodes of Lost. When it's all said and done next May, I will flood the house with my tears. Then I'll stop, and watch season 6 again. Then I'll cry and flood the house again.
Awesomely good. I will spare you from my rambling, now. See you in January!
Damon and Carlton know how to write their episodes of Lost. When it's all said and done next May, I will flood the house with my tears. Then I'll stop, and watch season 6 again. Then I'll cry and flood the house again.
Awesomely good. I will spare you from my rambling, now. See you in January!
"The Incident: Part 1," directed by Jack Bender, is the first half of a two-part season finale that delves into the core mysteries of the island and the characters' fates. The episode is centered on the survivors' efforts to execute Faraday's plan to change the past by detonating a hydrogen bomb, while also exploring the enigmatic figure of Jacob and his influence on the island's inhabitants. This episode is notable for its intense build-up to the season's climactic events and its exploration of the island's mythology.
The performances in "The Incident: Part 1" are uniformly strong, with Matthew Fox, Evangeline Lilly, and Josh Holloway delivering particularly noteworthy portrayals. Jack's determination to follow through with Faraday's plan, despite the potential consequences, drives much of the episode's tension. The scenes between Jack and Kate, played by Evangeline Lilly, are emotionally charged, reflecting the unresolved feelings and differing beliefs that have defined their relationship. The episode also introduces Mark Pellegrino as Jacob, whose calm and mysterious demeanor adds an intriguing new layer to the show's mythology.
The script by Damon Lindelof and Carlton Cuse is densely packed with plot and character development, setting the stage for the season's dramatic conclusion. The episode explores themes of fate, free will, and the consequences of the characters' actions, both past and present. The pacing is deliberate, with the episode carefully building tension as it interweaves the survivors' present-day actions with flashbacks to their encounters with Jacob. The writing effectively balances the show's mythology with the emotional journeys of the characters, making "The Incident: Part 1" both engaging and thought-provoking.
Cinematography in the episode is atmospheric and visually compelling, with the use of contrasting lighting and color schemes reflecting the duality of the characters' actions and the island's mysteries. The direction emphasizes the scale and significance of the events unfolding, particularly in the scenes involving the hydrogen bomb and the reveal of Jacob's identity. The editing is tight, ensuring that the episode's multiple storylines are seamlessly interwoven and that the tension is maintained throughout.
The sound design and score play a crucial role in heightening the episode's tension and emotional impact. Giacchino's music, with its ominous and suspenseful motifs, underscores the gravity of the characters' decisions and the looming sense of doom. The use of sound effects, particularly during the scenes involving the Swan Station and the hydrogen bomb, adds to the episode's atmosphere of danger and uncertainty.
In conclusion, "The Incident: Part 1" is a tense and compelling episode that sets the stage for the season's explosive conclusion. Strong performances, particularly from Matthew Fox and Evangeline Lilly, combined with a densely written script, atmospheric cinematography, and effective direction, make this episode a standout in the fifth season of "Lost." The episode's exploration of fate, free will, and the island's mythology adds depth to the show's ongoing narrative and builds anticipation for the final act.
The performances in "The Incident: Part 1" are uniformly strong, with Matthew Fox, Evangeline Lilly, and Josh Holloway delivering particularly noteworthy portrayals. Jack's determination to follow through with Faraday's plan, despite the potential consequences, drives much of the episode's tension. The scenes between Jack and Kate, played by Evangeline Lilly, are emotionally charged, reflecting the unresolved feelings and differing beliefs that have defined their relationship. The episode also introduces Mark Pellegrino as Jacob, whose calm and mysterious demeanor adds an intriguing new layer to the show's mythology.
The script by Damon Lindelof and Carlton Cuse is densely packed with plot and character development, setting the stage for the season's dramatic conclusion. The episode explores themes of fate, free will, and the consequences of the characters' actions, both past and present. The pacing is deliberate, with the episode carefully building tension as it interweaves the survivors' present-day actions with flashbacks to their encounters with Jacob. The writing effectively balances the show's mythology with the emotional journeys of the characters, making "The Incident: Part 1" both engaging and thought-provoking.
Cinematography in the episode is atmospheric and visually compelling, with the use of contrasting lighting and color schemes reflecting the duality of the characters' actions and the island's mysteries. The direction emphasizes the scale and significance of the events unfolding, particularly in the scenes involving the hydrogen bomb and the reveal of Jacob's identity. The editing is tight, ensuring that the episode's multiple storylines are seamlessly interwoven and that the tension is maintained throughout.
The sound design and score play a crucial role in heightening the episode's tension and emotional impact. Giacchino's music, with its ominous and suspenseful motifs, underscores the gravity of the characters' decisions and the looming sense of doom. The use of sound effects, particularly during the scenes involving the Swan Station and the hydrogen bomb, adds to the episode's atmosphere of danger and uncertainty.
In conclusion, "The Incident: Part 1" is a tense and compelling episode that sets the stage for the season's explosive conclusion. Strong performances, particularly from Matthew Fox and Evangeline Lilly, combined with a densely written script, atmospheric cinematography, and effective direction, make this episode a standout in the fifth season of "Lost." The episode's exploration of fate, free will, and the island's mythology adds depth to the show's ongoing narrative and builds anticipation for the final act.
Frank Lapidus comes to the island with Ilana's group and she shows the mysterious content of a box that they found in the plane. Juliet, Kate and Sawyer escape from the submarine in a rescue boat and they meet Bernard and Rose. Jack, Saying, Richard and Eloise remove the core of the bomb and Jake and Sayid and goes to the Dharma barrack that is in security alert. Sayid is shot by Ben's father and they are rescued by Hurley and Miles. However they are stopped by Sayer, Kate and Juliet. Locke and The Others head to Jacob and Locke tells Ben that he should kill Jacob since he would do whatever he says. In flashbacks, Jacob meets Kate and Sawyer when they are children; Sayid, when Nadia is killed in a hit-and- run accident; and Ilana severely wounded; and Jin and Sun in their wedding.
"The Incident – Part 1" is an episode that goes nowhere and the viewer sees characters meeting Jacob. The mystery is actually a mess due to the non-chronological presentation of the story that seems to be in the end a confused puzzle where nothing is clear. My vote is five.
Title (Brazil): "The Incident – Part 1"
"The Incident – Part 1" is an episode that goes nowhere and the viewer sees characters meeting Jacob. The mystery is actually a mess due to the non-chronological presentation of the story that seems to be in the end a confused puzzle where nothing is clear. My vote is five.
Title (Brazil): "The Incident – Part 1"
Far too often do TV dramas hold answers back until the end of each episode. This, quite obviously, is employed to retain the viewers' attention; very much like a child eating through their vegetables in pursuit of that promised dessert! However Lost is a pioneer in the unpredictable answer-feeding, a method that has given the series that extra edge when it comes to invoking surprise to its max. The Incident does exactly that as it introduces a very unfamiliar yet rather familiar character right from the outset.
The rest of this 2-part episode is very Lost-like in its script; polished to perfection resulting in 90 minutes of captivating and pulsating drama. In keeping with tradition the episode follows the usual framework that has served every one since the Season 1 – flashbacks (or forwards) with characters giving us their reasons for what they are doing. Enlightening the viewer with a sense of purpose keeps you more involved than you would be but also, and more importantly, it stirs up emotion as well. I thought that giving each main character a share of the limelight was in tune with the 'purpose' of the episode – that everyone had a part to play, not just Jack and Locke.
Yet what is Lost without unanswered questions? In what I believed to be a fantastic ending, Lost has kept us talking, theorizing, speculating and ultimately wanting more. What more can you ask?
The rest of this 2-part episode is very Lost-like in its script; polished to perfection resulting in 90 minutes of captivating and pulsating drama. In keeping with tradition the episode follows the usual framework that has served every one since the Season 1 – flashbacks (or forwards) with characters giving us their reasons for what they are doing. Enlightening the viewer with a sense of purpose keeps you more involved than you would be but also, and more importantly, it stirs up emotion as well. I thought that giving each main character a share of the limelight was in tune with the 'purpose' of the episode – that everyone had a part to play, not just Jack and Locke.
Yet what is Lost without unanswered questions? In what I believed to be a fantastic ending, Lost has kept us talking, theorizing, speculating and ultimately wanting more. What more can you ask?
Did you know
- TriviaThe first time inside Jacob's cabin, the flames from the fire are going backwards, which means the video was time-reversed - perhaps to indicate that time doesn't work right in Jacob's presence.
- GoofsChild Sawyer is right-handed but the grown-up Sawyer is left-handed.
- Quotes
John Locke: Do you mind if I ask you a question?
Ben Linus: I'm a Pisces, John.
- ConnectionsFeatured in The 61st Primetime Emmy Awards (2009)
Details
- Runtime
- 42m
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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