Winter's Bone
An unflinching Ozark Mountain girl hacks through dangerous social terrain as she hunts down her drug-dealing father while trying to keep her family intact.An unflinching Ozark Mountain girl hacks through dangerous social terrain as she hunts down her drug-dealing father while trying to keep her family intact.An unflinching Ozark Mountain girl hacks through dangerous social terrain as she hunts down her drug-dealing father while trying to keep her family intact.
- Director
- Writers
- Stars
- Nominated for 4 Oscars
- 65 wins & 131 nominations total
Philip Burnley
- Baby Ned
- (as Phillip Burnley)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Just back from seeing this at the Edinburgh Film Festival, and at the Q&A afterwards, the director, Debra Granik (refreshingly eloquent and well beyond the usual wanting to thank the world and his wife for being here at EIFF) described her film's subject matter as 'hard scrabble'. Although she wasn't referring to a Russian Roulette version of the popular literacy board game (now there's an idea for a film...), it was an evocative description of the tough slice of backwater American life served up here. The basic storyline – a teenagers plight to save her dependent family from imminent homelessness because of the actions of an errant and now-absent father – felt both authentic and compelling, as did the way the local community closed in around her, meting out both violence and support in equal measure.
Using grey and oppressive colour tones, the entire film is shot in a bleak wooded landscape, where the grizzle-bearded men all look like they've just left the set of 'Southern Comfort', and the straggle-haired, world-weary lined faces of the women add to the unspoken sense of the harsh reality of life here. I doubt they see many tourists in this neck of the woods, and at the same time, the film steers well clear of the 'and if they did, they'd probably eat them' stereotype. I liked the sparse and effective use of bluegrass-folky-type music, which cut through, and gave some relief to, an otherwise fairly unremitting sense of hopelessness.
Although the subject matter is an uncompromising reality-check to much of the superficial Hollywood drivel that fills our multiplexes, this is not a hard watch. At its' heart, it's a good story, well-told, with excellent central performances (particularly John Hawkes and Jennifer Lawrence) and an open-hearted sense of the local community here, in spite of their bread-line existence. 7/10.
Using grey and oppressive colour tones, the entire film is shot in a bleak wooded landscape, where the grizzle-bearded men all look like they've just left the set of 'Southern Comfort', and the straggle-haired, world-weary lined faces of the women add to the unspoken sense of the harsh reality of life here. I doubt they see many tourists in this neck of the woods, and at the same time, the film steers well clear of the 'and if they did, they'd probably eat them' stereotype. I liked the sparse and effective use of bluegrass-folky-type music, which cut through, and gave some relief to, an otherwise fairly unremitting sense of hopelessness.
Although the subject matter is an uncompromising reality-check to much of the superficial Hollywood drivel that fills our multiplexes, this is not a hard watch. At its' heart, it's a good story, well-told, with excellent central performances (particularly John Hawkes and Jennifer Lawrence) and an open-hearted sense of the local community here, in spite of their bread-line existence. 7/10.
I found it a very solid drama that appeals to a wide variety of age groups. The main character is played by a quite attractive girl as well, which adds to the enjoyment of the film. Overall, highly recommended but don't expect it a life altering masterpiece.
The plot is very simple: it is about a girl who needs to prove that her dad is unable to pay his debs so that she can remain in her home with her two younger brother and sister.
I found interesting the depiction of poverty in the United States. As a Brazilian I didn't know that such extreme poverty also existed in the United States.
The plot is very simple: it is about a girl who needs to prove that her dad is unable to pay his debs so that she can remain in her home with her two younger brother and sister.
I found interesting the depiction of poverty in the United States. As a Brazilian I didn't know that such extreme poverty also existed in the United States.
Greetings again from the darkness. A double award winner at the Sundance Film Festival, this film is based on Daniel Woodrell's novel and is directed by Debra Granik. It's opening sequence slaps the viewer with the bleak unforgivingness of life in the backwoods of the Ozarks. This is land of people that time has passed by.
The basic premise of the story is that 17 year old Ree Dolly (played by Jennifer Lawrence) is responsible for raising her brother and sister and caring for her mentally-blank mother while maintaining a mostly positive outlook on the present and future. Reality strikes again when the local sheriff arrives to inform her that her missing, meth-lab running father has an upcoming court date. He used their land and house as collateral for his latest bond. If he fails to show, they will lose their home. Instead of breaking down, Ree pledges to find him and starts out on a hazardous journey, unlike we have seen on screen.
This community of mountain people are distrusting of outsiders, but stunningly, are just as paranoid around insiders and even family members. Their way of life seems to depend on pure independence, even though they all seemed intertwined in the same illegal activities and daily quest for survival. Some kind of odd code exists - ask nothing, give nothing and get rid of any obstacles.
The driving forces of the story are Ree and her constant hope and courage, and her bond to her dad's only brother, Teardrop played chillingly by John Hawkes. Teardrop tries to toughen up Ree and get her to accept her plight, while Ree constantly shows his there is reason to plow forward.
The film is very well written and the local filming brings a harsh reality that was crucial to the film's success. Additionally, I was stunned at the fierceness displayed by Jennifer Lawrence as Ree. Her performance reminded me of my first exposure to the talents of Meryl Streep (The Deer Hunter) and Evan Rachel Wood (Thirteen). Talk about powerful and exciting ... what she did with this role vaults her immediately into a very small group of actresses who can carry a movie with their presence. I am anxiously awaiting her next appearance - a Jody Foster project.
I also want to mention the music in the film. The vocalist, Marideth Sisco, is also the vocalist in the living room band who makes an appearance in one scene. Her voice truly captures the balance of hope and acceptance of plight. This is not a movie for everyone, but it is fascinating and hardcore.
The basic premise of the story is that 17 year old Ree Dolly (played by Jennifer Lawrence) is responsible for raising her brother and sister and caring for her mentally-blank mother while maintaining a mostly positive outlook on the present and future. Reality strikes again when the local sheriff arrives to inform her that her missing, meth-lab running father has an upcoming court date. He used their land and house as collateral for his latest bond. If he fails to show, they will lose their home. Instead of breaking down, Ree pledges to find him and starts out on a hazardous journey, unlike we have seen on screen.
This community of mountain people are distrusting of outsiders, but stunningly, are just as paranoid around insiders and even family members. Their way of life seems to depend on pure independence, even though they all seemed intertwined in the same illegal activities and daily quest for survival. Some kind of odd code exists - ask nothing, give nothing and get rid of any obstacles.
The driving forces of the story are Ree and her constant hope and courage, and her bond to her dad's only brother, Teardrop played chillingly by John Hawkes. Teardrop tries to toughen up Ree and get her to accept her plight, while Ree constantly shows his there is reason to plow forward.
The film is very well written and the local filming brings a harsh reality that was crucial to the film's success. Additionally, I was stunned at the fierceness displayed by Jennifer Lawrence as Ree. Her performance reminded me of my first exposure to the talents of Meryl Streep (The Deer Hunter) and Evan Rachel Wood (Thirteen). Talk about powerful and exciting ... what she did with this role vaults her immediately into a very small group of actresses who can carry a movie with their presence. I am anxiously awaiting her next appearance - a Jody Foster project.
I also want to mention the music in the film. The vocalist, Marideth Sisco, is also the vocalist in the living room band who makes an appearance in one scene. Her voice truly captures the balance of hope and acceptance of plight. This is not a movie for everyone, but it is fascinating and hardcore.
You can tell by the Title that this is going to be Cold and Hard. Add to that, Bleak, Despairing, Ruthless, and Sneering. There is Barely a Smile in this Study of the Backwoods with its Hypocrisy of Clannish Detachment. It is a Chilling Atmosphere that is Void of Sunshine and has Very Little to Offer in the Form of Empathy.
Outstanding Performances Inhabit this Unyielding Environment that is Captured by the Camera with its Unforgiving Truthfulness. There isn't much to Uplift the Spirit in the Film or the Audience. it is Realism through the Prism of Unflattering Faces and Unclean Milieus. It is a Slice of Life Without Spice.
When Our Heroine is asked by Her Uncle, offering Methamphetamine, "Have you gotten a taste for it yet?", She answers "Not so far." When She is skinning a Squirrel and Discards the Guts, Her little Brother asks, "Are we going to eat those?" She answers "Not yet."
This Demonstrates just how close to Total Surrender and Defeat things are. She is 17 and is Forced into a Situation beyond Her Years. She is Virtually Alone, on Her Own with Two Young Siblings Hanging in the Balance. This all is Interwoven with sort of a Mystery, but that is not what is going on Here. It is not so much a Story as it is a Reflection of Resolve and a Test of the Human Condition.
This one is not for Everyone and is an Independent Film that Tries Hard not to be Artsy but it is Despite Itself. The Characters, Dialog, Environment, and Story are Nothing if Not Beautifully Barren Americana.
Outstanding Performances Inhabit this Unyielding Environment that is Captured by the Camera with its Unforgiving Truthfulness. There isn't much to Uplift the Spirit in the Film or the Audience. it is Realism through the Prism of Unflattering Faces and Unclean Milieus. It is a Slice of Life Without Spice.
When Our Heroine is asked by Her Uncle, offering Methamphetamine, "Have you gotten a taste for it yet?", She answers "Not so far." When She is skinning a Squirrel and Discards the Guts, Her little Brother asks, "Are we going to eat those?" She answers "Not yet."
This Demonstrates just how close to Total Surrender and Defeat things are. She is 17 and is Forced into a Situation beyond Her Years. She is Virtually Alone, on Her Own with Two Young Siblings Hanging in the Balance. This all is Interwoven with sort of a Mystery, but that is not what is going on Here. It is not so much a Story as it is a Reflection of Resolve and a Test of the Human Condition.
This one is not for Everyone and is an Independent Film that Tries Hard not to be Artsy but it is Despite Itself. The Characters, Dialog, Environment, and Story are Nothing if Not Beautifully Barren Americana.
You don't need a big budget to make a great movie. Winter's Bone proves that. It's a movie about real characters and real life in backwoods USA. It's a gripping story about a young woman Ree Dolly and her struggle. Her father has pawned their house and lands for bail from jail. He's gone missing and now Ree has to find him. If she doesn't find him till the court day and his father doesn't show up they lose their house. Ree gradually finds out more about his father disappearance. We don't get know too much too fast and it's good cause it's keeps the viewer guessing.
The movie has a sense of realness to it. The atmosphere is bleak and almost hopeless throughout the whole movie and this is also seen in the cinematography. Colors are cold and gray for the majority of the movie. The score sits well with the atmosphere. It's beautiful and almost haunting at times. The movie is tense and keeps you watching it closely.
The acting is top notch. Jennifer Lawrence is amazing in her role. She captivates Ree's character so well. Not only via dialogue but her expressions are really good. Ree is a young woman who's had to grow up very quickly in order to take care of her family, without her father. She is tough and Lawrence makes sure the audience knows that. In a supporting role we see John Hawkes as Ree's uncle. Who seems like a hard and even scary person, but he has a great story arc. There is not a bad thing that can be said about his performance. In general the characters feel very genuine and real. Movie's script is very good one of the best of the year and the dialogue between the characters is nice to listen.
I saw this movie back when it came out on DVD, but I didn't write reviews then. I just saw this for the second time and since I recently started writing (or at least I'm trying to write) some reviews, I thought might as well do a review on this one.
The movie has a sense of realness to it. The atmosphere is bleak and almost hopeless throughout the whole movie and this is also seen in the cinematography. Colors are cold and gray for the majority of the movie. The score sits well with the atmosphere. It's beautiful and almost haunting at times. The movie is tense and keeps you watching it closely.
The acting is top notch. Jennifer Lawrence is amazing in her role. She captivates Ree's character so well. Not only via dialogue but her expressions are really good. Ree is a young woman who's had to grow up very quickly in order to take care of her family, without her father. She is tough and Lawrence makes sure the audience knows that. In a supporting role we see John Hawkes as Ree's uncle. Who seems like a hard and even scary person, but he has a great story arc. There is not a bad thing that can be said about his performance. In general the characters feel very genuine and real. Movie's script is very good one of the best of the year and the dialogue between the characters is nice to listen.
I saw this movie back when it came out on DVD, but I didn't write reviews then. I just saw this for the second time and since I recently started writing (or at least I'm trying to write) some reviews, I thought might as well do a review on this one.
Did you know
- TriviaJennifer Lawrence was originally turned down for the role of Ree for being "too pretty." She flew overnight into New York City, walked 13 blocks in the sleet to the casting office, and auditioned with a runny nose and hair she hadn't washed in a week. Lawrence won the role, and ultimately, her first Academy Award nomination (for Best Actress) at 20 years old.
- GoofsFLIPPED SHOT: When the sheriff first talks to Ree, the neighbor walks past a truck to eavesdrop. The truck's logo and license plate are reversed, as if in a mirror.
- ConnectionsFeatured in The Rotten Tomatoes Show: The A-Team/The Karate Kid/Winter's Bone (2010)
- SoundtracksThe Missouri Waltz
(1914)
Words by J.R. Shannon
Music by John Valentine Eppel
a.k.a. "Hush-a'bye, Ma Baby"
Performed a capella by Marideth Sisco
Details
Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $6,531,503
- Opening weekend US & Canada
- $84,797
- Jun 13, 2010
- Gross worldwide
- $13,796,834
- Runtime1 hour 40 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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