Take Me Home

Many viewers have grown disenchanted with the Disney+ MCU series, with a significant portion of the audience having long since disengaged. Nevertheless, I find it worthwhile and somewhat relevant to stay informed about the ongoing developments within the MCU, as it often provides easy, accessible entertainment. That said, I didn't have particularly high expectations for this show-not due to any disinterest in the character, but because its prolonged development suggested that Marvel might have been attempting to conceal it. However, the first episode of "Ironheart" has been released, and it proves to be fairly solid.

The opening of the episode is densely packed, and it becomes evident that the show has undergone multiple revisions. What seems like it should have been a more impactful introduction-perhaps spread across several episodes-is condensed into a few minutes, which rather abruptly thrusts us into the action. We are quickly introduced to the protagonist and the opposing heist group, but the pacing feels uneven as a result. However, the episode gains its footing once it delves into the emotional core of Riri's backstory, exploring her relationships with her mother, friends, and family in Chicago. This is where the audience truly connects with her, gaining insight into her struggles. It is in these moments that Dominique Thorne has the opportunity to truly shine. As Riri expresses her desires, vulnerabilities, and passions, Thorne exemplifies why she was the perfect choice for the role. There is a palpable fire within this character, making her endlessly relatable and engaging. Overall, the actors compensate for the heavy exposition, which at times hinders the pacing. Additionally, it is refreshing to return to the fundamental aspect of genius-passion. While Tony Stark's genius was powered by vast resources, Riri's brilliance is driven by necessity, forcing her into morally ambiguous actions. This dynamic brings her into conflict with the antagonists, including a quietly formidable Anthony Ramos as the Hood.

"Take Me Home" serves as a solid introduction to both the character and the series, though it feels as though it was intended to be more expansive. While the episode appears to have undergone some retooling, it nonetheless succeeds in establishing Riri as a compelling lead and in laying the groundwork for an intriguing narrative moving forward.

Ironheart is a deeply disappointing entry in the MCU, both in terms of storytelling and character development. One of the most jarring moments comes when Riri Williams implies that Tony Stark's greatness was simply the result of his wealth-ignoring the fact that he built his first suit of armor under life-threatening conditions, in a cave, with limited resources. This dismissive attitude toward Iron Man not only feels reductive but also disrespectful to the legacy of a character who evolved through sacrifice, intelligence, and moral struggle.

Even more troubling is the portrayal of Riri herself. The character engages in violent actions-including killing-without facing real consequences or showing emotional complexity. This creates a hollow protagonist who seems detached from the ethical weight of her choices, undermining the gravity that the MCU once handled with care.

While there's clearly a desire to introduce a new kind of hero, Ironheart suffers from a lack of nuance, uneven writing, and a troubling disregard for what made earlier heroes compelling. A legacy deserves to be expanded thoughtfully-not discarded for convenience.

I really wanted to like Ironheart. As a huge fan of the Marvel universe, the concept of a new superhero emerging usually excites me. I appreciate that superhero stories blend science fiction with a touch of the fantastical; the appeal lies in that delicate balance between the unbelievable and the grounded.

However, Ironheart pushes the boundaries too far. The show introduces Riri Williams as a genius who, seemingly overnight, creates a sophisticated, AI-guided flying suit while still in school. This feels far too accelerated and undermines the very premise of a "superhero business" like Stark Industries. It's one thing for a hero to be exceptionally gifted, but when they can replicate, in a dorm room, what takes immense resources and years of development for multi-billion dollar corporations, it breaks the suspension of disbelief essential to the genre.

Good writing, engaging story, interesting central conflict. Overall, this is a better show than a lot of Marvel TV's output. Long takes and solid action. I'd rank it in the top half of shows that Marvel's produced.

Riri, as a character, isn't quite as engaging as some other protagonists but her emotional trauma adds so needed heft to proceedings and the continuing drama surrounding that trauma, while a little hand-wavy at first, adds an interesting wrinkle to the story. Strong supporting cast, fun soundtrack, reasonably designed special effects, and good pacing through at least the first two episodes make this a much better show than some of these reviews would have you believe.

Definately that wasn't a good way to introduce the characters. The protagonist's motivations are poor and goofy, unfortunately. The dialogues are poor as well. This doesn't like a super hero story to me. It seems like the showrunner of this show forgot all the events from Wakanda Forever here. They could give a better motivation for the protagonist and give her a better heroic profile. The place, or city, is nice and the photography seems to be good. The legacy of Tony Stark is not honored here in my point of view. I thought the protagonist was going to build her story on Tony's legacy, but that didn't happen.