Rubicon

When I saw this series advertised in the TV guide I thought I'd give it a go even though I hadn't seen any trailers on TV and it was being shown on BBC4; a channel usually showing 'cultural' programmes and the occasional subtitled European series... certainly not where one would expect to find a US spy drama. I'm glad I did watch it as it was gripping through out even though it had little of the action typical of the genre; in fact much of the drama took place in an ordinary looking room where the characters discussed various pieces of intelligence they had received. The series follows Will Travers, an analyst at an intelligence agency in New York, who finds himself promoted to head of his department when his friend and mentor is killed in a railway 'accident'. He and his small team follow a lead that starts in the Middle East but leads to an imminent terrorist attack in the United States; if this isn't enough for him he is also investigating a local conspiracy which will put him personally in real danger.

I've tried to keep plot description to an absolute minimum as this is the sort of series best watched with no prior knowledge of what is going on; that way the story will slowly draw you in and as each episode draws to a close you will be left wanting to know what happens next. Of course a good series needs more than a good plot; it needs a great set of characters and it has them here; Will Travers, played by James Badge Dale, might not be an action hero in the Jack Bauer mould but he is believable and doesn't seem invulnerable. The rest of his team are equally ordinary; they are after all analysts, it is their job to identify threats, not to eliminate them. The only character that has any real sense of danger about him is Will's superior Kale Ingram, excellently played by Arliss Howard, you get the sense that he is the type of person who knows how to make people disappear. The only disappointment I had with this series was learning that it had been cancelled after only one series... without a proper resolution.

I can see why many people would find this show hard to get into. The trailer for the show and the first episode appeared as though a deep, fast moving intelligence arena or encryption conspiracy was being presented. After the second and third episodes the energy appears gone and you're left wondering what the point is.

However, given the nature of the subject matter the above is probably a good thing. The patient are rewarded by the details of the stories taking shape slowly and connecting. The brilliant performances - and they are brilliant, because every single actor/ess is believable as a real character, probably so much so that the apparent dullness of daily life in the show put a lot of viewers off - quickly subdue the watcher into thinking that many characters are bit players. But given time, each one has more depth and cracks than are at first apparent. I believe this will turn into something very different - where every character is important and has a role to play. In a slow burning show like this, time is what is needed.

Having said that, I am only one or two episodes into being caught by the show. And it is still just a show. If the writers behind it cannot climax the tendrils of interests properly, it will fall heavily on its face. I would like to see this run, however, as it has the potential to not simply hit the tension-and-reset button between seasons, but be an engaging and truly thought provoking medium for many situations we find ourselves in.

I'm evaluating the whole series here, not just the first episode.

It's a darn good show - really darn good. Well worth watching in 2018, and also worth rewatching, which I plan to do in a few months once the show isn't so fresh in my mind anymore.

There have been many TV shows about spies and subterfuge (Homeland, The Americans) and terrorism (The Looming Tower, The Unit, 24, etc.). But this show filters America's "war on terror" through an intel analysis firm, where brilliant and bookish individuals sift through raw intel to give recommendations for America's NatSec apparatus. And that's only part of the show; the other part involves a creepy, wide-ranging conspiracy that's ever bit as exciting and scarily omniscient as the ones you'd find in those classic 70s conspiracy flicks like "The Parallax View" and "All the President's Men."

The writing is thoughtful and the dialogue is rich; there's so much of substance here, and the show doesn't need big explosions or shootouts or anything like that to sustain an intricate, fascinating plot and rewarding character arcs. Everyone is interesting, from James Badge Dale as the paranoid, hyper-focused analyst Will Travers to Miranda Richardson as widow Katherine Rhumor, who is trying to figure out why her rich husband suddenly took his own life.

Special commendation, though, has got to go to Arliss Howard as Will's supervisor Kale Ingram: the coolest, most fascinating, chilly and badass middle-aged gay character I think I've ever seen on an American TV show (refreshingly, Ingram's homosexuality is simply presented as is, with no frills or B.S., something shows in 2018 still struggle to do). And Michael Cristofer as the cigarette-smoking weirdo and head of API Truxton Spangler is another winner: every scene he's in positively crackles, and his true motivations will keep you guessing.

From the cinematography (you'll think you're watching a Hollywood movie half the time, it's so good) to the writing to the performances, this is a show to treasure and savor. Budding screenwriters simply must study this show's scripts, and the show overall is is one of the most wickedly smart things I've ever seen on American TV. Shame there's only the one season; it could've done a lot better if it came out today on a streaming platform.

Do yourself a favor and watch Rubicon, if only to see just how good TV can be.

This series, short-lived as it was, holds up well. I'm watching it for the third time (thanks to Amazon Prime Video). With its pace, its characters, its dialog, even its cinematography, it all comes together nicely.

Actors Christopher Evan Welch, James Badge Dale, Arliss Howard, Annie Parisse, Dallas Roberts (especially) are all excellent. Jessica Collins is hot (watch and see if you don't agree).

The plot is outlandish, but so what? Edward Snowden has made such outlandishness seem all too possible.

Not many such series are watchable over and over. This one has proved itself an evergreen.

Put it on your Watchlist; it's worth it.

"connect the dots, work the dots" "keep your friends close, keep your enemies closer" "find out who he sits and moves with" - FWIW. anyway - I for one applaud these folks for the slow pace a lot of folks have a problem with - we are bombarded with half hour or hour shows where the formula is presented - "all is relatively quiet, then chaos erupts, then there is a mad scramble to put Humpty back together,and in the last 45 seconds Humpty is restored, followed by a communal sigh of relief" - (break for commercials, then trailers, a swell of music, roll credits, on to the next predictable time waster) also i like the critic who opined that this is the "anti 24" - so what if Rubicon doesn't have the guns blazing and mouth breathing - been there, seen that. hope the powers that be don't cancel this show because of the current low ratings, but won't be surprised if they do.