Dilapidated circus struggles to stay afloat with subpar acts. Erasmus, an ex-con, feuds with clown Geoff and seeks illicit funds. Eastern European acrobat Boyco loves Lizzie amidst the chaos... Read allDilapidated circus struggles to stay afloat with subpar acts. Erasmus, an ex-con, feuds with clown Geoff and seeks illicit funds. Eastern European acrobat Boyco loves Lizzie amidst the chaos.Dilapidated circus struggles to stay afloat with subpar acts. Erasmus, an ex-con, feuds with clown Geoff and seeks illicit funds. Eastern European acrobat Boyco loves Lizzie amidst the chaos.
Featured reviews
Hideous acting, and worse writing - Big Flop was doomed from the start. Basically Amanda Holden runs a circus and tries her hardest to warm the nation into appreciating her as a comedian. Unfortunately she isn't the slightest bit funny, and has made the entire country question how she ever became a judge on the popular 'Britains Got Talent'.
Fortunately there is light at the end of the tunnel. If you feel this is an accurate description of the show you can complain to the BBC - they have, after all, used your money to make the show and pay Amanda's ridiculous wage.
For America viewers I apologise but this is by no means considered watchable television in Britain.
Fortunately there is light at the end of the tunnel. If you feel this is an accurate description of the show you can complain to the BBC - they have, after all, used your money to make the show and pay Amanda's ridiculous wage.
For America viewers I apologise but this is by no means considered watchable television in Britain.
1st of all, an apology to any overseas viewers.
If you tuned in expecting the sardonic writing of The Office, the eloquence of Yes, Minister or the raw genius of Fawlty Towers: Sorry! This can only be blames on current "blue sky" thinkers at the BBC's programming department.
Amanda Holden, With minimal talent (ahh, the irony!) to start with, must have pulled in every favour/loan/threat in her portfolio to get this made. Poor comic timing, dire scripts, sets recycled from "Crossroads" & something approaching no appreciable acting talent on display.
Oh, & what the hell is Tony Robinson doing in this mess?! what a way to see the 00's out. We saw it in with the aforementioned "Office" in 2001, & this wipes the ass of the decade!!
Still, there IS a plus side to this. There cannot be anything worse than this in the 2010 schedule.
can there????
If you tuned in expecting the sardonic writing of The Office, the eloquence of Yes, Minister or the raw genius of Fawlty Towers: Sorry! This can only be blames on current "blue sky" thinkers at the BBC's programming department.
Amanda Holden, With minimal talent (ahh, the irony!) to start with, must have pulled in every favour/loan/threat in her portfolio to get this made. Poor comic timing, dire scripts, sets recycled from "Crossroads" & something approaching no appreciable acting talent on display.
Oh, & what the hell is Tony Robinson doing in this mess?! what a way to see the 00's out. We saw it in with the aforementioned "Office" in 2001, & this wipes the ass of the decade!!
Still, there IS a plus side to this. There cannot be anything worse than this in the 2010 schedule.
can there????
Family friendly sit-com set in a travelling circus, featuring a surprisingly top notch range of comic performers (its good to see Ruth Madoc back performing regularly on TV again), this show is never going to win any awards for the quality of its scripts, but there are some inventive touches that show there is enough potential for a second series.
Other reviewers have commented stating that it bears no comparison to The Office, Fawlty Towers etc - and indeed it doesn't, but this show is clearly aimed at family viewing and is going out in a relatively early evening time slot so should be viewed in that context.
Other reviewers have commented stating that it bears no comparison to The Office, Fawlty Towers etc - and indeed it doesn't, but this show is clearly aimed at family viewing and is going out in a relatively early evening time slot so should be viewed in that context.
Having just watched an episode of Big Top, I was moved to write my first IMDb review in years! What a piece of ****!!
Some of the best comedy ever penned has been for the BBC so it amazes me that they could commission something as banal and witless as Big Top.
The gags are obvious, clumsy, and devoid of any humour and I was constantly reminded me of the spoof Ricky Jervais comedy, 'When the Whistle Blows'.
Got to be seen to be believed.
PS. If you are someone who enjoyed this show (statistically there must be some), I suggest you check out Ballamory and Mr Tumble on Cbeebies.
Some of the best comedy ever penned has been for the BBC so it amazes me that they could commission something as banal and witless as Big Top.
The gags are obvious, clumsy, and devoid of any humour and I was constantly reminded me of the spoof Ricky Jervais comedy, 'When the Whistle Blows'.
Got to be seen to be believed.
PS. If you are someone who enjoyed this show (statistically there must be some), I suggest you check out Ballamory and Mr Tumble on Cbeebies.
In one episode of this 'comedy' series someone suggests the lead character should sleep with a Health and Safety Inspector to pass a routine inspection. Maybe this is a case of art imitating life and the sales pitch to the BBC involved a little indoor wrestling on the casting couch.
Seriously, I came across this on the cable channel BBC Entertainment and just sat hypnotised by the sheer awfulness of this show. I mean, was this the organisation that gave us Tony Hancock and Fawlty Towers? How did a member of the 'Blackadder' team end up spewing out trite one-liners which were nowhere near as venomous and cynical as his former master (but were obviously intended to be)? Could the cast read? How hungry do you have to be to do this sort of stuff? Added to the terrible scripting was a cheap, shoddy production in which the principle characters were backed up by extras doing nothing in particular in the background, and obvious inserts of a real circus audience for 'performance' sequences.
If you need something to take your mind off a toothache don't watch this, live with your toothache, it will be funnier.
Seriously, I came across this on the cable channel BBC Entertainment and just sat hypnotised by the sheer awfulness of this show. I mean, was this the organisation that gave us Tony Hancock and Fawlty Towers? How did a member of the 'Blackadder' team end up spewing out trite one-liners which were nowhere near as venomous and cynical as his former master (but were obviously intended to be)? Could the cast read? How hungry do you have to be to do this sort of stuff? Added to the terrible scripting was a cheap, shoddy production in which the principle characters were backed up by extras doing nothing in particular in the background, and obvious inserts of a real circus audience for 'performance' sequences.
If you need something to take your mind off a toothache don't watch this, live with your toothache, it will be funnier.
Did you know
- TriviaThe series was cancelled by the BBC due to bad critical reaction and poor ratings, which peaked at 3.4 million viewers, but fell to less than 3 million as the series progressed.
- ConnectionsFeatured in The Paul O'Grady Show: Episode dated 1 December 2009 (2009)
Details
- Runtime
- 30m
- Color
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