In this mind-bending drama, a recovering drug addict can achieve one year of sobriety alone on Christmas day, but his demons tempt him to relapse.In this mind-bending drama, a recovering drug addict can achieve one year of sobriety alone on Christmas day, but his demons tempt him to relapse.In this mind-bending drama, a recovering drug addict can achieve one year of sobriety alone on Christmas day, but his demons tempt him to relapse.
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It is a little disturbing to revisit demons that plague you when it comes to addiction. With that said, it is always important to never forget where you have come from. The movie is well done and served up with just the right touch of clever wit and humor to keep you watching.
As a recovering addict, I wonder how this movie would have affected me at the beginning of my journey. I think that it would have helped me see that I was not alone while trying to find my way through all of the guilt and shame from damage done.
I would like to see this offered at treatment centers. I think it would be interesting to help folks open up topics for discussion and thought.
As a recovering addict, I wonder how this movie would have affected me at the beginning of my journey. I think that it would have helped me see that I was not alone while trying to find my way through all of the guilt and shame from damage done.
I would like to see this offered at treatment centers. I think it would be interesting to help folks open up topics for discussion and thought.
I got the great pleasure of seeing this movie at FILMQUEST this year and was very impressed. Sure, it's not a big budget film by any means, but that didn't effect my enjoyment at all. The performances are all top top notch, the direction is fantastic, the shot choices are great, the editing is really strong. It's tremendously funny and touching and sad and challenging all at the same time. It goes to show how a creative storyteller can put something special together with heart and leave a lasting impression. Can't wait to see what Shane and company do next!
Now I need to write more to make my review long enough. :)
Now I need to write more to make my review long enough. :)
I was in a short film that was programmed with 'Breathing Happy' at Chattanooga Film Festival, Filmquest, and Lausanne Underground Film & Music Festival and I finally had a chance to watch this on Hoopla.
This is a deeply personal film that touches on the generational curse of alcoholism and how hard that is to break and the destruction left behind.
There is a tremendous amount of skill going on here and I loved the manic cinematography/lighting/editing as the now sober lead character no longer has anything to numb his possible ADHD/schizophrenic tendencies.
This is everything I love about indie film!
This is a deeply personal film that touches on the generational curse of alcoholism and how hard that is to break and the destruction left behind.
There is a tremendous amount of skill going on here and I loved the manic cinematography/lighting/editing as the now sober lead character no longer has anything to numb his possible ADHD/schizophrenic tendencies.
This is everything I love about indie film!
Many of the other reviews seem to focus on the plot of the movie, this review will mostly avoid that. To quickly sum the movie up it's about a guys struggle to stay sober for a year. All of that is well and good but they way the writers portray his saga could give you a headache. Most of the movie is spent jumping around time periods. At one moment it's the present and the next the past to the point that movie feels like it's battling HDHD. In addition the movie employs heavy use of metaphors to illustrate the main characters struggles. However it comes across as a poor attempt at trying to convey the depth of thought someone like Carl Jung or J krishnamerti might. A major drawback is the main actors representation of a person battling with sobriety, it's flat out not believable.
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Full disclosure, I am the Director of Photography for this film. My company also graded it, conformed it (with all its crazy formats), did some VFX, and finished it. As filmmakers, we sometimes spend tremendous amounts of time on indie projects like this, ending with much left to be desired. However, that wasn't the case with Breathing Happy. So, I wanted to shed some light on why I find this one of the most exceptional films I've been privileged enough to be a part of.
While the script seemed very ambitious for the amount of time we had to shoot as is pretty much always the case (just 15 days), it became apparent to me on day 1 that Shane would turn this into something marvelous. We shot the scene with the veterinarian, who happens to be Shane's brother, a non-actor. The performance Shane was able to drive out of him and the dog no less, while giving it all himself, solidified that I was working with a gifted filmmaker with all sorts of tricks up his sleeve.
The second week of filming saw the likes of young actors Owen Atlas, Evee White, and Mia Castillo as well as older versions of siblings and family members Brittaney Escalante, Augie Duke, Katelyn Nacon, June Carryl, and John D'Aquino. Their performances were all an inspiration to my work and I would walk away from the set each day knowing that this film was going to be special. Everyone rose above "A game", including the crew who are all my close friends, in an effort to craft a piece of magic that only forms when you truly love what you are doing and the people you are creating with.
With all of those perfect cards, Shane took the traditional, weighty, moody, and often stuffy addiction drama and transformed it, through some of the best indie film editing I've ever seen, into an fascinating tale of temptation, loss, loneliness and the hope for redemption. Hitting you from all angles, bringing you the highest of highs, the lowest of lows, and even switching the narrative format on its side from time to time. Breathing Happy is a true testament to Shane's mastery of sleight-of-hand in that it is both a harrowing and charming story that excels in making you feel a gamut of emotions, very deeply, through every fibre of your being.
While the script seemed very ambitious for the amount of time we had to shoot as is pretty much always the case (just 15 days), it became apparent to me on day 1 that Shane would turn this into something marvelous. We shot the scene with the veterinarian, who happens to be Shane's brother, a non-actor. The performance Shane was able to drive out of him and the dog no less, while giving it all himself, solidified that I was working with a gifted filmmaker with all sorts of tricks up his sleeve.
The second week of filming saw the likes of young actors Owen Atlas, Evee White, and Mia Castillo as well as older versions of siblings and family members Brittaney Escalante, Augie Duke, Katelyn Nacon, June Carryl, and John D'Aquino. Their performances were all an inspiration to my work and I would walk away from the set each day knowing that this film was going to be special. Everyone rose above "A game", including the crew who are all my close friends, in an effort to craft a piece of magic that only forms when you truly love what you are doing and the people you are creating with.
With all of those perfect cards, Shane took the traditional, weighty, moody, and often stuffy addiction drama and transformed it, through some of the best indie film editing I've ever seen, into an fascinating tale of temptation, loss, loneliness and the hope for redemption. Hitting you from all angles, bringing you the highest of highs, the lowest of lows, and even switching the narrative format on its side from time to time. Breathing Happy is a true testament to Shane's mastery of sleight-of-hand in that it is both a harrowing and charming story that excels in making you feel a gamut of emotions, very deeply, through every fibre of your being.
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