Total Recall : Mémoires programmées

It is seldom so that a remake is better than its original and then it is usually connected to film quality, low budget etc (e.g. I am not keen on watching black-and-white mono-films, with some exceptions like Chaplin or Lloyd). In this case, the use of state-of-the-art technology does not provide additional value to the storyline; well, Colin Farrell is definitely better than Arnold Schwarzennegger, but Kate Beckinsale vs Sharon Stone - I am not so sure... And casting Bill Nighy for being ca 5 minutes on screen was a total waste of a talented actor. As regards Bryan Cranston, whose character Chancellor Cohaagen is supposed to be harsh and ruthless - he is not convincing, looks like an average top politician. Sci-fi equipment and element fill more time than humans and the ending is also predictable.

In other words, cinemas-TV-Internet are full of similar and far better movies. I would prefer Totall Recall 1990 as well.

Though it boasts impressive special effects and decent--if increasingly repetitive--action sequences, the re-make of 'Total Recall' is ultimately undermined by a weak script and dull performances.

Colin Farrell, Kate Beckinsale, Jessica Biel, Bryan Cranston are all solid actors, but their performances here lack energy and charisma. Even though the film was attempting to strike a more serious tone than the original, it's no excuse for the nearly comatose acting on display here. It doesn't help that the script fails to supply them with even a semblance of humor or wit. Most egregious of all, it fails to do anything fresh or original with the premise.

Ironically, 'Total Recall' ends up being utterly forgettable.

Despite all of the action sequences, Total Recall is pretty bland. They've removed all of the fun, all of the camp and all of the Mars out of this remake and what is left isn't as interesting. The futuristic technology is interesting and Kate Beckinsale actually makes a good villain, but this movie just goes to show that better visual effects don't make a better film.

...just got back from the new Total Recall.

I, as probably everyone seeing this movie, were big fans of the original Arnie/Verhoeven epic. It still stands as one of the finest examples of sci-fi/action that exists on celluloid.

That being said, I was leery of this remake for pretty much all the same reasons already mentioned by others, foremost being: WHY REMAKE IT?

THAT being said, i was curious enough about the cast to give it a shot.

First off the good: Kate Beckinsale is pretty good as the combination of Michael Ironside and Sharon Stone from the original. She plays crazy psycho wife really well, and her relentlessness was fun to watch.

The FX on screen are pretty spectacular. That city, and the whole elevator between the 2 continents was really really neat, in both concept and execution. The evil robots were kinda menacing and cool, too. And the art direction and set design were top notch.

John Cho actually has a pretty cool cameo, as well.

The bad:

Expecting Colin Farrell and Jessica Biel to be able to carry a movie. Seriously these 2 are about as exciting as milquetoast. I found myself falling asleep during pretty much most scenes that focused on these two. Really the movie's success hinges on these 2 actually being compelling to watch. They aren't.

Bryan Cranston and Bill Nighy do what they can with what amounts to 2 glorified cameos, but they really don't have much to work with. Cranston seems to be having fun, but they both deserve better.

The overriding sense that one comes away with from TOTAL RECALL 2012 is Mediocrity. This flick is the very definition of mediocre summer flick.

It's not terrible, but it's also highly forgettable.

Which is my issue with all of Wiseman's films. At this stage i have a large enough sample size, now.. I will never again pay money in the theatre for anything this guy does.

What makes up who we are? Are we the result of our past experiences and memories or does our identity stem from something much deeper? These are questions that the 2012 remake of the classic action film "Total Recall" could have delved into. What we have instead is a showcase of the best and worst of modern science fiction film making. It is Definitely a product of 2012 as much as the original was a product of the early 90s.

The aforementioned themes are only teased but never developed in this intense tale of on man's quest to uncover the truth of his identity and past. In a vastly overcrowded, class segregated future, everyman Douglas Quaid is haunted by dreams of being a secret agent on the run. Convinced that these are repressed fantasies brought on by his monotonous life assembling security automatons (which are like Cyber Stormtroopers) Quaid visits this place called "Rekall"; Rekall claims to implant fake but realistic fantasies into one's mind. So he gets a fantasy of being a double agent implanted. Suddenly, its discovered that he already has memories of being an agent: meaning he actually is an agent with his memory erased. A swat team busts in for some reason and he dispatches them to some beautiful camera camera pans. What follows is "Kurt Wimmer's 'Salt: dystopian future edition - minus Angelina Jolie" (surprise surprise, this movie is also written by Wimmer) with Quaid's wife turning out to be a psychopathic killer, his past a complete sham and his grip on that fine line between reality and fantasy slowly slipping. In the background lies a dastardly plot by a rich chancellor involving the poor dissidents of the overcrowded Colony and the leader of an underground resistance.

The most striking feature of Total Recall would be the stunning vision of this overcrowded future. Floating buildings to make up for scarce land, a country confused by its melting pot of cultures, cyborg police, hover cars, it is amazing. This is a future that seems very real judging from our current world: Strict class segregation taken to the extreme. The dichotomy in the design between the rich and elite United Federation of Britain and The ramshackle Colony is beautifully rendered thanks to the amazing production design headed by Patrick Tatopoulos (the guy who worked on Independence Day, Starship Troopers and Dark city).

A pity that the rest of the movie is fairly typical of modern day chase thrillers. Compared to the original Total Recall film starring Arnold Schwarzenegger, this remake has Less twists, a less ambiguous ending and lacks the cynical dark humor that made the original so memorable. Instead of keeping it ambiguous as to whether the events unfolding are real or part of Quaid's implanted fantasy, this remake spoils its own mystery for the audience.

Director Len Wiseman brings in all that is good and bad in modern day film making into this movie. He shoots Total Recall with an over reliance on shaky cam and lens flare, almost like a "Paul Greengrass meets J.J Abrams". Think Bourne Supremacy with the visual style of the 2009 Star Trek film. The future is epilepsy inducing, we get it; and sometimes this really distracts from the tip top designs.

The cast is basically a reunion of mist actors that were in Len Wiseman's Underworld franchise. They do an excellent job with the acting and chemistry but the good actors like Bill Nighly felt under utilised. Only Kate Beckinsale was able to truly shine playing Quaid's wife-turned-assassin. Quaid himself is played by Colin Ferrel and is perhaps the only improvement this remake boasts over the original. Schwarzenegger's Quaid was the quintessential action hero but Ferrel's portrayal of the character had a greater sense of peril: he looks nothing like an action hero and this makes his transformation from everyman to savior of the downtrodden all the more powerful.

Whether one finds this a good movie or not depends on whether one can accept the modern trends of science fiction film making. It is the same plot as the original with all the "1990s" elements taken out and replaced with "2012" elements. Art Aficionados will be impressed by the overall look, style and camera-work showcased here. Those looking for a deep meaningful dive into the nature of human identity or even those looking for clever twists or smart dialogue will be let down. Take away the visuals and it's a rather generic, straight forward modern chase thriller.