Jimmy's rare baseball card is robbed. Since it's his only hope to pay for his daughter's upcoming wedding, he recruits his cop partner Paul to track down the robber, a memorabilia-obsessed g... Read allJimmy's rare baseball card is robbed. Since it's his only hope to pay for his daughter's upcoming wedding, he recruits his cop partner Paul to track down the robber, a memorabilia-obsessed gangster.Jimmy's rare baseball card is robbed. Since it's his only hope to pay for his daughter's upcoming wedding, he recruits his cop partner Paul to track down the robber, a memorabilia-obsessed gangster.
- Awards
- 1 nomination total
Juan Carlos Hernández
- Raul
- (as Juan Carlos Hernandez)
Guillermo Diaz
- Poh Boy
- (as Guillermo Díaz)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
So help me, I found Cop Out to be not completely bad. Yes, that's a backhanded compliment, but I assure you that it's completely deserved. Cop Out, from its inane title to its derivative plot, has no business being anything but a hokey hoedown of banal buddy cop dopey behavior. And yet's it's not as gut-wrenchingly awful as all that.
Cop Out stars Bruce Willis and Tracey Morgan as veteran police partners on the trail of a gangbanger (Guillermo Diaz) who loves baseball memorabilia and who just happened to steal Willis' super-valuable baseball card, the one he was going to have to sell to finance his daughter's wedding; better to do that than have his wife's new, rich husband pay for it all.
But that cop-movie aspect is almost irrelevant. What matters, and the only thing that really puts this one in the same general universe as the likes of, say, Lethal Weapon (in terms of approach, not overall quality), is the thrust-and-parry repartee between straight-arrow Willis (a 180 from his John McClane character/caricature) and loose-cannon, uber-hip Morgan. They're funny together, and they're given funny things to say in funny situations. That helps a lot.
What's puzzling about this movie is that Kevin Smith directed it, the first of his that he didn't also write. That's puzzling because the dialog isn't really this movie's strong point. If I hadn't seen Smith's name attached to this in writing, I'd never have guessed he had had a hand in it.
But ultimately, it doesn't matter much, as it's just plain not terrible. You can tell I'm trying not to go overboard in my hyperbole, right? I want to present you with a level-headed, even-handed look at whether this is worth your time. And it is, with lowered expectations. It's amusing, although not for the whole family to watch.
Cop Out stars Bruce Willis and Tracey Morgan as veteran police partners on the trail of a gangbanger (Guillermo Diaz) who loves baseball memorabilia and who just happened to steal Willis' super-valuable baseball card, the one he was going to have to sell to finance his daughter's wedding; better to do that than have his wife's new, rich husband pay for it all.
But that cop-movie aspect is almost irrelevant. What matters, and the only thing that really puts this one in the same general universe as the likes of, say, Lethal Weapon (in terms of approach, not overall quality), is the thrust-and-parry repartee between straight-arrow Willis (a 180 from his John McClane character/caricature) and loose-cannon, uber-hip Morgan. They're funny together, and they're given funny things to say in funny situations. That helps a lot.
What's puzzling about this movie is that Kevin Smith directed it, the first of his that he didn't also write. That's puzzling because the dialog isn't really this movie's strong point. If I hadn't seen Smith's name attached to this in writing, I'd never have guessed he had had a hand in it.
But ultimately, it doesn't matter much, as it's just plain not terrible. You can tell I'm trying not to go overboard in my hyperbole, right? I want to present you with a level-headed, even-handed look at whether this is worth your time. And it is, with lowered expectations. It's amusing, although not for the whole family to watch.
This movie was alright, but it failed to become something spectacular and memorable.
First of all, I am going to comment on the cast and the acting. As for Bruce Willis, well his acting is great, as usual, and he was good for this role. Now, for me, what really carried this movie was the character that Seann William Scott played, it was hilarious, even though it was just a supporting role. He was so cool in this role and I loved every moment of it. Now, on to Tracy Morgan, well I have to say that I found him amazingly annoying in this role, and I just wanted to reach in there and .... oh well, never the less, I think a guy like Chris Rock or Chris Tucker might have been better for this particular role.
Moving on to the story. Well, the plot and story was good, and constantly moving, so you weren't really bored at any point in the movie. And there were lots of hilarious scenes and moments as well. And there were also just enough twists and turns in the story to make it interesting.
The music in this movie sort of made me feel like I was watching a re-make of the old Eddie Murphy movies "Beverly Hills Cop". At times it was like the music was a remix or a homage to the music from those movies. That was kind of a bit too much for me.
I hadn't actually heard anything about this movie, prior to picking it up for the first time. But of course, by that way I had no expectations to the movie, which I think worked well in favor of the movie. The movie does provide good entertainment, but there isn't much in it that you haven't already seen in other movies. And for me, personally, this is not the type of movie that I would watch a second time around.
First of all, I am going to comment on the cast and the acting. As for Bruce Willis, well his acting is great, as usual, and he was good for this role. Now, for me, what really carried this movie was the character that Seann William Scott played, it was hilarious, even though it was just a supporting role. He was so cool in this role and I loved every moment of it. Now, on to Tracy Morgan, well I have to say that I found him amazingly annoying in this role, and I just wanted to reach in there and .... oh well, never the less, I think a guy like Chris Rock or Chris Tucker might have been better for this particular role.
Moving on to the story. Well, the plot and story was good, and constantly moving, so you weren't really bored at any point in the movie. And there were lots of hilarious scenes and moments as well. And there were also just enough twists and turns in the story to make it interesting.
The music in this movie sort of made me feel like I was watching a re-make of the old Eddie Murphy movies "Beverly Hills Cop". At times it was like the music was a remix or a homage to the music from those movies. That was kind of a bit too much for me.
I hadn't actually heard anything about this movie, prior to picking it up for the first time. But of course, by that way I had no expectations to the movie, which I think worked well in favor of the movie. The movie does provide good entertainment, but there isn't much in it that you haven't already seen in other movies. And for me, personally, this is not the type of movie that I would watch a second time around.
Cop Out has a few laughs, but otherwise it's a surprisingly bland experience. It suffers from a generic storyline, questionable performances and the simple fact that almost none of the intended sources of humour achieve the desired effect.
Bruce Willis (an old timer) and Tracy Morgan (a new timer) are an odd couple indeed, but they had potential. The problem is that their levels of commitment to the film are polarized. Willis seems lazy and uninterested never putting much effort into it. Morgan on the other hand, tries way too hard. His larger than life style of crudeness is more clumsy than funny, and he upstages pretty much everyone else in the cast.
After about ten minutes, we have a pretty good idea of how this film is gonna play out, but we go with it in the hope that the trip is worth while. Unfortunately there are more silly contrivances and poorly written lines than there are laughs. The only time when Cop Out is funny (and remotely clever) is over a Good Cop Bad Cop routine that Willis and Morgan have. There are enough action movie jokes to make it clear to the audience that at least Kevin Smith has the self-awareness necessary for satire. But from what I saw, Cop Out isn't really a satire at all. It no better or worse than any other failed cop/comedy. I'm not sure if it's laziness or lack of thinking behind it, but Cop Out hasn't got the goods
Bruce Willis (an old timer) and Tracy Morgan (a new timer) are an odd couple indeed, but they had potential. The problem is that their levels of commitment to the film are polarized. Willis seems lazy and uninterested never putting much effort into it. Morgan on the other hand, tries way too hard. His larger than life style of crudeness is more clumsy than funny, and he upstages pretty much everyone else in the cast.
After about ten minutes, we have a pretty good idea of how this film is gonna play out, but we go with it in the hope that the trip is worth while. Unfortunately there are more silly contrivances and poorly written lines than there are laughs. The only time when Cop Out is funny (and remotely clever) is over a Good Cop Bad Cop routine that Willis and Morgan have. There are enough action movie jokes to make it clear to the audience that at least Kevin Smith has the self-awareness necessary for satire. But from what I saw, Cop Out isn't really a satire at all. It no better or worse than any other failed cop/comedy. I'm not sure if it's laziness or lack of thinking behind it, but Cop Out hasn't got the goods
Kevin Smith is one of my favorite modern filmmakers, but everyone makes mistakes and Smith's latest is COP OUT. I really wanted to enjoy this movie. Unfortunately, the movie was so mediocre that I found my attention wandering through most of it. The film, Smith's attempt at recreating the fun of 80's buddy cop films, stars Bruce Willis and Tracey Morgan as two disgraced cops who are suspended after a botched stake-out. The timing couldn't be worse, as Jimmy (Willis) is trying to pay for his daughter's wedding. He decides to sell off a rare baseball card to raise the funds, but a robbery relieves him of the card before he can. Jimmy and his long-time partner Paul (Morgan) set out to track down the baseball card and find themselves in the middle of a case to bring down a local drug lord who hopes to expand his business.
See, it even sounds like an 80s buddy cop movie!! The problem here is that the film isn't funny enough to be a full comedy, and the action isn't strong enough to be a decent action film. So it just sits in the middle, failing to appease people who watched it for either reason. Smith has created some of my favorite comedies (DOGMA was awesome, and JAY & SILENT BOB STRIKE BACK is one of my guilty pleasures), but those were films he'd written and directed. Here, the writing duties had been given to Robb and Mark Cullen. I've never seen anything written by the Cullens and, thanks to COP OUT, I'm not in any real rush to do so. Smith's trademark borderline-juvenile comedy that usually has me laughing so hard I can't breathe is pretty much gone (though he does manage to toss in his obligatory STAR WARS reference) and replaced by cringe-worthy low(er) brow toilet humor.
The problem isn't just with the writing and weak action sequences, it's with the casting. I love Willis but he doesn't really seem to get much to work with, and for most of the movie he comes off as bored. Morgan was all right back in the day on SNL and he's pretty good on 30 ROCK, but he grinds on my nerves here. He has a few funny moments, but you need more than a few when you're helping carry an entire feature. The worst bit of casting came in the form of Guillermo Diaz as Poh Boy, the drug lord villain. Maybe it's because I can only remember him as Scarface from HALF-BAKED but I couldn't take any of his bad guy schtick seriously. Sean William Scott has the only real funny role in the movie as the S**t Bandit (so named because the cops spy him using the bathroom in the middle of a burglary). Scott earns the most laughs with his eccentric, childish games eating away at Paul's nerves.
I don't consider COP OUT a bad movie, because it's not so terribly done that I can't watch it. It has a couple fun moments but they're not enough to save the movie. The film never rises above mediocre and I hope this serves as a lesson to Smith that he should continue to write his own movies. I'm sure if he had put this together himself, it would've been light years better and we'd be applauding Smith for trying a new genre instead of wishing he hadn't.
See, it even sounds like an 80s buddy cop movie!! The problem here is that the film isn't funny enough to be a full comedy, and the action isn't strong enough to be a decent action film. So it just sits in the middle, failing to appease people who watched it for either reason. Smith has created some of my favorite comedies (DOGMA was awesome, and JAY & SILENT BOB STRIKE BACK is one of my guilty pleasures), but those were films he'd written and directed. Here, the writing duties had been given to Robb and Mark Cullen. I've never seen anything written by the Cullens and, thanks to COP OUT, I'm not in any real rush to do so. Smith's trademark borderline-juvenile comedy that usually has me laughing so hard I can't breathe is pretty much gone (though he does manage to toss in his obligatory STAR WARS reference) and replaced by cringe-worthy low(er) brow toilet humor.
The problem isn't just with the writing and weak action sequences, it's with the casting. I love Willis but he doesn't really seem to get much to work with, and for most of the movie he comes off as bored. Morgan was all right back in the day on SNL and he's pretty good on 30 ROCK, but he grinds on my nerves here. He has a few funny moments, but you need more than a few when you're helping carry an entire feature. The worst bit of casting came in the form of Guillermo Diaz as Poh Boy, the drug lord villain. Maybe it's because I can only remember him as Scarface from HALF-BAKED but I couldn't take any of his bad guy schtick seriously. Sean William Scott has the only real funny role in the movie as the S**t Bandit (so named because the cops spy him using the bathroom in the middle of a burglary). Scott earns the most laughs with his eccentric, childish games eating away at Paul's nerves.
I don't consider COP OUT a bad movie, because it's not so terribly done that I can't watch it. It has a couple fun moments but they're not enough to save the movie. The film never rises above mediocre and I hope this serves as a lesson to Smith that he should continue to write his own movies. I'm sure if he had put this together himself, it would've been light years better and we'd be applauding Smith for trying a new genre instead of wishing he hadn't.
After a clumsy operation trying to capture a drug dealer, the N.Y.P.D Detectives Jimmy Monroe (Bruce Willis) and Paul Hodges (Tracy Morgan) are suspended for one month by their Captain Romans (Sean Cullen). Jimmy decides to sell his rare baseball card to pay the expensive wedding of his daughter while his jealous partner believes that his wife is cheating him with their next-door neighbor. When Jimmy is selling his card to a memorabilia store, the place is stolen by two smalltime thieves and the detective loses his card. They track down the thieves and discover that he exchanged the card per drugs with the powerful drug lord Poh Boy (Guilermo Diaz). Jimmy and Paul seek out the gangster that proposes to trade the card per his car that had been carjacked. The detectives find the car but when they open the truck, they have a huge surprise.
"Cop Out" is a film that uses the old formula of combination of action and comedy that usually works. Kevin Smith is no longer that bold independent director from "Clerks" or "Chasing Amy" and follows the easy way of Hollywood making a conventional film, supported by the chemistry between Bruce Willis and Tracy Morgan. The story is entertaining and predictable. My vote is six.
Title (Brazil): "Tiras em Apuros" ("Cops in Trouble")
"Cop Out" is a film that uses the old formula of combination of action and comedy that usually works. Kevin Smith is no longer that bold independent director from "Clerks" or "Chasing Amy" and follows the easy way of Hollywood making a conventional film, supported by the chemistry between Bruce Willis and Tracy Morgan. The story is entertaining and predictable. My vote is six.
Title (Brazil): "Tiras em Apuros" ("Cops in Trouble")
Did you know
- TriviaSeann William Scott said on Kevin Pollak's Chat Show that a lot of his scenes were improvised, such as the scene where he finishes Tracy Morgan's lines and the jail scene.
- GoofsTowards the end of the film when Jimmy arrives at Poh Boys house during a "shoot out" he has a white bandage on his right forearm, despite not incurring any injury to his arm earlier in the film. The injury to his arm actually occurred in a deleted scene with a fight with a waitress in the restaurant where they went for translation help.
- Quotes
Paul Hodges: [screaming random movie lines to get a suspect to talk] Yippie-ki-yay, motherfucker!
Jimmy Monroe: I've never seen that movie before.
- ConnectionsFeatured in Trailer Failure: Cop Out, Furry Vengeance (2010)
- SoundtracksNo Sleep Till Brooklyn
Written by Mike D (as Michael Diamond), Adam Horovitz, Rick Rubin and Adam Yauch
Performed by Beastie Boys
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Dos inútiles en patrulla
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $44,875,481
- Opening weekend US & Canada
- $18,211,126
- Feb 28, 2010
- Gross worldwide
- $55,611,001
- Runtime
- 1h 47m(107 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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