L'Agence

In New York, the prominent politician David Norris (Matt Damon) is disputing the election for the Senate but his past of bad boy makes him lose the election. He meets the stranger Elise Sellas (Emily Blunt) hidden in the Waldorf's toilet and she tells that she had crashed a party and the security guards are chasing her. They start a conversation and they immediately fall in love with each other. However the guards find her and David does not see her again. However she inspires him to make a remarkable speech.

One day, David is traveling by bus and he meets Elise again. She gives her phone number to him and David promises to call her. However, strangers wearing hats approach to David and tell that they belong to the Adjustment Bureau and Elise and David must be kept apart. They destroy the piece of paper with her phone number and David is unable to contact Elise. Three years later, David sees Elise walking on the sidewalk. He gets out of the bus to meet her and he learns that she is a dancer. But the strangers use their abilities to keep them apart. What is the reason why David and Elise can not be together?

"The Adjustment Bureau" is a romantic and suspenseful sci-fi based on a short story by Philip K. Dick, the writer of "Blade Runner", "Total Recall", "Impostor", "Minority Report", "Paycheck", "A Scanner Darkly" and "Next", among other sci-fi films. The intriguing story is ambiguous; the chemistry between Matt Damon and Emily Blunt is wonderful; and it is always great to see Terence Stamp. My vote is seven.

Title (Brazil): "Os Agentes do Destino" ("The Agents of Destiny")

Note: On 06 September 2023, I saw this film again.

There's no reason why The Adjustment Bureau isn't included in the top "fate flicks", like Inception, Interstellar, Eternal Sunshine of the Spotless Mind, Unbreakable, and Minority Report. It's really good! I went with my family to the theaters to see it when it was released, and we were all on the edge of our seats. Except my mom, who was jealously eyeing Emily Blunt because she knew my dad had a crush on her.

Basically, if you like the Bourne Identity movies, you'll love this one. Matt Damon stars in another thriller about fate and total strangers knowing more about his life than he does, but I liked this better than the more famous trilogy. I'm not the biggest Damon fan, but I was so engrossed in George Nolfi's screenplay, the lead actor could have been played by anyone and I would have liked it. He starts the movie as a senatorial candidate, but a chance encounter with a beautiful interpretive dancer (Emily Blunt) rocks his world. He sees her again and they start dating, and pretty soon they fall in love. But one night, he gets kidnapped and taken to a mysterious warehouse by the "bad guys".

Are they really the bad guys, though? They're the titular bureau, led by Terence Stamp, in charge of making sure everyone stays on his or her path. When people deviate from their predestined path, they "adjust" things so life goes back on track. Depending on your point of view, Damon is the pot-stirring villain and Stamp is the hero who sees the bigger picture - which is why this movie is so enjoyable. You can root for anyone you want to, and it can spark any number of conversations afterwards with your friends. You'll also see lots of familiar faces, like John Slattery, Michael Kelly, Jennifer Ehle, and Anthony Mackie, as well as New Yorkers giving cameos, like Jon Stewart, James Carville, Chuck Scarborough, Michael Bloomberg, Terry McAullife, Jesse Jackson, and Madeleine Albright. Check it out!

Fate, coincidence and free will come at odds with one another in this sci-fi romance re-imagined by George Nolfi from the short story, "Adjustment Team", by sci-fi legend Philip K. Dick. Nolfi's plot can go from interesting and intriguing to downright silly at times but the main attraction is not the narrative. It is the pulsating chemistry between lead stars Matt Damon and the sensually beguiling Emily Blunt set in all the famous spots of Manhattan and NYC.

Having been to New York City recently, I find the sets nostalgic, and I am defenseless to the charms of Emily Blunt.

Young Senate candidate for New York City, David Norris (Damon), is rehearsing his speech in the men's restroom when a beautiful stranger (Blunt, right, with Damon) emerges from one of the stalls and starts chatting with him. Before she leaves - in quite a hurry - they have an impulsive, passionate kiss, and he is smitten. Their next encounter in a city bus has to be by chance - and he learns that her name is Elise. He is determined to call her. To court her...

And then David comes across a bunch of Men in Black suits and hats, led by a Mr Richardson (John Slattery), who says bluntly: "We are the people who make sure things go according to plan." David's relationship with the free-spirited Elise is NOT part of their plan and he must not see her again - for both his and her own good! The rest of the movie is, of course, the tussle between Love and Fate for David. After being charmed by Elise, a rising star ballerina, we can understand why David is bent on seeing her. We can also understand how their relationship would possibly wreck their careers - and why David would want to take a chance on that. David and Elise seem so perfect for each other that we root for them.

It is good that Nolfi has written such a romantic angle into this Dick tale instead of turning it into another action flick like "Total Recall", "Paycheck" and "Screamers". He could have polished up a bit more on the second half to keep it from becoming childish, though. Still, the notion of Fates personified could not be taken too seriously - and it would be better to just go along with the flow of the love story so charmingly portrayed by Damon and Blunt - and supported by a sympathetic Anthony Mackie and menacing Terence Stamp as members of the Adjustment Bureau. Emily Blunt has such captivating eyes that look into your soul and make you weep.

What if your own free will was nothing of the sort. Every move you made was in accordance with a master plan, any kinks or imperfections "adjusted" by persons unknown, constantly on hand to ensure you stayed on track.

Many people might assume that their lives are quite the reverse, with all the bad decisions they have made, anything resembling a master plan is unlikely.

David Norris (Matt Damon) is a rising New York Congressman with his heart set on becoming a young Senator, everything is going according to plan until he meets the beautiful quirky ballerina, Elise (Emily Blunt) in a mens restroom.

Elise inspires him in ways that he could not have imagined but any longer term relationship is not part of the plan the "Men in Grey" have mapped out. They do not like their careful plans messed with, ever. Although they do get to wear Trilby's, which not only look cool but are also a necessary tool for their profession.

The many scenes between Blunt and Damon are very believable and natural, real chemistry in action and is fun to watch. Blunt is a breath of fresh air in the congressman's driven life, living more in the moment than he possibly ever did before.

Just when you think the film will descend into a smorgasbord of special effects, the story goes into the opposite direction. A thoughtful and character driven piece about choices and the ripple effect each path taken, or not taken, has on your own and other peoples lives.

Terence Stamp, still with one of the best voices in the business, together with Anthony Mackie & John Slattery, do good work as the agents attempting to get everything back on track.

There are some good lines and Damon can play an aspiring politician with ease, no doubt he could be one in real life if he chose to move in that direction.

The central question of defining who we are by the choices we make is explored and it is good to see another movie messing with our heads, if only just a little. If we have no free will are we still the people we thought we were, very deep but don't panic, the film does not get too caught up in this existentialism.

The action is limited, there are no cars exploding and the body count is non existent, a refreshing change from most modern films. A film that could have been made in the 50's from a story point of view, although actually based on a short story by Phillip K Dick of "Do Androids dream of electric sheep" fame, the inspiration for "Blade Runner".

Production values are good, although not of the highest flight. The costumes worn by the adjustment police are rather dodgy and look like guys with spare motorcycle helmets sprayed black. Not what you would expect in a big budget Hollywood movie, a small point but quite noticeable.

Similar to many films of this genre, the movie has to decide how to wrap everything up neatly. The final reel is perhaps a little disappointing but that depends on how you would want the film to end, somehow it feels that the easier option was taken.

Summary

A well made and more thoughtful film than you might be expecting.

Well acted with a believable romance, a light dusting of Sci-Fi and a great story. "Inception" lite perhaps, which is certainly recommendation enough for any film.

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I'm starting to like this new genre of science fiction romance that "The Adjustment Bureau" falls into. Hollywood seems to have learned how to add a significant amount thought to their films, just with their usual dumbing-down procedures.

David (Matt Damon) has met Elise (Emily Blunt) and based on one spontaneous kiss and one flirtatious encounter, he's determined that she's the one he's supposed to be with. They have other plans. Oh yes, the indefinable, ambiguous pronoun "they". Just to keep a sense of the intrigue afloat, I'll define "they" as the men of "The Adjustment Bureau". What they want, we don't really know. But David wants the girl—a beautiful girl—but just a girl nonetheless.

For us, questions of free will, fate, soul mates, success and pre-defined destinies abound. All running around an intricate maze of New York architecture. Although intricate might not be the best word because there's nothing here for us to figure out; the film lays everything out well in advance, and over and over again in case you missed it. At least there's intelligence to the story but unfortunately no subtlety.

"The Adjustment Bureau" has pretty city-scapes and pretty people playing more profound characters than pretty people usually play. As with most genre-mixing films, there is something for everybody. I got the intelligence that is usually sorely missing from big-budget Hollywood action films although I could have done with a bit more respect.