Corner Office

Based on a book, 'The Room' by Swedish author Jonas Karlsson, a dark comedy.

I never found it boring in the least. It depends on your preconceptions going into it I guess? You experience it almost entirely in the head of the protagonist, and his internal monologue. The lead plays this to perfection, though I found myself envisioning Steve Carrell in the role! Its certainly not a thriller, in fact, like (I guess) a typical corporate office environment, its mundane, stifling, repetitive.

So why did I like it? It has you guessing, does the room exist? It has you thinking, why is this man like this? Have I known someone like this, and how did I, and others treat them?

The acting and direction are excellent, you buy into all of the characters as ordinary everyday types. The cinematography and soundtrack are faultless, there is nothing to distract you from the monologue. Its 1 hour 41 minutes occupying the head of a troubled individual, who's increasingly fractious interactions with his fellow workers provides drama and interest enough to keep it interesting.

In the perspective of Orson it's his refuge from ugliness. In times where children being left increasingly uncared for only to be grown and become a foot soldier in a crusade to quench the corporate desires it's a fertile ground to grow more Orsons. Visuals are perfect to signify the coldness and impenetrable ways of the massive structures where ants rush. A great story that mocks what's accepted as normal. Hopeless staring at a world left behind out there is what's left to do when routine entrapment seemed hopeless. Great meaningful use of audio. Excellent performances by the cast. In this corner office you will be left to choose between alternatives and that's a fun experience.

A tale of absurdity, distance, disaffection and solace "Corner Office" is a glimpse at the comfort people seek through the compartmentalized isolation of the modern corporate world. Orson is an employee in a typical office. Tall, spectacled, withdrawn and strangely inscrutable he's the bonafide oddball who elicits immediate amusement. When he takes constant visits to "The Room", a place situated between the office and the toilet coworkers and the boss react predictably leading to some tense moments considering it's only Orson who believes the room exists. With his brushed-down hair, glasses, moustache, stare from below, slightly bloated features and articulate monotone Jon Hamm's neurotic nerve-wracked Orson is the star of the show as he steals every scene embodying the surreal singularity of this modern day Bartleby. Like most offbeat films there are parts that drag but to viewers with a taste for the different this is well worth the view. A reflective portrayal of alienation in an age of indifference, negativity and self-centeredness "Corner Office" is a dark comedic gaze at society and the comfort zone people desperately seek to survive, whether it exists or not.

I did not know what to expect from this film but had seen Apple TV "Severance" so was expecting something along the same lines. However I was refreshingly surprised at the nuisances and tone. The office seems a lot more oppressive and the setting and tone are masterpieces in their own right! Such an extenuation of the corporate office environment possibly of the 1990/2000,s.

I loved the introductory monologues that revealed the thought patterns of the main character and his strategies that any on a spectrum of some sort could relate to when entering a social environment.

The room.was a great representation of a mind space. The colleagues a great representation of the close minded colleagues of the 90 and 2000,s. Thankfully I have observed many an office environment changing. However Office politics always exist and this was a great reflection of that.

For those who have not worked in a corporate environment or understand life on a mental spectrum you may not appreciate the nuisances of this slow burn. But for the rest of us it was an amazing piece of cinema!

In off-centre, dark dramedy "Corner Office" (adapted by Ted Cupper from Jonas Karlsson's book 'The Room') Jon Hamm (always strong) is a new employee (under Christopher Heyerdahl alongside the likes of Danny Pudi & Allison Riley (with Sarah Gafon in support)) at a dull, grey, monolithic corporation, which tho contempory feels backwards & Seventies (in a "Wristcutters: A Love Story" stylee). Told from Hamm's perspective it's soon clear he's mentally ill, imagining for example the plush titular office (which no-one else can see) where he gathers his thoughts. Joachim Back delivers a quirkily interesting film in distinctive style... but it won't be to everyone's taste.