Deuce of Spades

The quality of this film can only be described as incredible, when one considers that Faith Granger is virtually a total amateur in the field of making movies and all the aspects involved to create this movie.

But her passion for the Hot Rod lifestyle shines through in the attention to create total realism for the era being depicted in this movie.

When you also consider that virtually all the actors were also appearing in a movie for the first time and played their rolls so well, tells me of their commitment and the belief they had in Faith and her production.

The storyline is such that one doesn't have to be into Hot Rod and Custom cars to enjoy this film. Because the storyline isn't totally about the hot rod and custom cars. At the end of the day this is a love story set in an era that Faith obviously loves. But I see that she does not do this in a self indulgent way. She came up with a concept that she believed in and went for it. And as I suggested earlier the end result is stunning.

I would highly recommend this movie to anyone.

Geoff aka whodaky

Deuce of Spades is a hand crafted piece of art. This is a car movie, but it actually has character development, a plot, high craftsmanship, and a meaningful message which will extend its appeal far beyond the typical car movie crowd.

All the characters in this movie are fully three dimensional characters that evolve and change before the audience's eyes. They do not fall into the stereotypical categories associated with many movie characters, and show true real-life emotion, strength, and weakness. The well thought out plot keeps the audience emotionally involved with all of the characters, while giving both the character and audience room to grow. All while the plot twists create a true need to understand the characters and know the truth about the Deuce.

The quality of Deuce of Spades is also fantastic. The cinematography is very nicely done; using lots of natural light that helps showcase all of the stars of this film, including the cars. The scenery and locations are also well chosen, and add a realistic back drop for story development. All the vehicles were period correct and added realism to the story. I personally like the use of the TRI fives, 1955, 1956, 1957 Chevrolets, as a way to mark the passage of time.

This movie will naturally mean something different to each and every person who sees it, but it does get many messages across relating to the essence and feelings of love, rebellion, pride, passion, fear, and destiny. It is these messages along with the powerful emotions of the characters and decent acting that sets this film apart.

Deuce of Spades is much better than most of the movies put out by Hollywood, and stays with you long after the credits have finished. The meaningful feelings that this movie impresses upon an individual should be done by all Hollywood movies. Simply put; most other movies get their doors blown off by the Deuce of Spades.

Deuce of Spades is a move that begins telling the story of a 1932 Ford Highboy Roadster but ends up with the discovery of a love story between the builder of the roadster and his girl.

This exquisitely photographed film filled with so many fantastic hot rods, jumps back in time to the mid 1950's; the age of innocence, when fast cars, rock and roll, drag racing, and good times were all that mattered to young people.

Author/Director/Producer/Editor Faith Granger, has captured the look and feel of Southern California back in the days when orange groves dotted the landscape and swing dances were all the rage. Period correct in every detail Granger manages to bring back the simple life style of that era with confidence and grace. But it is her keen story telling of the lost love between Johnny Calloway and Betty Thompson that captivates the main thread of the story

The most incredible aspect of this film is that film maker Granger, never went to film school, never made a film before, had never written a script, never edited a movie or scored a film before Deuce of Spades. Faith Granger is an undiscovered talent whose keen eye for detail and smart approach to film making should be making movies for a major studio. I for one look forward to more outstanding work from this most talented film maker.

Lynn B. Tivens Meister Communications

For an "Home made" low-budget film, Faith has nothing to be ashamed face other film sizes similar. Good all age story, good construction for the scenario, good choice of cars for the flashbacks, although unknown actors (except some celebrities out of the movie world that you will recognize if you are passionate ) but doing very well (we had much worse in big budget movies ),...

Frankly, if there is one lesson of this movie is when we want something, you can get, Faith is the proof, just watch the end credits and listen to the first minutes of making off, she almost did everything alone, production, screenplay, directing actors, ... she even participate in the film as actress, production of the soundtrack,... Faith, you're a Lady. I don't think passionate fifties and / or cars, you can be disappointed by this small unpretentious film, or you're very critical.

That was my personal opinion.

Good vision

If you'll read the other reviews, you'll notice that every single one of them gives the movie the maximum rating, gushes on about how great it is, etc. It is extremely clear that these aren't reviews by random people who "just happened" to rent the movie or see it online or whatever, they are obviously people who somehow know the filmmaker, are members of hotrod groups to whom this film has already been marketed, etc. It's obvious that the film's owner/creator/whatever has solicited these comments and reviews under the mistaken impression that they will somehow influence others, which is a mistake. I just watched it online, it was certainly good for a first effort, but Jackie Grainger still has a ways to go when it comes to perfecting her craft. This is a noble first time effort, but it doesn't, contrary to the "sincere and unsolicited reviews", deserve a spot in the "top films of all time" et al. The acting is, in spots, terrible and at more than two hours, it was about 30 minutes longer than I felt it should have been (a common mistake made by first-timers who cut their own work).