L'Impératrice

The first thing that I noticed was that "Sissi" who was supposed to be 15 years old, looked more like 25 years old. The exaggerated hairstyles of some of the female characters were entirely out of place. Why couldn't they just stick to what was correct for the period? And that troupe dance sequence?? Sorry, but that choreography just didn't fit either. The same went for some of the female costumes. Why did they have some of the female actors with a fifties cowl-like top to their gowns?

And did someone say at one point, "whatever floats your boat". Really, trying to paste 21st century slang into the 19th Century ! What are the script writers thinking? Or was it something that got badly distorted in translation? Anyway, it was jarring. That said, much of the camera work was inventive.

Like "The Crown" the film has little relationship to the facts and thus gives a distorted view of the period and the real Empress Elizabeth's story. The facts are just as interesting, and in my view, quite sustainable for television drama. When will someone eventually make a movie of the "true story"?

In any future series, I hope the writers, costumers and hair-stylists move closer to historical accuracy rather than continuing to pursue the quirky distortions of the first series.

Being a history buff, I was pretty skeptical. All I can say is, don't come to this for the history, as many, many liberties were taken. Come instead for the gorgeous production and wonderful acting. I was hooked after the first episode in spite of my eye-rolling during parts of it. You can't beat Austria for gorgeous exteriors and interiors, and the costumes are breathtaking. And the performances are stellar all around. I loved hearing it in German. Once in a while there's a slangy clunker in the English subtitles (like "okay"), but for the most part the translation seems to flow very well. Can't wait to see more.

...while based on a true story it is far from historically accurate. But don't let that get in the way of enjoying a superb drama and beautifully created production. The acting is first class, and the palace intrigue among all the characters ever vying for power and influence maintains all the suspense.

My hope is that productions like these inspire people to do a little research of their own on these characters, and the history of the times. While this drama takes much license with historical fact, the essence of the Emperor and Empress's plight is not far from reality. Far removed from their subjects by tradition and duty, it took great courage to push the boundaries that even to think of doing so people of those times feared would bring their world crashing down were anyone to even contemplate such. The life of a royal was grand and luxurious but steeped in a mystical and suffocating reality. It took ages, centuries, and wars and revolutions to bring change.

It is a powerful and wonderfully executed drama, one well worth your time...and contemplation.

The first thing the actress playing Elisabeth does NOT look 16. She's pretty but not drop dead gorgeous like Roma Schneider was in Sissi and she really was 16. The Emperor Waltz indeed was written for Emperor Franz Joseph...in 1889. NOT for his wedding to Elisabeth of Bavaria which was in 1854. And what's with the blonde pageboy hairdo sported by the spurned older sister Helene. And the weird modern dance routine. Wasn't the REAL story of Franz Joseph and Elisabeth interesting enough without these embellishments. And yet all the night scenes lit by torches and candlelight are period authentic and very hard to watch. I will probably continue watching because it's not bad just not great.

The huge problem for me, a humble history teacher , was to like it. I saw the first episode with high expectation. After the next five episodes, not exactly the dissapointment was the state but a sort of fatigue.

The series has only a virtue - two good looking young actors in the main roles.

And nothing more.

Sure, clothes, rooms, a lot of sensuality but each of them represents only details.

The good intentions are obvious, in same measure than the try to be original, ignoring the historical truth. And maybe , for a large public, it is just seductive entertainment. For me not, especially for bizarre excesses.

But I am real grateful to director for this series. It is an enough motif for appreciate little more its "adversary" - Sissi by Sven Bohse.